The Cleveland Museum of Art

Collection Online as of April 20, 2024

The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)

c. 1560
(reigned 1556–1605)
Overall: 20.3 x 14 cm (8 x 5 1/2 in.); Painting only: 11.4 x 9.8 cm (4 1/2 x 3 7/8 in.)
Location: not on view

Did You Know?

Banavari 1 also painted folios 49v (1962.279.49.b), 50v (1962.279.50.b), and 52v (1962.279.52.b).

Description

On the eighth night, the parrot tells Khujasta a story—the most lavishly illustrated of all the chapters in the book—that has important parallels with the experiences of Emperor Akbar himself. The overarching tale is about a prince who maintained a vow of silence despite being imprisoned and taken to be executed on seven consecutive days. Each day, the king was convinced to stop the execution after hearing a story told by one of his seven viziers, or ministers. The adjacent paintings illustrate scenes from the overarching tale as well as the fifth vizier's story. The golden sky, purple hills, cyprus tree, and flowering branches are elements learned from Persian painting. Indian sources contributed the bolster that appears to float on the suggestively red-colored plane of the bed.
  • ?–1959
    Estate of Breckinridge Long [1881–1958], Bowie, MD
    1959–1962?
    (Harry Burke Antiques, Philadelphia, PA)
    1959?–1962
    (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry)
    1962–
    The Cleveland Museum of Art, Cleveland, OH
    Provenance Footnotes
    1 Samuel Miller Breckinridge Long (May 16, 1881–September 26, 1958) was an American diplomat and politician, who served in the administrations of Presidents Woodrow Wilson and Franklin Delano Roosevelt. Long is largely remembered for his obstructionist role as the Assistant Secretary of State responsible for granting refugee visas during World War II. His interests included the collection of antiques, paintings and American ship models. He maintained a stable of Thoroughbred race horses and was a director of the Laurel Park Racecourse in Laurel, Maryland, and he enjoyed fox hunting, fishing, and sailing.
  • Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. p. 96
    Chandra, Pramod, and Daniel J. Ehnbom. The Cleveland Tuti-Nama Manuscript and the Origins of Mughal Painting. [Cleveland]: Cleveland Museum of Art, 1976. pp. 78, 97
    Seyller, John. “Overpainting in the Cleveland T̤ūtīnāma.” Artibus Asiae 52, no. 3/4 (1992): 283-318. p. 311 www.jstor.org
    Cleveland Museum of Art. Cleveland Art: The Cleveland Museum of Art Members Magazine. Vol. 53 no. 05, September/October 2013 Mentioned and reproduced: p. 17 archive.org
  • Main Asian Rotation (Gallery 245); December 31, 2013 - June 30, 2014.
    Indian Miniature Rotation (Gallery 115); February 20 - August 18, 2004.
    Indian Miniature Rotation (Gallery 115); February 4 - August 5, 2003.
  • {{cite web|title=The Parrot Addresses Khujasta at the Beginning of the Eighth Night, from a Tuti-nama (Tales of a Parrot)|url=false|author=|year=c. 1560|access-date=20 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1962.279.51.b