The Cleveland Museum of Art
Collection Online as of March 29, 2024
The Crucifixion with a Carthusian Monk
c. 1460
workshop of Rogier van der Weyden
(Flemish, c. 1399–1464)
Image: 37.1 x 27.3 cm (14 5/8 x 10 3/4 in.); Framed: 57.5 x 48 x 7 cm (22 5/8 x 18 7/8 x 2 3/4 in.); Unframed: 38.4 x 29.2 cm (15 1/8 x 11 1/2 in.)
Location: 112 Northern Renaissance
Did You Know?
Carthusian monks can easily be identified by the white scapular or large rectangular piece of fabric, which is joined by bands at the side and has a hood attached to it.Description
This painting shows a Carthusian monk kneeling in devotion and prayer before the Crucifixion. It is likely that this panel was intended for the cell of a monk in an unknown monastery. The Carthusians were particularly devoted to the Passion and Crucifixion of Christ, and devotional images were provided for each monk’s cell. The Carthusian order was founded by Saint Bruno in 1084 with the purpose of providing the strictest separation from the world. The first Carthusians were dedicated to contemplation through silence, prayer, poverty, penance, and almost continuous occupancy of a solitary cell. The solitary life could only be maintained through the establishment of separate cell houses. Each community of monks was limited to the apostolic number of 12, though exceptions were sometimes made. They were recognized by their white, full-length, cowled habit called the scapular, shown here. The artist has not been identified.- Private Collection, Lower Rhine, Germany(Paul Drey, Munich, Germany)?-1931(A. S. Drey, New York, NY sold to the Cleveland Museum of Art)1931-The Cleveland Museum of Art, Cleveland, OH
- Destrée, Jules. Roger de La Pasture van der Weyden. Paris: G. van Oest, 1930. vol. I, p. 108Francis, Henry S. "A Flemish Panel of the Crucifixion." The Bulletin of the Cleveland Museum of Art 19, no. 1 (1932) pp. 2, 4-7 www.jstor.org"Cleveland Gets XVth Century Crucifixion," Art Digest vol. 6 (Jan. 15, 1932). p. 11"The Crucifixion," American Magazine of Art vol. XXIV (Feb. 1932). p. 145"Cleveland Adds Flemish Master," Art News Vol. XXX, pt. 1 (Jan. 9, 1932). p. 5"American Art Notes: A Flemish "Crucifixion" for Cleveland," Connoisseur, Vol. 89, no. 367 (March 1932). pp. 215-16"Recent Museum Acquisitions." Parnassus Vol. IV, no. 1 (Jan. 1932). p. 34Paintings in the Cleveland Museum of Art. [Cleveland]: The Cleveland Museum of Art, 1945. Reproduced: p. 24 archive.orgThe Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 434 archive.orgDetroit Institute of Arts. Flanders in the Fifteenth Century: Art and Civilization. Catalogue of the Exhibition Masterpieces of Flemish Art: Van Eyck to Bosch. 1960. p. 91The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 68 archive.orgThe Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 68 archive.orgCleveland Museum of Art. Catalogue of Paintings. Pt. 1. European Paintings before 1500. Cleveland: Cleveland Museum of Art, 1974. Reproduced: fig. 56, p. 158 - 159The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 76 archive.orgJolly, Penny Howell. “Rogier van Der Weyden’s Escorial and Philadelphia Crucifixions and Their Relation to Fra Angelico at San Marco.” Oud-Holland 95, no. 3 (January 3, 1981). p. 125, no 34Koninklijk Museum voor Schone Kunsten (Belgium). The Flemish Primitives: Catalogue of Early Netherlandish Painting in the Royal Museums of Fine Arts of Belgium. Brussels: Brepols, 1996. p. 148, fig. 100Fliegel, Stephen N., Sophie Jugie, and Virginie Barthélémy. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364-1419 : Musée Des Beaux-Arts De Dijon, May 28-September 15, 2004, the Cleveland Museum of Art, October 24, 2004-January 9, 2005. [Dijon]: Musée des beaux-arts, 2004. Cat. No. 71, pp.200, 202Fliegel, Stephen N., and Stephen N. Fliegel. A Higher Contemplation: Sacred Meaning in the Christian Art of the Middle Ages. Kent, Ohio: Kent State University Press, 2012. p. 81, fig 62Weyden, Rogier van der, Lorne Campbell, and José Juan Pérez Preciado. Rogier van der Weyden y España: actas del congreso internacional = proceedings of the international symposium, Madrid, Museo Nacional del Prado, mayo de 2015. 2016. pp. 36-7
- Dukes and Angels: Art from the Court of Burgundy (1364-1419). The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24, 2004-January 9, 2005).Exhibition of the Month: Masterpieces in Miniature. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 3-August 29, 1949).The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941).The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936).Art Through the Ages, The Cleveland Museum of Art, Cleveland, OH (Oct. 30, 1931-Nov. 29, 1931).
- {{cite web|title=The Crucifixion with a Carthusian Monk|url=false|author=Rogier van der Weyden|year=c. 1460|access-date=29 March 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1931.449