With the Conservation in Focus of Michelangelo Merisi da Caravaggio’s Crucifixion of Saint Andrew closing this week, it is natural for a visitor to have lingering questions. Here is a process ordinarily unseen. The curious visitor to the focus gallery will find in the installation a desk with question cards, for your inquiries about the painting, about conservation, about really anything at all. You’ve asked and we’ve let you know. Here are some of the most asked questions from the exhibition run.
Blogs with tag: art
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"How do you remove varnish layers without softening or damaging the paint?" is just one question asked through the run of the Cleveland Museum of Art's exhibition, Conservation in Focus: The Crucifixion of Saint Andrew. We invite you to ask questions in the gallery via our interactive Q&A and online with the hashtag #Get2KnowCaravaggio. Here are this week's five featured Q&A's!
The Cleveland Museum of Art presents Remaking Tradition: Modern Art of Japan from the Tokyo National Museum, which features more than 50 masterpieces of modern Japanese art from the Tokyo National Museum. Exhibition highlights include six objects considered ‘Important Cultural Properties of Japan.’
While walking the west wing galleries where the collections are on view, one can't miss the the sculpture of Brahma in the center of the exhibition. The object, acquired by the Cleveland Museum of Art in 2007, was actually first titled Shiva as Brahma before being renamed Brahma. Why the name change? We asked Sonya Quintanilla, George P. Bickford curator of Indian and Southeast Asian art, to talk about the history and identity of this particular work of art.
Over the years the look, feel, and location of the Cleveland Museum of Art’s galleries featuring Asian artwork has transformed around the Seated Amitayus Buddha. See the transformation of the Asian-focused art galleries from 1916 through today in this special photo blog.
The Cleveland Museum of Art's Indian and Southeast Asian collection is rated as one of the leading collections in this area, both nationally and internationally. To add to its collection, the museum is pleased to announce a significant acquisition of the Catherine Glynn Benkaim and Ralph Benkaim Collection of Deccan and Mughal Paintings.
Luster Wall Tile with a Couple, 1260-1300, Fritware with luster-painted design
Iran, Kashan, Ilkhanid Period , Gift of the John Huntington Art and Polytechnic Trust by exchange.
We are anticipating the installation of Work No.