You are here:
Pan Lang (Han Rō)
Pan Lang (Han Rō)
(Japanese, active mid-1500s)
Japan, Muromachi period
Fan-shaped painting mounted as hanging scroll; ink and gold on paper
Painting: 25 x 50 cm (9 13/16 x 19 11/16 in.); Mounted: 99.4 x 65.5 cm (39 1/8 x 25 13/16 in.)
Gift from the Collection of George Gund III 2015.591
These three fan-shaped paintings, now mounted as individual hanging scrolls, were once part of a set of 20 mounted on a folding screen. They portray the Chinese subjects, from left to right, of the scholar-official Pan Lang, Hanshan reciting his poetry to Shide, and a duck in flight above reeds. Pan Lang grew so fond of the mountain in his place of exile that when he was ordered back to the capital, he rode backward on his donkey so he could see it until it receded into the distance. Hanshan and Shide worked in the kitchen of a Zen monastery, but were actually reincarnations of the bodhisattvas Manjushri and Samantabhadra. The combination of a mandarin duck and reeds may have signified a level of attainment in Chinese civil service exams. All three paintings bear the seal of the Kantobased artist Shikibu Terutada. Shikibu was familiar with Kano school painting, but he also modeled his early style after that of the prominent Kanto-based Kenkō Shōkei (active about 1470–after 1523).
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email firstname.lastname@example.org.
Does something look wrong with this data or image? Please email DigitalTechnology@clevelandart.org.