Thomas Bewick was born at Cherryburn House, Eltringham, Northumberland in August of 1753, the eldest of eight children. Early on he demonstrated a talent for art by drawing on the hearthstones of his family home and filling the margins of his school books with pencil sketches of the surrounding flora and fauna. At the age of 14 he was apprenticed to Newcastle engraver Ralph Beilby. Most of the work of the shop was in metal engraving, but occasionally there was work in woodcuts, especially for children's books.
With sadness we note the passing of artist and designer Viktor Schreckengost. His contributions to Cleveland and the world are innumerable. We offer here a glimpse of his work, as reflected in the Cleveland Museum of Art and Ingalls Library collections.
All told there are, twenty-five 72" enlarged versions of Auguste Rodin's The Thinker. Of these, fewer than ten were cast and patinated during his lifetime. One of the last Rodin supervised casts can be found in Cleveland, Ohio, where it sits directly in front of the Cleveland Museum of Art. This cast was acquired in 1916, and given to the Cleveland Museum of Art early in 1917.
About The Thinker
The astounding success of Parisian goldsmith René Lalique was the result of a perfect storm of tragedienne, a rave for all things Japanese, and a world's fair. Lalique's luscious jewelry adorned the stage in Sarah Bernhardt's melodramatic roles of Théodora and Gismonde in the mid 1890's. In Paris Samuel Bing's new house of decoration, "La Maison de l'Art Nouveau," offered for sale both striking Lalique creations and Japanese decorative works of intense simplicity.
Alfred Stieglitz, photographer, editor, writer, and gallery owner, was an integral figure in the development of 20th century photography and modern art in America at the turn-of-the-century. Born in Hoboken, New Jersey in 1864, Stieglitz became fascinated with photography at an early age. His father Edward, a prosperous wool merchant, was able to educate his children abroad. In 1882, Alfred enrolled in the Technische Hochschule in Berlin where he studied photochemistry.
by Shelley Langdale
Antonio del Pollaiuolo (Italian,1431–1498) was a renowned Florentine painter, sculptor, draftsman, and goldsmith who was particularly admired for his dynamic and expressive portrayal of the human figure. He carried out a wide range of projects including a series of Hercules paintings (now lost) for the powerful Medici family in Florence, designs for embroidered vestments, monumental tombs for Popes Sixtus IV and Innocent VIII in St.Peter's Basilica in Rome, small bronze sculptures, and reliefs.
"Mr. Goudy did more to rescue typography from standardized ugliness than any other man since William Morris, whose spiritual descendant he was"—so stated Goudy's obituary in the New York Times on May 12, 1947.
The museum is in the process of reevaluating the attributions of its paintings associated with Rembrandt. Responsibility for reattribution ultimately falls to the community of Rembrandt experts and, for the museum's own works, to the curator responsible for the collection. However, we want to cast the widest possible net for opinions on the paintings, and so but we seek your input in this process as well. Through a mobile app or the museum web site, you can indicate your attribution and, if you wish, comments on your reasoning.