Leaf from a Kalighat album: Maid bringing a hookah to a lady (recto); Krishna weighed against precious objects(?) (verso) Eastern India, Bengal, Kolkata, Kalighat

Leaf from a Kalighat album: Maid bringing a hookah to a lady (recto); Krishna weighed against precious objects(?) (verso)

c. 1890

Eastern India, Bengal, Kolkata, Kalighat

Gum tempera, graphite, ink, and tin on paper; Woodcut, hand colored with gum tempera

Secondary Support: 48.6 x 30.1 cm (19 1/8 x 11 7/8 in.); Recto Image: 45.8 x 27.5 cm (18 1/16 x 10 13/16 in.)

Gift of William E. Ward in memory of his wife, Evelyn Svec Ward 2003.107

You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Description

Kalighat paintings reflect the time and context in which they were created. Kalighat painters used their medium to offer penetrating and insightful critiques of British-influenced Indians as well as the British themselves through satires and caricatures. Newly rich Bengali native Indian clerks (babus) aspired to dress and behave like their British masters, and Kalighat painters taunted them for this.

The maid, dressed in green, holds a hookah in her right hand. The lady in red is likely a fashionable high society concubine or prostitute known and depicted at this time as hookah-smoking, makeup-wearing, paan- (betel leaf with areca nut and lime paste) chewing hussies. The wealth created by the East India Company made it possible for Bengali babu dandies to have concubines and pay for prostitutes.