The Cleveland Museum of Art
Special Exhibitions
 (separator)
Battle of the Nudes

Index
Conservation Feature
Discover the Battle of the Nudes
Bibliography, Glossary, and Photo Credits

Bibliography

Ash, Nancy and Fletcher, Shelley. Watermarks in Rembrandt's Prints, National Gallery of Art, Washington, DC, 1998.

Brückle, Irene. "The Practice of Looking in Paper Conservation," The Paper Conservator, Alan Donnithorne and Jane Eagan ed., Vol. 25, 2001, pp. 113-123. (The Journal of the Institute of Paper Conservation)

Bury, Michael. "The Taste for Prints in Italy to c. 1600," Print Quarterly, Vol. 2, No. 1, March 1985, pp. 12

Chamberlain, Walter. The Thames and Hudson Manual of Etching and Engraving, Thames and Hudson, London, 1972.

Cohn, Marjorie B. A Noble Collection: The Spencer Albums of Old Master Prints, Fogg Art Museum, Harvard University Art Museums, 1992, pp. 11 - 55

--"Change, we hope for the better," The Paper Conservator, Vol. 25, 2001, pp. 101-105. (The Journal of the Institute of Paper Conservation)

Donnithorne, Alan. "Early Approaches to the Conservation of Works of Art on Paper: Cleaning, Repair and Restoration," Early Advances in Conservation, British Museum Occasional Paper No. 65, Vincent Daniels, ed., Department of Conservation 1988, pp. 1, 5-25.

Ehrlich, Evelyn and Neff, John H. "The Gott Impression of Pollaiuolo's Battle of the Nudes," National Gallery of Art, Washington, 1973, pp 7-28.

Fletcher, Shelley. "A Closer Look at Mantegna's Prints," Print Quarterly, Vol. XVIII, No. 1, (March 2001), pp. 3-41.

Griffiths, Antony. "Print Collecting in Rome, Paris, and London in the Early Eighteenth Century", Print Collecting in Sixteenth and Eighteenth Century Europe, M. Victor Leventritt Lectures 7and 8 April, Museum Bulletin, Harvard University Art Museums 1993, Author M. Sackler , Vol. 2, No. 3, 1994, pp. 37-59.

--Prints and Printmaking: An introduction to the history and techniques, University of California Press, Berkley/Los Angeles 1996.

Hajós, Elizabeth M. "The Concept of an Engraving Collection in the year 1565: Quicchelberg, Instriptiones Vel Tituli Theatri Amplissimi" Art Bulletin, Vol. 40, 1958, 151-156.

Hicks, Catharine. "Early Approaches to the Conservation of Works of Art on Paper," Early Advances in Conservation, British Museum Occasional Paper No. 65, Vincent Daniels, ed., Department of Conservation 1988, pp. 7-12

Hind, Arthur M. A History of Engraving and Etching, Dover Publications, NY, 1963.

-- Early Italian Engraving, Part I, Vol. 1, Published for M. Koedler & Co., NY, by Bernard Quaritch Ltd., London, 1938.

Hunter, Dard. Papermaking: The history and technique of an ancient craft,
Dover Publications, NY, 1947.

Ivins, William M. Jr. How Prints Look, rev. ed. Beacon Press, Boston 1987.

Kosek, Joanna M. "Restoration of Art on Paper in the West: A consideration of Changing Attitudes and Values," Restoration: Is it Acceptable, British Museum Occasional Paper No. 99, Andrew Oddy, ed., Department of Conservation 1994, pp. 41-50.

Landau, David. "Pollaiuolo's Battle of the Nudes", Print Quarterly, XX, 2003,4, pp. 408-412

Landau, David and Parshall, Peter. The Renaissance Print 1470 1550. Yale University Press, New Haven and London, 1994, pp. 7-30; 64-102.

Langdale, Shelley. Battle of the Nudes: Pollaiuolos Renaissance Masterpiece. The Cleveland Museum of Art, 2002, pp. 25-34.

Levenson, Jay A., Oberhuber, Konrad, and Sheehan, Jacquelyn L. "Antonio Pollaiuolo," Early Italian Engravings from the National Gallery of Art, Washington, 1973, pp. 63-80.

Loeber, E. G. Paper Mould and Mouldmaker, Amsterdam, The Paper Publications Society (Labarre Foundation), 1982.

Lunning, Elizabeth. "Characteristics of Italian Paper in the Seventeenth Century," Sue Walsh Reed, Richard Wallace, David Acton, Italian Etchers of the Renaissance and Baroque, Museum of Fine Arts, Boston, 1989, pp xxxii-xliii.

Manick, Annette. "A Note on Printing Inks," Sue Walsh Reed, Richard Wallace, David Acton, Italian Etchers of the Renaissance and Baroque, Museum of Fine Arts, Boston, 1989, pp xliv-xliii.

Mosser, Daniel W. "Papiers Briquet: The Charles-Moïse Briquet Archive in Geneva," Looking at Paper, Evidence and Interpretation Symposium Proceedings Toronto 1999, pp. 122-127.

Mustalish, Rachel A. "The Development of Photomechanical Printing Processes in the Late 19th Century," Topics in Photographic Preservation, Vol. 7, 1997 (American Institute for Conservation, Photographic Materials Group), pp. 73-87.

Oberhuber, Konrad. "Introduction," Early Italian Engravings from the National Gallery of Art, Washington, 1973, pp. xiiii-xxvi.

Parshall, Peter. "Art and the Theater of Knowledge: The origins of Print Collecting in Northern Europe," Print Collecting in Sixteenth and Eighteenth Century Europe, M. Victor Leventritt Lectures 7and 8 April, 1993, Author M. Sackler Museum, Bulletin, Harvard University Art Museums, Vol. 2, No. 3, 1994, pp. 7-36.

Peterdi, Gabor. Printmaking: Methods Old and New. Macmillan Publishing Co., inc., New York; Collier Macmillan Publishers, London, 1980, pp. 1 55.

Richards, Louise S. "Antonio Pollaiuolo: Battle of Naked Men," The Bulletin of The Cleveland Museum of Art, Vol. LV, No. 3, March 1968, pp. 63-70.

Robinson, William W. " 'This Passion for Prints': Collecting and Connoisseurship in Northern Europe during the Seventeenth Century," Clifford S. Ackley, Printmaking in the Age of Rembrandt, Museum of Fine Arts, Boston 1981, pp. xxvii-xlviii.

Schweidler, Max. Die Instandsetzung von Kupferstichen, Zeichnungen, Büchern, usw., Buchbinder-Verlag Max Hettler, Stuttgart 1950.

Stevenson, Mark. "A Seventeenth-Century Manual for the Restoration of Prints," Print Quarterly, Vol. 7, No. 4, December 1990, pp. 420-424.

--"Print Restoration in Northern Europe: Development, Traditions, and Literature from the Late Renaissance to the 1930s," Conservation Research 1995, Studies in the History of Art, Monograph Series 2, National Gallery of Art, Washington, 1995.

Walsh, Judith. "The Use of Paper Splitting in Old Master Print Restorations," Print Quarterly, Vol. 27, No. 4, December, 2000, pp. 383-390.


Page 4 of 5 | On the next page: Photo Credits