The Cleveland Museum of Art

Collection Online as of February 18, 2018

Virupa, early 1400s

gilt bronze, Overall: 43.6 cm (17 1/8 in.). Gift of Mary B. Lee, C. Bingham Blossom, Dudley S. Blossom III, Laurel B. Kovacik, and Elizabeth B. Blossom, in memory of Elizabeth B. Blossom 1972.96

Virupa is one of the great teachers in the history of tantric Buddhism. His posture references his ability to stop the sun; as an enlightened being, he can control phenomena of nature. As a tantric practitioner, he overturns ordinary assumptions about proper behavior, so he overeats, drinks large quantities of liquor, and waits for the king to pay his bill at the tavern.

At the edge of the lotus pedestal is an inscription identifying the image as having been made in the imperial kilns of the third emperor of the Ming dynasty in China as a gift to a Tibetan monastic leader. While closely linked to Tibetan styles, the luxurious detailing, special gilding process, and the casting of the ornaments onto the body without use of inlay are specifically Chinese characteristics.

Bonn, Germany - Art and Exhibit Hall of the Republic of Germany; Barcelona Spain - Cultural Centre of the Fundacio "La Caixa". 5/1/96 - 1/12/97 "Wisdom and Compassion: The Sacred Art of Tibet" and
Taipei, Taiwan; Dr. Sun-Yat-Sen Memorial Hall (1/16/98 - 5/1/98) [organized by the Tibet House, NY], Abb. 197 (67b), p. 444.
Los Angeles County Museum of Art (10/5/2003 - 1/11/2004) and Columbus Museum of Art (2/8/2004 - 5/9/2004): "The Circle of Bliss: Buddhist Meditaional Art, " exh. cat. no. 28, p. 140-141.

The Cleveland Museum of Art (05/05/2013 - 09/15/2013); "Focus:Tantra in Buddhist Art"

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