The Cleveland Museum of Art and MOCA Cleveland have joined forces to present two contemporary installations by celebrated multi-media artist Janet Cardiff—Forty-Part Motet at the CMA and The Paradise Institute at MOCA. In celebration of these two innovative works of art the CMA’s first Friday happy hour event, MIX, will be a special collaboration with MOCA’s WtF (Welcome to Fridays) series. Join us Friday, June 7 from 5-9 p.m. at MIX: Connections for cocktails, live music and immersive art at both the CMA and MOCA. A free trolley will run all evening between the two museums. In anticipation of this exciting evening, we discuss Janet Cardiff and her groundbreaking installations.
Beginning on December 22, 2012 through May 5, 2013, three recent works and a large-scale installation of 35 flag paintings by American artist Fred Wilson will be on view in the Betty T. and David M. Schneider Gallery (East Wing Glass Box Gallery). Included in the exhibition is a recently acquired artwork by the museum, To Die Upon a Kiss, (2011), a Murano glass chandelier. The objects included in the museum's installation give an overview of Wilson's influential and diverse practice and explore the question that has been fundamental to his art making: How is it possible to pose critical questions about how museums work from within a museum itself?
The Cleveland Museum of Art presents DIY: Photographers & Books, the first museum exhibition to examine the print-on-demand photobook and explore its impact on contemporary photographic practice. The free exhibition, which features over 150 books and 18 framed photographs, will be on view from August 11 to December 30, 2012 in the museum’s photography galleries. The exhibition contains work of the most innovative print-on-demand books being published today by international, national and local artists as well as the winners of college competitions organized by the Cleveland Museum of Art.
The Cleveland Museum of Art presents William H. Johnson: An American Modern, a free exhibition showcasing a rarely seen selection of works by the African American artist whose career spanned two decades and three continents. On view through January 27, 2013, the exhibition highlights Johnson’s artistic achievements through 22 objects in a variety of subjects and media. Drawn from the collection of the James E. Lewis Museum of Art at Morgan State University, Baltimore and supplemented by two works from the collection of the Cleveland Museum of Art, the Smithsonian traveling exhibition charts the pivotal stages of Johnson’s fascinating artistic evolution. William H. Johnson: An American Modern inaugurates the museum’s new Kelvin and Eleanor Smith Exhibition Gallery and is complemented by a diverse schedule of related programming.
The Cleveland Museum of Art presents Picasso and the Mysteries of Life: La Vie, the inaugural exhibition in the museum’s new Focus Gallery. Picasso and the Mysteries of Life is the first exhibition to offer an intensive exploration of La Vie, a signature work in the museum’s collection that is considered Picasso’s culminating masterwork of the Blue Period. The exhibition includes related works on loan from the Museu Picasso in Barcelona, the most important repository of the artist’s early work, as well as works by Francisco Goya, Albrecht Dürer and Auguste Rodin drawn from the museum’s world renowned collections. New sights are provided into the meanings of this complex, enigmatic masterpiece and its pivotal role in the artistic development of the young Spanish artist. The exhibition will be on view at the Cleveland Museum of Art through April 21, 2013.
The Cleveland Museum of Art presents Tantra in Buddhist Art, an exhibition that explores the concepts and characteristics of Tantra, a system of esoteric techniques used to reach the Buddhist spiritual goal of enlightenment, through twenty objects. It includes some of the earliest representations from India and works from as far away as Indonesia, Cambodia, Tibet and Japan. The exhibition reveals the importance of this tradition across Asia and showcases tantric practices of visualization in yogic meditation, repetition of codified syllables (mantras) and prolific use of diagrams and images.
For more information, please contact:
Caroline Guscott, 216-707-2261, cguscott [at] clevelandart.org
Saeko Yamamoto, 216-707-6898, syamamoto [at] clevelandart.org
The eruption of Mount Vesuvius in A.D. 79 destroyed, yet paradoxically preserved the ancient city of Pompeii, providing a vivid glimpse into the daily lives of ancient Romans. Since the rediscovery of the site in the 1700s, centuries of leading artists—from Piranesi, Ingres and Alma-Tadema to Duchamp, Rothko, Warhol and Gormley — have been inspired to re-imagine it in paintings, sculpture, photographs, performance and film. While exhibitions dedicated to the archaeology of Pompeii have been numerous, this is the first time this ancient city and cataclysmic event is explored through the lens of modern creators and thinkers. Featuring nearly 100 works, The Last Days of Pompeii: Decadence, Apocalypse, Resurrection will be on view from February 24 through July 7, 2013.
The Cleveland Museum of Art presents Less is More: Minimal Prints, an exhibition of over 50 artworks that examines the avant-garde Minimal Art movement that emerged in America around 1960. The spare style, consisting of single or repeated geometric forms depicted in solid, flat colors, was in stark contrast to the emotive, handmade look of Abstract Expressionist works, popular during the preceding two decades. Influential artists like Sol LeWitt, Ellsworth Kelly, Brice Marden, Donald Judd, Frank Stella and Robert Mangold all embraced this pared-down aesthetic and are featured in the exhibition, along with several others. A variety of printmaking techniques, such as woodcut, etching, aquatint, screenprint and lithograph will be represented. Organized by the Cleveland Museum of Art, the free exhibition will be on view June 16 through October 20, 2013 in the museum’s Prints and Drawings Galleries.
Forty-Part Motet, a work showcasing Janet Cardiff’s pioneering approach to sound and multimedia installation, consists of a recording of Spem in Alium, a 16th-century sacred choral motet, broadcast from 40 high-fidelity loudspeakers. The motet, by Tudor composer Thomas Tallis (ca. 1505–1585), features England’s Salisbury Cathedral Choir along with other professional singers and was recorded in 2000. Loudspeakers mounted on stands will be displayed in a circle around the museum’s Italian Baroque gallery, allowing visitors to listen to the individually recorded voices as well as experience the immersive environment of the combined vocals, an effect that is both approachable and haunting. Played on a continuous loop, the 14-minute work consists of a three-minute vocal warm-up and an 11-minute recording of the motet. Forty-Part Motet will be presented May 4 through June 9, 2013, and is from the collection of the National Gallery of Canada, Ottawa.