Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

c. 1560
(reigned 1556–1605)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 16 x 10.1 cm (6 5/16 x 4 in.)
Location: not on view
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Did You Know?

Bahir’s friend, wearing yellow, appears both in the upper register and outside Habbaza’s tent.

Description

In the upper register, Bahir, dressed in orange, conveys a message to his friend for his lover Habbaza. Habbaza herself, who is married to another man, waits for the message in her tent. Other villagers appear throughout the painting, some gesturing in surprise, signaling how news of the clandestine affair spread among the people of Habbaza’s tribe.
Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

c. 1560

Mughal India, court of Akbar (reigned 1556–1605)

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.