Artwork Page for Facsimiles of Sketches Made in Flanders and Germany: On the Walls, Cologne

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Facsimiles of Sketches Made in Flanders and Germany: On the Walls, Cologne

1833
(British, 1783–1852)
published by
Support
Gray paper
Measurements
Sheet: 54.9 x 37 cm (21 5/8 x 14 9/16 in.); Image: 40.7 x 28.2 cm (16 x 11 1/8 in.)
Credit Line
Catalogue raisonné
Lockett 175
Public Domain
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Location
Not on view

Description

Prout was a landscape watercolorist, printmaker, and well-known teacher. Prout drew freely on the stone with a firm but crumbling line, ideally suited to the quaint, eroded architecture he loved to portray. Tone was obtained by printing on pale gray paper and then adding highlights by hand with white gouache. Topographical prints had been popular in England since the late 1900s and they increased awareness of the beauty of the British landscape. Such prints, as well as the writing of Jean Jacques Rousseau, inspired a love of nature. When the Napoleonic Wars ended in 1814, peaceful conditions enabled people to travel, leading to the production of lithographic scenes from Europe. These were most often published in sets, sometimes with accompanying text, through which patrons could vicariously satisfy their wanderlust.
A vertically oriented lithograph depicts a cylindrical stone tower topped by a wooden windmill. In the foreground, figures with light skin tones gather; a woman balances a bundle beside a child. To the left, a tree rises near a street lantern and gabled house. Large white cloths drape from a railing high on the masonry over arched openings. Birds scatter across the sky above text reading "ON THE WALLS, COLOGNE."

Facsimiles of Sketches Made in Flanders and Germany: On the Walls, Cologne

1833

Samuel Prout, Charles Joseph Hullmandel

(British, 1783–1852)
England, 19th century

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