For more information, please contact:
Caroline Guscott, 216-707-2261, cguscott [at] clevelandart.org
Saeko Yamamoto, 216-707-6898, syamamoto [at] clevelandart.org
Events and Programs
For more information, please contact:
The Cleveland Museum of Art presents Less is More: Minimal Prints, an exhibition of over 50 artworks that examines the avant-garde Minimal Art movement that emerged in America around 1960. The spare style, consisting of single or repeated geometric forms depicted in solid, flat colors, was in stark contrast to the emotive, handmade look of Abstract Expressionist works, popular during the preceding two decades. Influential artists like Sol LeWitt, Ellsworth Kelly, Brice Marden, Donald Judd, Frank Stella and Robert Mangold all embraced this pared-down aesthetic and are featured in the exhibition, along with several others. A variety of printmaking techniques, such as woodcut, etching, aquatint, screenprint and lithograph will be represented. Organized by the Cleveland Museum of Art, the free exhibition will be on view June 16 through October 20, 2013 in the museum’s Prints and Drawings Galleries.
Forty-Part Motet, a work showcasing Janet Cardiff’s pioneering approach to sound and multimedia installation, consists of a recording of Spem in Alium, a 16th-century sacred choral motet, broadcast from 40 high-fidelity loudspeakers. The motet, by Tudor composer Thomas Tallis (ca. 1505–1585), features England’s Salisbury Cathedral Choir along with other professional singers and was recorded in 2000. Loudspeakers mounted on stands will be displayed in a circle around the museum’s Italian Baroque gallery, allowing visitors to listen to the individually recorded voices as well as experience the immersive environment of the combined vocals, an effect that is both approachable and haunting. Played on a continuous loop, the 14-minute work consists of a three-minute vocal warm-up and an 11-minute recording of the motet. Forty-Part Motet will be presented May 4 through June 9, 2013, and is from the collection of the National Gallery of Canada, Ottawa.
The Cleveland Museum of Art presents The Caporali Missal: A Masterpiece of Renaissance Illumination, a focus exhibition that examines the Caporali Missal, a stunning Renaissance manuscript recently acquired by the museum. The missal is presented in a unique setting that brings together liturgical objects that place the manuscript in ceremonial, cultural and art historical contexts. Many of these works have never been on view in the United States, including Bartolomeo Caporali’s monumental painted crucifix from the Church of San Michele Arcangelo in Perugia, Italy. Organized by the Cleveland Museum of Art, the exhibition will be on view from February 17 through June 2, 2013.
The Cleveland Museum of Art presents British Drawings from the Cleveland Museum of Art, the first exhibition to showcase the collection of British drawings ranging from the 18th century through the Edwardian era. Visitors will have a rare opportunity to see more than 50 fragile, light sensitive drawings in graphite, ink, chalk, pastel and watercolor, revealing over 150 years of artistic achievement in Britain. Works by some of Britain’s best known artists, such as Thomas Gainsborough, William Blake, J.M.W. Turner, John Ruskin and Edward Burne-Jones will be on view. Organized by the Cleveland Museum of Art, the exhibition will be on view from February 10 through May 26, 2013.
Join us Friday, May 3 at MIXup: Composition and experience John Cage’s HPSCHD in the unique setting of the museum’s Atrium. Tickets and event details at ClevelandArt.org/MIX. The museum’s Director of City Stages, Tom Welsh, discusses John Cage and his revolutionary compositions in this special guest blog.
The Cleveland-based theater company, Theater Ninjas, performs “The Excavation,” a site-specific performance complementing The Last Days of Pompeii, in the atrium on select days.
One of the city’s most popular and beloved events is upon us. The 37th Cleveland International Film Festival (CIFF) runs through Sunday, April 14 at Tower City Cinemas. Each year, the Cleveland Museum of Art partners with the festival to sponsor a film, and this year is no exception. We sat down with John Ewing, curator of film, to talk to him about the festival and our film The Painting.
In a unique blend of awe-inspiring virtuosity of Beijing Opera acting style and visually stunning Western stagecraft, the celebrated Taiwanese actor Wu Hsing-kuo adapts themes and relationships from Shakespeare’s monumental tragedy of power and deception, King Lear. Delivering a one man tour de force, Wu Hsing-kuo simultaneously depicts multiple characters, from the maniacal Lear and his ally Gloucester, to his evil, grasping daughters and the pitiful, lonely Fool.
Graphic designer Tina Greenslade found her own design interests reflected in the tunics in Wari: Lords of the Ancient Andes. “As an artist I enjoy examining ancient cultures and their works of art,” Greenslade says. “The work produced by the Wari culture speaks to my personal style through its use of pattern and color.” She is drawn towards abstraction and has recently begun to incorporate repeating geometric patterns into her work.