The Dr. John and Helen Collis Lecture

The annual Dr. John and Helen Collis Lecture brings nationally and internationally recognized experts in the field of art history and archeology to discuss new scholarship, museum exhibitions, and archaeological discoveries. Topics alternate between Ancient Greek and Byzantine art every other year.

The annual Dr. John and Helen Collis Lecture is made possible through the Dr. John and Helen Collis Family Endowment. The endowment is the first of its kind at the museum, as it presents an annual lecture dedicated to a particular art historical emphasis. Additional support for this lecture comes from the Hellenic Preservation Society (HPS) of Northeastern Ohio. HPS is a non-profit organization whose focus is to preserve the Hellenic legacy that will promote the Greek experience through education, collection and preservation. Dr. John and Helen Collis are both members of the society.


The Hellenic Preservation Society of Northeastern Ohio
Dinos (detail), c. 520–515 BC. Circle of the Antimenes Painter (Greek, Attic). Black-figure terracotta; d. 50.8 cm, h. 33.6 cm. John L. Severance Fund 1971.46.
Sunday, September 27, 2015, 2:00 pm to 3:00 pm

The realms of Poseidon encompassed virtually every aspect of life in the ancient Mediterranean world, from mythology and religious cult to daily activities.

Dr. Seth D. Pevnick, Chief Curator and Richard E. Perry Curator of Greek and Roman Art, the Tampa Museum of Art
Sunday, September 28, 2014, 2:00 pm

Dr. Antonaras will give an outline of the history of the Byzantine Empire and the shapes, forms, and uses of glass objects present in Byzantine society will be illustrated.

Dr. Anastasios Antonaras, archaeologist-museologist at the Museum of Byzantine Culture, Thessaloniki, Greece
Sunday, September 29, 2013, 2:00 pm

Dr. Claire L. Lyons, Acting Senior Curator of Antiquities at the J. Paul Getty Museum, presents masterpieces of ancient art from Sicily.

Dr. Claire L. Lyons, Acting Senior Curator of Antiquities at the J. Paul Getty Museum
Sunday, September 30, 2012, 2:00 pm

An icon recently acquired by the Cleveland Museum of Art makes the best introduction to this lecture. The icon shows the Virgin and Child and can be attributed to a Cretan painter working in fifteenth-century Venetian Crete.

Maria Vassilaki, Professor in the History of Byzantine Art at the University of Thessaly, Greece; Scientific Advisor to the Benaki Museum, Athens
Sunday, September 25, 2011, 2:00 pm

Theatrical performance emerged in ancient Athens from the worship of Dionysos, the god of wine and theater.

Mary Louise Hart, Associate Curator of Antiquities, J. Paul Getty Museum
Sunday, September 26, 2010, 2:00 pm

By the fourth century, Christians had begun to hold the physical remains and personal effects of their holy men and women in high regard, treating them with special reverence and expecting them to provide help with practical and spiritual problems.

Derek Krueger, Professor of Religious Studies, University of North Carolina at Greensboro 
Sunday, September 27, 2009, 2:00 pm

For centureis, from early Christian Rome to the Renaissance, the empire of Byzantium was famed for its learning, refinement, and luxury products. This fabled classically based Christian civilization was the envy of the Latin West.

Robin Cormack, professor emeritus in the History of Art at the University of London

Sunday, October 5, 2008

Carol C. Mattusch, Mathy Professor of Art History, George Mason University, Fairfax, Virginia

Sunday, September 30, 2007

Robert S. Nelson, Robert Lehman Professor of the History of Art at Yale University 

Sunday, October 22, 2006

David Gordon Mitten, James Loeb Professor of Classical Archaeology, Department of the Classics and George M.A. Hanfmann Curator of Ancient and Byzantine Art Emeritus, Harvard University