Exhibitions

Sense & Sensibility: Anicka Yi's Multisensory Art

Posted on September 29, 2014 by brutland

Visitors to the Transformer Station’s crane gallery this fall will encounter a weeping woman with a deep-fried floral arrangement for a head, larger-than-life perfume bottles brimming with eyeball-enlarging contact lenses, and paintings made of soap that examine the human body on a molecular level. All of these artworks are part of Anicka Yi’s first solo museum exhibition, hosted by the Cleveland Museum of Art, beginning Saturday, October 11.

The Cleveland Museum of Art presents Epic Systems: Three Monumental Paintings by Jennifer Bartlett

CLEVELAND (August 29, 2014) – The Cleveland Museum of Art presents Epic Systems: Three Monumental Paintings by Jennifer Bartlett, a monographic exhibition bringing together Bartlett’s most ambitious works in an installation that spans the entirety of her significant career. Composed of three works in Bartlett’s signature style – enamel paintings made up of hundreds of steel plates – the exhibition will be housed in the museum’s Kelvin and Eleanor Smith Foundation Exhibition Gallery from September 7, 2014 to February 22, 2015.

CLE to GVA: Follow Gustave Courbet's "Panoramic View of the Alps, Les Dents du Midi"

Posted on September 22, 2014 by ckorkow

Masterpieces from the Cleveland Museum of Art are constantly traveling all over the world. Works from our collection are highly sought after for exhibitions in the United States and abroad. After conservators and curators evaluate whether a work is in good enough condition travel and determine the significance of the exhibition is a match, a work of art is carefully packed and accompanied by a courier on every step of its journey. Here is a sneak peek of some of one of these stories, which we will be featured in upcoming posts.

"Twilight in the Wilderness:" A Close Look at an American Masterpiece

Posted on September 19, 2014 by mcole

Frederic Edwin Church was one of our country’s consummate artistic talents, and his masterpiece, Twilight in the Wilderness (1860), ranks among the Cleveland Museum of Art’s most admired paintings. This fall, beginning Saturday, October 4, we will showcase the majestic work in a special focus exhibition, Maine Sublime: Frederic Church’s Twilight in the Wilderness, displaying it alongside nearly two dozen the artist painted the canvas in his New York studio, partly basing it on sketches he produced during travels near Mount Katahdin in Maine.

Ask a Question: Caravaggio’s Crucifixion of Saint Andrew

Posted on September 11, 2014 by mgengler

With the Conservation in Focus of Michelangelo Merisi da Caravaggio’s Crucifixion of Saint Andrew closing this week, it is natural for a visitor to have lingering questions. Here is a process ordinarily unseen. The curious visitor to the focus gallery will find in the installation a desk with question cards, for your inquiries about the painting, about conservation, about really anything at all. You’ve asked and we’ve let you know. Here are some of the most asked questions from the exhibition run.

#Get2KnowCaravaggio: This Week's Gallery Q&A

Posted on August 25, 2014 by RGoodwin

"Did Caravaggio paint his own image in this painting?" is just one question asked through the run of the Cleveland Museum of Art's exhibition, Conservation in Focus: The Crucifixion of Saint Andrew. We invite you to ask questions in the gallery via our interactive Q&A and online with the hashtag #Get2KnowCaravaggio. Here are this week's five featured Q&A's!

The Believable Lie: Heinecken, Polke, and Feldmann on view at the Cleveland Museum of Art

The Cleveland Museum of Art presents The Believable Lie: Heinecken, Polke, and Feldmann, an exhibition focusing on relationships among the photographic work of three artists active during the 1970s that drew on ideas of surrealist/Dada culture of the 1920s and 1930s and influenced succeeding generations of photographers and media artists.

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