Aulad Tied to a Plane Tree, from a Shahnama by Firdausi

1575–1600

Sadiqi Bek

(Iranian, 1533–1609)

Culture

Iran, Qazvin or Isfahan?, Safavid period (1501–1722)

Medium

opaque watercolor, gold, and silver on paper

Measurements

Sheet: 33.5 x 23.5 cm (13 3/16 x 9 1/4 in.); Image: 33.5 x 23.5 cm (13 3/16 x 9 1/4 in.)

Credit Line

Andrew R. and Martha Holden Jennings Fund 1988.101

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Location

Not on view

Did You Know?

Rustam’s dappled horse named Raksh drinks water; it was originally silver, but has now oxidized to black.

Description

This large-scale illustration reflects a new aesthetic with simpler paintings of isolated figures which artists signed for less sophisticated patrons in the marketplace, replacing the previous idealized court style as a result of decreased support under Shah ‘Abbas (reigned 1587–1629). Instead, he improved the infrastructure to increase international trade and the country’s wealth.

The scene depicts Aulad, who guided the legendary hero Rustam through numerous ordeals. Since Aulad was not entirely trusted, Rustam often tied him to a tree, here a plane tree which shelters a pair of nesting birds. The painter, poet, and royal librarian Sadiqi Bek signed his name in tiny script on the brown rock below Aulad.