The Cleveland Museum of Art

Collection Online as of April 29, 2016

Thangka of Green Tara, c. 1260s

ink and color on canvas, Overall: 52.40 x 43.20 cm (20 5/8 x 17 inches). Purchase from the J. H. Wade Fund by exchange, from the Doris Wiener Gallery 1970.156

This work of stunning refinement is in the Nepalese style of the early central Tibetan painting tradition. It is distinguished by its jewel-like use of color, delicate shading, exquisite detailing, and most of all a lilting, confident quality of the line drawing that imparts an unparalleled elegance and clarity to the overall composition. Some scholars attribute this painting to Aniko, a celebrated Newari artist who traveled from Nepal to Tibet during the 13th century.

The central figure is a popular female emanation from the Buddha Amoghasiddhi who presides over the south and is green in color as well. Her left hand is held up in the gesture indicating that she is a source for transmitting Buddhist teachings, and the stem of a blue lotus winds gracefully through her fingers. Her hair is arranged asymmetrically with a big bun over her left shoulder and long loose curls falling behind her right. Delicate curls of hair are arranged symmetrically over her forehead.

NY, The Metropolitan Museum of Art; Museum Rietberg, Z├╝rich. "Sacred Visions: Early Paintings from Central Tibet" 10/5/98 - 5/16/99, no. 37, pp. 144-146 (detail and full image). The Cleveland Museum of Art (06/28/2009 - 08/30/2009); "Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art" Main Asian Rotation (Gallery 239); November 18, 2013 - June 30, 2014. Main Gallery Rotation (gallery 237): April 4, 2016 -

Detail Views