of the objects placed on the sensitized paper. Using the photogram as a negative reverses that reversal to create a positive print. Printing a mix of positive and
negative images on the same sheet of paper allowed Lissitzky to add a sense of three-dimensionality to the silhouettes yielded by the photogram process.

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Mannequin, c. 1928

gelatin silver print from a photogram negative, Image: 29.40 x 23.50 cm (11 9/16 x 9 1/4 inches); Paper: 29.50 x 25.60 cm (11 9/16 x 10 1/16 inches). John L. Severance Fund 2007.147

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