The Ecstasy of St. Kara is the debut exhibition of Kara Walker’s new body of large-scale works on paper, organized by the CMA in close collaboration with the artist. The drawings stem from Walker’s consideration of monuments and notions of permanence and impermanence following her massive public art project, A Subtlety (2014), in Brooklyn.
In October 2015, poets gathered at the museum for a day-long workshop focusing on ekphrastic poetry, the description in verse of a work of art. Visiting Shadows and Dreams: Pictorialist Photography in America, they found plenty of inspiration. Pictorialist photographers emphasized creativity and personal expression in their work, and the photographs in the exhibition represent a wide range of imaginative, artistic visions. After looking closely at the exhibition, each poet selected one or two of the photographs on view to use as a focus for the day’s writing.
Art and Stories from Mughal India presents the story of the Mughals—and stories for the Mughals—in 100 exquisite paintings from the 1500s to 1800s. The exhibition and accompanying Mughal painting collection catalogue celebrate the Cleveland Museum of Art’s centennial with works drawn from the 2013 landmark acquisition of the Catherine Glynn Benkaim and Ralph Benkaim Collection of Deccan and Mughal paintings, many exhibited and published for the first time.
The CMA’s next centennial exhibition, Art and Stories from Mughal India opens this Sunday, July 31! This show invites you to discover the Indian empire that built the Taj Mahal and explore Mughal India through 100 newly-acquired, exquisitely detailed and vibrant paintings, along with lavish decorative objects on loan from across the country.
Cleveland, OH (July 12, 2016) In celebration of its 2016 centennial, the Cleveland Museum of Art (CMA) is marking its anniversary with a series of exceptional loans from select collections around the world. Some are directly related to works in the museum’s permanent holdings; others highlight an artist or object not currently represented in the collection.
A unique aspect to the CMA exhibition Converging Lines: Eva Hesse and Sol LeWitt is Wall Drawing #797, first installed by LeWitt in 1995. The museum gathered volunteers from the staff and community to participate in the installation of this work (under the supervision of LeWitt’s studio) as seen in the video above. Check out this drawing and more at Converging Lines: Eva Hesse and Sol LeWitt, running through 7/31/16.