Depictions of geese usually appear as ink paintings in Japan during the 13th century. They later show up in the colorful landscapes of illustrated handscrolls.Such early ink renditions of the birds have long been associated with classical Chinese Zen painting and poetry, which was avidly admired and collected in medieval Japan. In these screens the artist portrayed the waterfowl in a pastoral setting without reference to classical or religious themes. Such ordinary subjects were imbued with special meaning in 14th- and 15th-century Japan through associations with continental culture, Zen thought and poetry, as well as with famous Chinese monk-painters whose painting techniques had become revered as visual emblems of Zen principles.The screens here reflect the continuation of that painting tradition in the late 16th century or early 17th century by the head of the most important studio in Kyoto. Sanraku also executed a number of colorful folding screen compositions, but here pays homage to the style of early Zen painting.