On January 18, curator emeritus Tom Hinson returned to the museum to share his thoughts on one of his most recent curatorial projects: the exhibition Brian Ulrich: Copia—Retail, Thrift, and Dark Stores, 2001–2011.
Even as a museum professional, I sometimes feel challenged to make art exhibitions accessible to my four-year old daughter. You may be surprised, but the current special exhibition, Chinese Art in an Age of Revolution: Fu Baoshi (1904-1965), has been one of her favorite museum exhibitions. How did that happen? When we went to the exhibition, we focused on something she already liked. In our case, my four-year old daughter and I are always ready with our cameras to capture the world around us.
The museum will host an innovative dialogue on Wednesday, January 4, 2012 to explore how Cleveland can benefit from China’s emergence as one of the world’s leading economies. A distinguished panel of regional and national business, academic, journalism, and government leaders whose organizations have significant ties with China will offer insights for The Art of Reinvention: China, Ohio, and the New Global Economy.
Mr. Wang Yansheng王燕生, Cultural Counselor, and Mr.
Gleaned from a prized and relatively unknown group of objects in the museum’s wide-ranging Asian collection, this exhibition of Kalighat paintings will allow visitors an opportunity to view these rarely displayed Indian paintings, considered to be the beginning of modernism in Indian art.
View this video perspective from guest curator Deepak Sarma that reviews a painting of the goddess Kali, the namesake for the city Kalighat (Calcutta).