The Cleveland Museum of Art
Collection Online as of March 25, 2024
The Toilet, from The Rape of the Lock by Alexander Pope
c. 1895–96
Location: not on view
Did You Know?
After a rapid rise to fame and notoriety, Aubrey Beardsley produced hundreds of drawings before falling victim to tuberculosis at the age of 25.Description
In this drawing, Aubrey Beardsley illustrates an early scene in Alexander Pope’s satirical masterpiece The Rape of the Lock (1712) in which the heroine, Belinda, primps in her boudoir. Reflecting the poem’s emphasis on contrived rather than natural beauty, the drawing is densely layered with artifice. A view of an idyllic garden with a cupola-topped pavilion is glimpsed not through a window as it would first seem, but on a folding screen. The bejeweled bottles littering the table serve as emblems of Belinda’s vanity.- ?-1953(R. A. Walker, Bedford, England, sold to the Cleveland Museum of Art, Cleveland, OH)1953-Cleveland Museum of Art, Cleveland, OH
- Pope, Alexander. The Rape of the Lock: An Heroi-comical Poem in Five Cantos. London: Leonard Smithers, 1896. Reproduced: p. 8 archive.orgMarillier, H.C.. The Later Work of Aubrey Beardsley. New York: John Lane, 1920. Reproduced: pl. 88Hind, Lewis C.. The Uncollected Work of Aubrey Beardsley. London: John Lane; New York: Dodd, Mead and Company,1925. Mentioned: p. ix, no. 16Gallatin, A. E. Aubrey Beardsley; Catalogue of Drawings and Bibliography. New York: Grolier Club, 1945. Mentioned: p. 63, no. 1036Walker, R.A.. The Best of Beardsley. London: Bodley Head, 1948. Reproduced: pl. 61Hölscher, Eberhard von. Aubrey Beardsley. Hamburg: Ernst Hauswedell, 1949. Reproduced: p. 40Reade, Brian and Frank Dickinson. Aubrey Beardsley ; Exhibition at the Victoria and Albert Museum. Exh. Cat. London: Victoria and Albert Museum, 1966. Mentioned: p. 227, no. 506Reade, Brian. Aubrey Beardsley. New York: The Viking Press, 1967. Reproduced: p. 352, no. 406Ross, Robert Baldwin. Aubrey Beardsley. New York: Jack Brussel,1967. Reproduced: p. 26; Mentioned: p. 102, no. 144Reade, Brian and Raymond Rohauer. Aubrey Beardsley. Exh. Cat. New York: Foundation for Modern Art, 1967. Mentioned: no. 199Halsband, Robert. The Rape of the Lock and Its Illustrations, 1714-1896. New York: Oxford University Press, 1980. Reproduced: p. 98, no. 48Wilson, Simon. Beardsley. Oxford: Phaidon, 1983. Reproduced: fig. 29Miller, J. Hillis. "The Mirror's Secret: Dante Gabriel Rossetti's Double Work of Art." In Contemporary Critics Look at Victorian Poetry, 333-49. Morgantown: West Virginia University Press, 1991. Mentioned: p. 342, 348; Reproduced: fig. 8 40003000Takashina, Shūji and Nobuyuki Senzoku, eds. Western Art: Fin du siècle and Symbolism. Vol. 24 of New History of World Art. Tokyo: Shōgakkan, 1996. Reproduced: no. 177Zatlin, Linda Gertner. Aubrey Beardsley: A Catalogue Raisonné. New Haven: Yale University Press, 2016. Mentioned: pp. 215-16; Reproduced: p. 215, fig. 979
- British Drawings from the Cleveland Museum of Art . The Cleveland Museum of Art, Cleveland, OH (organizer) (February 10-May 26, 2013).Directions in Drawing II: The Human Figure. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5, 1991-January 12, 1992).From Block Books to Baskin: Artists as Illustrators. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 13-August 17, 1986).Aubrey Beardsley. Gallery of Modern Art, New York (February 14 - April 9, 1967).Aubrey Beardsley. The Victoria and Albert Museum, London (1966).Aubrey Beardsley. Los Angeles County Museum of Art, Los Angeles, CA (organizer) (December 11, 1967-March 4, 1968).Drawings by Aubrey Beardsley. Victoria and Albert Museum, London, United Kingdom of Great Britain and Northern Ireland (organizer) (May 19-September 19, 1966); The Gallery of Modern Art, New York, NY (February 13-April 13, 1967).
- {{cite web|title=The Toilet, from The Rape of the Lock by Alexander Pope|url=false|author=Aubrey Beardsley|year=c. 1895–96|access-date=25 March 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1953.136