The Cleveland Museum of Art

Collection Online as of April 19, 2024

Game of Backgammon

Game of Backgammon

1640s
(Flemish, 1610–1690)
Framed: 82 x 102 x 9 cm (32 5/16 x 40 3/16 x 3 9/16 in.); Unframed: 59 x 80.6 cm (23 1/4 x 31 3/4 in.)
Location: not on view

Description

The game of backgammon has a long and popular history which can be traced back many centuries. The version of the game as it is played in modern times first appeared in the 1400s under various names. Its current appellation was coined around the same time as the date of this painting. Backgammon was exceptionally popular in the 1600s, and was often played for money or other wagers. The two men on the left side of this painting are clearly involved in a high stakes game of backgammon. A three-man cluster has gathered to watch them lay their bets, while another tallies their points on a scoreboard. The young lady in the right corner of the room otherwise surrounded by men and the older women who looks down on the game of backgammon from a window, both indicate that the interior presented in this painting is probably the gaming room of a brothel. Courtesans often worked out of such game rooms, providing further entertainment for men. Depictions of games, like procurement scenes, often symbolized moralizing virtues. Games were considered at best folly and at worst immoral. Backgammon was often used to represent the foolishness or wickedness of betting and wasting one's time.
  • 1674-1723
    Philippe II, Duke of Orléans (1674–1723), Regent of France
    1723-1752
    Louis I Duke of Orléans (1703–1752)
    1752-1785
    Louis Philippe I (1725–1785), Duke of Orléans
    1785-1792
    Louis-Philippe II (1747–1793), Duke of Orléans / Philippe Égalité
    1792-1793
    Brought to London by Thomas Moore Slade, (exhibited for sale in the Royal Academy, London, April 1793)
    George Hibbert (1757–1837), London, England
    -1816
    Thomas Penrice (d. 1816), Great Yarmouth, England, by inheritance to John Penrice
    1816-1844
    John Penrice Sr. (1787-1844), sold, Christie's
    July 6, 1844
    (Sale: Christie's, London, England, 07/06/1844, to Farrer)
    1844-
    Farrer
    -1925
    Private collection, sold, Christie's, London
    July 17, 1925
    (Sale: Christie's, London, England, 07/17/1925, no. 119 through S. A. Hecht, London, England to Mr. and Mrs. Samuel Wise)
    1925-1943
    Mr. and Mrs. Samuel D. Wise (Cleveland, Ohio), by gift to the Cleveland Museum of Art, 1943
    1943-
    The Cleveland Museum of Art, Cleveland, OH
  • Dubois de Saint-Gelais, Louis François. Description des tableaux du Palais royal: avec la vie des peintres à la tête de leurs ouvrages : dédiée a monseigneur le Duc d'Orleans, premier prince du Sang. A Paris: Chez d'Houry, seul imprimeur & libraire de monseigneur le Duc d'Orleans, 1727. p. 114
    Couche, J., Fontenai, Croze-Magnan, Philippe Orléans, and House of Orleans. Galerie du Palais royal, gravée d'après les tableaux des differentes ecoles qui la composent: avec un abrégé de la vie des peintres & une description historique de chaque tableau. Paris: Chez J. Couché, 1786.
    Buchanan, William. Memoirs of Painting: With a Chronological History of the Importation of Pictures by the Great Masters into England Since the French Revolution. London: Printed for R. Ackerman, 1824. no. 5, p. 188
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    Christie & Manson. Catalogue of the Celebrated Collection of Pictures, of the Very Highest Class: The Property of John Penrice, Esq. ... : Which Will Be Sold by Auction, by Messrs. Christie and Manson ... on Saturday, July the 6th, 1844, at Two O'clock Precisely. [London]: Messrs. Christie and Manson, 1844.
    Waagen, Gustav Friedrich, Elizabeth Eastlake, and Algernon Graves. Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss., &C. &C. London: J. Murray, 1854. p.503
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    Burchfield, Louise H. “A Painting by David Teniers the Younger.” The Bulletin of the Cleveland Museum of Art 31, no. 1 (1944). pp. 5-7 www.jstor.org
    The Cleveland Museum of Art. The Cleveland Museum of Art Handbook. Cleveland, OH: The Cleveland Museum of Art, 1958. Mentioned and Reproduced: cat. no. 450 archive.org
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 121 archive.org
    Stechow, Wolfgang. “Teniers in the Cleveland Museum.” The Bulletin of the Cleveland Museum of Art 55, no. 1 (1968). pp. 28-34. fig. 2 www.jstor.org
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 121 archive.org
    The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982. Mentioned: p. 41; Reproduced: p. 42
    Cleveland Museum of Art. European Paintings of the 16th, 17th, and 18th Centuries. Cleveland: Cleveland Museum of Art, 1982. pp. 41, cat. no. 16, fig. 16.
    Delmarcel, Guy, Ingrid De Meûter, and Werner Adriaenssens. The Cinquantenaire Tapestries: The Collection of the Royal Museums of Art and History. Ghent : Snoeck ; Brussels : Royal Museums of Art and History, 2023. Mentioned and reproduced: pp. 427-428, fig. 1
  • Re-presenting the Baroque. Samuel P. Harn Museum of Art (organizer) (October 1, 1997-April 1, 1998).
    Royal Academy, London, England (April 1793).
    Images of History. Denver Art Museum, Denver, CO (organizer) (March 14-May 21, 1961).
    Images of History, Denver Art Museum, CO (03/14/1961- 05/21/1961).
    Art: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956).
  • {{cite web|title=Game of Backgammon|url=false|author=David Teniers|year=1640s|access-date=19 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1943.377