The Cleveland Museum of Art

Collection Online as of May 29, 2016

Tantric Buddha Vairochana, c. 1150-1200

opaque watercolor, gold, and ink on cloth, Overall: 111.00 x 73.00 cm (43 11/16 x 28 11/16 inches). Mr. and Mrs. William H. Marlatt Fund 1989.104

Tantric Buddhas are distinguished from historical Buddhas by their crown and jewelry and their
association with a vajra, which this figure grasps in his fingers. His hands are held in a symbolic hand gesture called mudra, indicating that he conveys the meaning of the tantric teachings. The unusual depiction of a monk in a crown may be identified as Phagmodrupa, founder of an influential Buddhist order for whom this painting was made.

One of the earliest surviving tangkas-Himalayan devotional paintings on cloth-this exceptionally rare
work exemplifies the Tibetan artists’ adaptation and fusion of northern Indian and Central Asian artistic
styles. Attendant bodhisattvas-beings one step away from full enlightenment-flank the central figure, and a row of lineage masters whose tantric teachings flowed from one generation to the next sit on multicolored lotus pedestals along the top row. At the bottom, guardians and tantric protectors flank a central image of a white, eleven-headed Bodhisattva of Compassion.

Bonn, Germany - Art and Exhibit Hall of the Republic of Germany; Barcelona Spain - Cultural Centre of the Fundacio "La Caixa". 5/1/96 - 1/12/97 "Wisdom and Compassion: The Sacred Art of Tibet" [organized by the Tibet House, NY], fig. 11, p. 48; exh. cat. no. 222, p. 467. NY, The Metropolitan Museum of Art; Museum Rietberg, Zürich. "Sacred Visions: Early Paintings from Central Tibet" 10/5/98 - 5/16/99, fig. 11, p. 48; cat. no. 222, p. 467. The Cleveland Museum of Art (05/05/2013 - 09/15/2013); "Focus:Tantra in Buddhist Art" Main Gallery Rotation (gallery 237): April 4, 2016 -

Detail Views