The Cleveland Museum of Art

Collection Online as of April 19, 2024

Old Pine Tree

Old Pine Tree

late 1530s
(Chinese, 1470–1559)
Painting: 28 x 139.3 cm (11 x 54 13/16 in.); Overall: 29.3 x 596.9 cm (11 9/16 x 235 in.)
Location: not on view

Description

Here the natural appearance of a gnarled and vine-entangled pine has been transformed into a rhythmic abstraction of brushstrokes and ink tonalities, with unifying opposites—opening and closing, rising and falling—that provide the design across the horizontal scroll. The artist's inscription reads: "The force of change beyond restraint; / The dragon's whiskers are likened to a forest of spears."
  • Qian Shisheng 錢士昇 [1575–1652]
    at least by 1736-c. 1911
    Qing imperial collection (seals of Emperors Qianlong, r. 1736–1795; Jiaqing, r. 1796–1820; and Xuanzong, r. 1909-11)
    ?-1964
    (Jean-Pierre Dubosc [1904–1988], Paris, France, sold to the Cleveland Museum of Art)
    1964-
    The Cleveland Museum of Art, Cleveland, OH
  • Mi dian zhu lin/Shi qu bao ji 秘殿珠林石渠寶笈. 2 vols. Taipei: Guo li gu gong bo wu yuan [National Palace Museum], 1971. (Original text dated 1745.) Mentioned; vol. 1, p. 602
    Ferguson, John C 福開森. Li dai zhu lu hua mu 歷代著錄畵目. Nanjing: Chin-ling University, Zhong guo wen hua yan jiu suo 金陵大學中國文化硏究所, 1934. p. 23
    Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956. Mentioned: VII, Lists, 263
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966. Reproduced: p. 264 archive.org
    Lee, Sherman E. “Literati and Professionals: Four Ming Painters.” The Bulletin of the Cleveland Museum of Art, vol. 53, no. 1, 1966, pp. 2–25. Reproduced: pp. 7, 8, fig. 2 25152081
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969. Reproduced: p. 264 archive.org
    Clapp, Anne de Coursey. Wen Cheng-Ming: The Ming Artist and Antiquity. Ascona: Artibus Asiae Publishers, 1975. Reproduced: pp. 75, 76, fig. 39
    Edwards, Richard. The Art of Wen Cheng-Ming (1470-1559). Ann Arbor, MI: University of Michigan, 1976. cat. no. XVII
    The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978. Reproduced: p. 350 archive.org
    Hironobu Kohara 古原宏伸, Richard Edwards, and Takeo Hibino 日比野丈夫. Shin Shū, Bun Chōmei [沈周 文徴明 = Shen Zhou, Wen Zhengming]. Tōkyō: Chūō Kōronsha, 1978. Reproduced: p. 168, pl. 61
    Watson, William. L'art de l'ancienne Chine. Paris: Mazenod, 1979. Reproduced: pl. 150
    Wilson, J. Keith. "Powerful Form and Potent Symbol: The Dragon in Asia." The Bulletin of the Cleveland Museum of Art 77, no. 8 (1990): 286-323. Reproduced: p. 308-09, 323 www.jstor.org
    Laozi 老子 and James Legge, translator. Tao Te Ching 道德经. New York: Metro Books, 2008. Reproduced: fig. 33
    Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. Reproduced: pp. 270-278
    Li, T. June. "Debts of Gratitude." Orientations 49, no. 5 (Sept./Oct. 2018): 117-119. Reproduced: no. 119, fig. 3
    Spee, Clarissa von, Cai Guo-Qiang, and David Stradling. Cai Guo-Qiang: Cuyahoga River Lightning. Cleveland, OH: The Cleveland Museum of Art, 2019. Mentioned and reproduced: p. 48
  • Silent Poetry: Masterworks of Chinese Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 14, 2015-April 24, 2016).
    Main Asian Rotation (Gallery 242). The Cleveland Museum of Art, Cleveland, OH (July 28, 2014-January 7, 2015).
    Powerful Form and Potent Symbol: The Dragon in Asia. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 24-November 25, 1990).
    Visions of Landscape: East and West. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 17-March 21, 1982).
    Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).
    The Art of Wen Cheng-ming. University of Michigan Museum of Art, Ann Arbor, MI (January 25-February 29, 1976); Asia House Gallery, New York, NY (April 7-June 7, 1976)
    The Colors of Ink. Asia House Galleries (January 10-March 3, 1974); The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).
    Year in Review (1964). The Cleveland Museum of Art, Cleveland, OH (organizer) (December 8, 1964-January 31, 1965).
    Mostra d'arte cinese (Settimo centenario di Marco Polo). Palazzo Ducale, Venice, Italy (1954).
  • {{cite web|title=Old Pine Tree|url=false|author=Wen Zhengming|year=late 1530s|access-date=19 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1964.43