Time is running out to experience Senufo: Art and Identity in West Africa at the Cleveland Museum of Art! Through Sunday, May 31, delve deeper into the world of Senufo art: its identity, imagination, and impact. We caught up with the museum's Curator of African Art, Constantine Petridis, for some behind-the-scenes perspective of the making of the exhibition. "Throughout the exhibition, we’ve grouped objects by type…creating mini-installations of art, where the installation helps visitors to look, read at individual works and make connections," he said. Watch more.
Blogs with tag: curator
On view through May 31, Senufo: Art and Identity in West Africa features nearly 170 loans from museums and private collections in Europe, Canada, and the United States. We sat down with Constane Petridis, Curator of African Art, to discuss the exhibition.
Senufo: Art and Identity in West Africa is now open at the Cleveland Museum of Art. We caught up with the museum's Curator of African Art, Constantine Petridis, for a closer look at the art of African art.
Forbidden Games: Surrealist and Modernist Photography, is on view now through Sunday, January 11 at the Cleveland Museum of Art. Through 167 photographs and illustrated books, the collection tells two stories: one of a radical moment in early twentieth-century art and the other of impassioned collector David Raymond, whose adventurous spirit and vision harmonized perfectly with his subject. In our ongoing video series surrounding the exhibition, we take an inside look at Forbidden Games and examine the definition and influence of surrealist photography.
Masterpieces from the Cleveland Museum of Art are constantly traveling all over the world. Works from our collection are highly sought after for exhibitions in the United States and abroad. After conservators and curators evaluate whether a work is in good enough condition travel and determine the significance of the exhibition is a match, a work of art is carefully packed and accompanied by a courier on every step of its journey. Here is a sneak peek of some of one of these stories, which we will be featured in upcoming posts.
William Robinson, Curator of Modern European Art (Paintings and Sculpture 1800-1960), shares an inside look at van Gogh and his compelling career surrounding the museum's latest special exhibition, Van Gogh Repetitions open through Sunday, June 1.
While walking the west wing galleries where the collections are on view, one can't miss the the sculpture of Brahma in the center of the exhibition. The object, acquired by the Cleveland Museum of Art in 2007, was actually first titled Shiva as Brahma before being renamed Brahma. Why the name change? We asked Sonya Quintanilla, George P. Bickford curator of Indian and Southeast Asian art, to talk about the history and identity of this particular work of art.
The Cleveland Museum of Art's Indian and Southeast Asian collection is rated as one of the leading collections in this area, both nationally and internationally. With the grand opening of the building and completion of the renovation and expansion project, the collection, along with the museum's distinguished collection of Chinese art, is on view once again. Just before the opening, we caught up with Sonya Quintanilla, George P. Bickford curator of Indian and Southeast Asian art, to talk about some of the highlights in the new west wing galleries! She shares with us an in-depth background on four of the must-see works in the collection.
It is clear from examples that survive from the Middle Ages and early Renaissance, that the crucifix, in the hands of a great artist, achieved the status of a consummate work of art. The Cleveland Museum of Art possesses a beautiful example of a large-scale, painted crucifix made in Pisa during the 1230s. The majestic Cleveland crucifix is one of the few elaborate painted Italian crosses in the United States.
One quick visit to the current exhibition at the CMA, Less is More: Minimal Prints, will illustrate the power behind such seemingly straight-forward art and explain how that initial reaction is not far from what was intended. The museum’s Curator of Prints, Jane Glaubinger, provides us with some explanatory background on this exhibition and its featured artists.
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