You are here:
Part of a set. See all set records
Oil paint, ash, stucco, chalk, linseed oil, polymer emulsion, salt and applied elements (e.g., copper heating coil), on canvas, attached to lead foil, on plywood panels
Framed: 350 x 410 cm (137 13/16 x 161 7/16 in.)
Leonard C. Hanna, Jr. Fund 1990.8
© Anselm Kiefer
As a German artist, Kiefer struggles with the aftermath of the Holocaust and creates work that engages history, ethical issues of the present, and German identity through images emblematic of Nazi sites. This barren, deeply recessed landscape is divided by train tracks, recalling the deportation and death issued by the Nazi party. A substructure of lead mounted on wood is marked by footprints and tire tracks, plastered, burned, and covered with ash. The raw natural materials and destructive artistic process symbolize human tragedy. Salt, applied to the upper half of the work, connects the historical event with the biblical narrative of Lot’s escape from Sodom and Gomorrah. Lot’s wife, who disobeyed warnings not to look back at God’s destruction of the cities, was turned into a pillar of salt.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email firstname.lastname@example.org.
Is something not working on this page? Please email email@example.com.
Request a digital file from Image Services that is not available through CC0, a detail image, or any image with a color bar.