The Cleveland Museum of Art's installation of Sicily: Art and Invention Between Greece and Rome is well underway...
In Luxuriance: Silks from Islamic Lands, 1250–1900, the most distinguished areas of the world highlighted include textiles from Islamic lands including Egypt, Iran, Iraq, Spain, and Turkey. Beginning the first week of September, we will spotlight a different period within the collection here on the CMA blog. This week: Iran and Iraq.
In Luxuriance: Silks from Islamic Lands, 1250–1900, the most distinguished areas of the world highlighted include textiles from Islamic lands including Egypt, Iran, Iraq, Spain, and Turkey. Beginning the first week of September, we will spotlight a different period within the collection here on the CMA blog. This week: Islamic Spain.
The Cleveland Museum of Art is pleased to announce that the exhibition, Sicily: Art and Invention Between Greece and Rome, will open as scheduled on Sunday, September 29, 2013. All of the objects in the recently closed exhibition at the J. Paul Getty Museum, most notably the Mozia Charioteer and Phiale Mesomphalos, will be coming to Cleveland under terms that are consistent with the agreements previously reached among the government of the Region of Sicily, the Getty and the Cleveland Museum of Art, including an exhibition in Sicily of select masterworks from the museum’s Italian art collection planned for sometime in 2015.
CLEVELAND (August 19, 2013) – The Cleveland Museum of Art presents The Unicorn, its debut exhibition at Transformer Station, a new contemporary art venue owned by the Bidwell Foundation on Cleveland’s west side. The Unicorn refers to the book of the same title by Martin Walser, an author whose work often questions how humans continually reshape the past. The works in this group exhibition of five internationally-renowned contemporary artists share the processes and practices involved in the construction and reconstruction of the past.
The Eastern religious practice of Tantra emphasizing ritual, meditation, and visualization is the subject of the second exhibition in the museum’s new Focus Gallery. Tantra in Buddhist Art features twenty works of art that illustrate the spiritual practices of Tantra in the Buddhist context and document its spread across Asia from the seventh to 17th centuries. Inspiration for this exhibition began with a magnificent piece from a bequest to the museum. Hevajra was part of a gift from John and Maxeen Flower and is the defining piece of Tantra in Buddhist Art. We spoke with Sonya Rhie Quintanilla, the George P. Bickford Curator of Indian and Southeast Asian Art, about how she built the exhibition around Hevajra and the history of Tantric Buddhism.
Currently on display in the east wing glass box gallery, Damián Ortega: The Blast and Other Embers highlights the striking suspended sculpture The Controller of the Universe. Additionally, this exhibition features the Tool Bones series, which were created specifically for this exhibition. We sat down with Reto Thüring, associate curator of Contemporary Art, to find out more about the exhibition.
Barbara Tannenbaum, Curator of Photography, provides background on the Afro-Chic video by Carrie Mae Weems, on display through September 29 as part of the artist's retrospective, Carrie Mae Weems: Three Decades of Photography and Video.
CLEVELAND (June 14, 2013) – The Cleveland Museum of Art presents Carrie Mae Weems: Three Decades of Photography and Video, an exhibition showcasing nearly 125 examples of the artist’s intellectually challenging and aesthetically compelling work. Visitors will have the opportunity to see photographs, installations, audio pieces and video selected from six museums, several private collections and the artist’s own holdings.
The current exhibition The Last Days of Pompeii is a multi-faceted look at one of the most infamous natural disasters in human history. Since the eighteenth-century discovery of the buried sites in the Bay of Naples, western culture has been obsessed with how and why this Roman city met its demise. The Last Days of Pompeii is broken down into three parts – decadence, apocalypse, and resurrection. Decadence illustrates Pompeii as an extravagant, gluttonous, highly sexualized society—a place that was doomed by fate because of its excesses.