Alternate Views

Battle of the Nudes

1470s-1480s

Antonio del Pollaiuolo

(Italian, 1431/32-1498)

Italy, 15th century

Engraving

Sheet: 42.4 x 60.9 cm (16 11/16 x 24 in.); Platemark: 42 x 60.4 cm (16 9/16 x 23 3/4 in.)

Purchase from the J. H. Wade Fund 1967.127

Catalogue raisonné: Hind I,191,D.I.1 ; Bartsch XIII.202.2

Location

not on view

Description

This engraving is one of the earliest Renaissance prints to portray the nude male body in action. Pollaiuolo’s grimacing warriors appear like clones in different poses. The print may have functioned as a model for workshop apprentices studying human anatomy while learning to draw; however, the artist’s Latin signature suggests it also had an audience educated in literature. Art historians remain uncertain whether Pollaiuolo intended to depict a particular story or historical event. It is possible he created a deliberately ambiguous allegory that would appeal to patrons interested in interpreting symbols. For example, the continuous chain shared by the two central men could refer to an ancient idea that the body is the chain of the soul, only to be released in death.

Citations

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 79 archive.org

The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 91 archive.org

Berti, Luciano, Federica Chezzi, Antonio Natali, and Mario Sperenzi. Botticelli: approccio nel nuovo millennio. Firenze: Centro Di, 2015. Mentioned; p. 62; Reproduced: p. 64

Schulz, Anne Markham. The History of Venetian Renaissance Sculpture, Ca. 1400-1530. London : Harvey Miller Publishers, 2017. Mentioned p. 162; Reproduced fig. 53

Nethersole, Scott. Art and Violence in Early Renaissance Florence.
New Haven, Connecticut : Yale University Press, 2018 Mentioned and Reproduced: p. 20, 34, 116-117, 176-182, 179. figs. 6, 79,144,147

Rubin, Patricia Lee. Seen from Behind: Perspectives on the Male Body and Renaissance Art. New Haven : Yale University Press, 2018. Mentioned and Reproduced: p. 40-41, 122-123, 213, pl. 1.41, 4.14, 6.33

Exhibition history

Cleveland, Ohio: The Cleveland Museum of Art; August 25-October 27, 2002. "Battle of the Nudes: Pollaiuolo's Rennaissance Masterpiece". exh. cat. number 1, p. 2.

CMA, "Treasures on Paper from the Collection of the Cleveland Museum of Art" (Mar. 9, 2014-Jun. 8, 2014)

The Cleveland Museum of Art (08/26/2017-12/31/2017): “Gods and Heroes: Ancient Legends in Renaissance Art”

Object Lessons: Cleveland Creates an Art Museum. The Cleveland Museum of Art, Cleveland, OH (organizer) (co-organizer) (June 7-September 8, 1991).

CASVA (Curatorial/Conservation Colloquy in conjunction with the Center for Advanced Study in the Visual Arts). National Gallery of Art, Washington, DC (June 19-21, 2000).

Battle of the Nudes: Pollaiuolo's Renaissance Masterpiece. The Cleveland Museum of Art (organizer) (August 25-October 27, 2002).

Treasures on Paper from the Collection of the Cleveland Museum of Art. The Cleveland Museum of Art (organizer) (March 9-June 8, 2014).

Cite this page

{{cite web |title=Battle of the Nudes |url=https://clevelandart.org/art/1967.127 |author=Antonio del Pollaiuolo |year=1470s-1480s |access-date=16 February 2019 |publisher=Cleveland Museum of Art}}

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Battle of the Nudes

Battle of the Nudes

Antonio del Pollaiuolo

Italy, 15th century

Location

Description

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