This sculpture represents one of the 24 Jinas, but the absence of attributes makes it impossible to determine which one. This is not surprising since Jinas tend to look alike. Although this figure wears a cloth around his waist, Jinas are usually shown naked-a reference to their renunciation of worldly goods-and seated cross-legged in the posture of meditation (dhyanasana) with their hands resting in their laps (in the dhyana mudra), palms turned upward. Their physical appearance is always the same: broad shoulders, tapering torso, and long, highly stylized limbs. The head, with its round face and short-cropped curls, has a small protrusion at the top. The facial expression conveys self-assurance, wisdom, and compassion. Such a figure would usually have a halo attached to the back of the head.

The present bronze dates to a time when some of the finest Jain sculptures and monuments were produced in India, as documented by such temples as Mt. Abu in Rajasthan (the area where this sculpture originated), Khajuraho in Madhya Pradesh, or Srivana Belgola in Karnataka.

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Jina (Tirthankara), 900s-1000s

bronze with silver inlay, Overall: 61.50 x 49.50 x 36.80 cm (24 3/16 x 19 7/16 x 14 7/16 inches). Severance and Greta Millikin Purchase Fund 2001.88

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