The Clothes are Italian

1715–1716
This object has related works. See
(French, 1684–1721)
(French, 1645–1728)
Support: Laid paper
Platemark: 30.5 x 21.3 cm (12 x 8 3/8 in.); Sheet: 37.2 x 26.9 cm (14 5/8 x 10 9/16 in.)
Catalogue raisonné: Dacier and Vuaflart, 130
State: IV/VI
Location: not on view
You can copy, modify, and distribute this work, all without asking permission. Learn more about CMA's Open Access Initiative.

Download, Print and Share

Description

The Comédie Italienne, the Italian commedia dell’arte, took up residence in Paris in the mid-17th century, incorporating French chansons and Italian arias into their performances. The troupe was banished from France in 1697 as punishment for satirizing the regime of Louis XIV. In 1715, the crown passed to Philippe II d’Orléans, who served as Regent until Louis XV attained his majority in 1723. An accomplished musician and composer of three operas, Philippe was in constant attendance at the Opéra, and even conducted royal business in a loge. In 1715, the year Watteau made his etching, Philippe reinstated the wildly popular Comédie Italienne.
The Clothes are Italian

The Clothes are Italian

1715–1716

Jean Antoine Watteau, Charles Simonneau

(French, 1684–1721), (French, 1645–1728)
France, 18th century

Visually Similar Artworks

Contact us

The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email collectionsdata@clevelandart.org.

To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.

All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.