The Cleveland Museum of Art
Collection Online as of April 21, 2024
The Descent from the Cross
1773
(French, 1713–1789)
(French, 1722–1776)
Catalogue raisonné: Le Blanc Vol.II.107.4
Location: not on view
Description
Gilles Demarteau was the first artist to master crayon-manner etching—the process seen here—which replicates the appearance of a red-chalk drawing. Rather than sketching with an etching needle, Demarteau used a tool called a roulette (a small, toothed wheel) to create tiny, regular dots that were then etched into the printing plate. The text along the lower margin of the image indicates that Demarteau’s print of the dramatic removal of Christ’s body from the cross reproduces a drawing by the well-known court painter to King Louis XV, Jean-Baptiste Marie Pierre. With prints like this, Demarteau took advantage of the popularity of chalk drawings in the 1700s, selling his prints to members of a growing middle class who were interested in acquiring the trappings of wealth.- A Lasting Impression: Gifts of the Print Club of Cleveland. The Cleveland Museum of Art, Cleveland, OH (organizer) (May 5-September 22, 2019).Real Prints: Reproduction or Invention. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 7-May 17, 1987).French Prints and Drawings in the Age of the Bourbons, 1589-1792. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 2-May 16, 1982).
- {{cite web|title=The Descent from the Cross|url=false|author=Jean-Baptiste-Marie Pierre, Gilles Demarteau|year=1773|access-date=21 April 2024|publisher=Cleveland Museum of Art}}
Source URL:
https://www.clevelandart.org/art/1964.25