An exhibition of 15 botanically inspired luxury textiles drawn from CMA’s exemplary collection.
This exhibition, comprised primarily of work from the museum’s collection, examines some of the ways photography has been used to construct identities, whether fact or fiction.
A selection of about 60 drawings and prints from the museum's permanent collection will explore the various ways in which music and music-making have been represented in Europe and the United States from the 15th through the 20th century.
Several 16th- and 17th-century prints and drawings of occult imagery will provide visual context for Rosa’s images while underscoring his originality regarding the traditional iconography of witches and magicians found in prints circulating throughout Europe at the time.
Fine and distinctive forms of sculpture eventually classified as Senufo attracted the attention of art dealers, collectors, and artists in Europe and North America early in the 20th century, a time when people on both continents began evaluating objects from Africa as “art” rather than ethnographic artifacts.