A suite of five vivid, larger-than-life paintings in Gallery 201 may have caught your eye as you entered from the south door during the Solstice party—2003.6.1 (Polyhymnia, Muse of Eloquence) through 2003.6.5 (Clio, Muse of History)—all painted by artist Charles Meynier between 1798 and 1800.
Way back in 2008, when the Cleveland Museum of Art reopened a good portion of its permanent collection to the public, some friends and I decided to spend an afternoon checking out the galleries. Stepping into the brand new entrance to the 1916 building, the first thing we were greeted with was Jeptha Wade’s Portrait of Nathaniel Olds, a man from the 1830s wearing what appeared to be a sweet pair of sunglasses:
Collection Highlight: Song (HD Video)
We displayed the recently acquired Song exclusively at The Happy Dog, a Westside bar and eatery during May and June.
We appreciate the support of museum members and donors in establishing endowments to support specific projects at the museum. We celebrated their generosity during an April 2012 reception in which the donors shared why their support of the museum was so important to their philanthropic activities.
While our contemporary galleries are being re-imagined and reinstalled, the first of new relational art pairings are now featured in the Reid Gallery.
The museum’s Teacher Resource Center is pleased to announce that its first webinar-based professional development session is now available. Explore teaching the American classic To Kill a Mockingbird through images in this arts-integrated Language Arts session. Dale Hilton, Director of Teaching and Learning, tells us about the session in this Q&A.