Visitors to the Transformer Station’s crane gallery this fall will encounter a weeping woman with a deep-fried floral arrangement for a head, larger-than-life perfume bottles brimming with eyeball-enlarging contact lenses, and paintings made of soap that examine the human body on a molecular level. All of these artworks are part of Anicka Yi’s first solo museum exhibition, hosted by the Cleveland Museum of Art, beginning Saturday, October 11.
The Thinker: A CMA Blog
Masterpieces from the Cleveland Museum of Art are constantly traveling all over the world. Works from our collection are highly sought after for exhibitions in the United States and abroad. After conservators and curators evaluate whether a work is in good enough condition travel and determine the significance of the exhibition is a match, a work of art is carefully packed and accompanied by a courier on every step of its journey. Here is a sneak peek of some of one of these stories, which we will be featured in upcoming posts.
Frederic Edwin Church was one of our country’s consummate artistic talents, and his masterpiece, Twilight in the Wilderness (1860), ranks among the Cleveland Museum of Art’s most admired paintings. This fall, beginning Saturday, October 4, we will showcase the majestic work in a special focus exhibition, Maine Sublime: Frederic Church’s Twilight in the Wilderness, displaying it alongside nearly two dozen the artist painted the canvas in his New York studio, partly basing it on sketches he produced during travels near Mount Katahdin in Maine.
This coming weekend, the Cleveland Museum of Art will kick off its 2014-2015 Performing Arts Series. Get yourself acquainted with the artists performing this season in just two minutes!
The Cleveland Museum of Art is excited to participate in this year's official Ask a Curator Day on Twitter. On Wednesday, September 17, we invite you to ask a question of a curator on Twitter by using the hashtag #AskaCurator and including @ClevelandArt in your tweet! In the meantime, meet our participating curators in this blog post, and feel free to ask your questions in advance in the comments section!
With the Conservation in Focus of Michelangelo Merisi da Caravaggio’s Crucifixion of Saint Andrew closing this week, it is natural for a visitor to have lingering questions. Here is a process ordinarily unseen. The curious visitor to the focus gallery will find in the installation a desk with question cards, for your inquiries about the painting, about conservation, about really anything at all. You’ve asked and we’ve let you know. Here are some of the most asked questions from the exhibition run.
This past July, contemporary artist Roman Signer presented a selection of his films, with commentary, at his only public appearance in the United States at the Cleveland Museum of Art. While here, Signer sat down with the CMA's Associate Curator of Contemporary Art, Reto Thüring, for a deeper look at his work and his methods to create his work.
Read one perspective on why yoga is an art in this guest blog by Dawn Miller (yoga therapist, registered Viniyoga teacher, and meditation instructor) after her visit to the Cleveland Museum of Art's exhibition Yoga: The Art of Transformation.
Yoga: The Art of Transformation is the first exhibition of its kind and features more than 135 objects ranging from the first-century to the early 20th-century. Learn more about this exhibition, which closes in 10 days on Sunday, September 7!
"Did Caravaggio paint his own image in this painting?" is just one question asked through the run of the Cleveland Museum of Art's exhibition, Conservation in Focus: The Crucifixion of Saint Andrew. We invite you to ask questions in the gallery via our interactive Q&A and online with the hashtag #Get2KnowCaravaggio. Here are this week's five featured Q&A's!