The Cleveland Museum of Art

Collection Online as of April 25, 2024

Book of Hours (Use of Utrecht)

Book of Hours (Use of Utrecht)

c. 1460–1465
Location: not on view

Description

This manuscript is a collaborative effort of two talented illuminators with distinctive styles. Ninety-seven historiated initials (letters containing scenes) are by the Master of the Boston City of God, a painter who worked in Utrecht. Four full-page miniatures (small paintings), including the nativity, have recently been attributed to the Master of Gijsbrecht van Brederode. The background of the nativity depicts a distant cityscape (perhaps Utrecht), adjacent to which may be seen the journey of the magi and the annunciation to the shepherds. In the left margin, the Virgin Mary appears to Emperor Augustus and the Tiburtine Sibyl, who, according to legend, foretold the coming of Christ. Like all books of hours made for the use of Utrecht, this volume is not written in Latin, but in a Dutch littera textualis, an elegant Gothic book hand.
  • Henry-Auguste Brölemann (1775-1854), by inheritance to his great grandaughter, Etienne Mallet
    Mme Etienne Mallet (1853-1929)
    4–5 May 1926
    [Sale: Sotheby’s, London, 4–5 May 1926, lot 69]
    William Randolph Hearst (1863–1951), Beverly Hills, CA
    1941
    [Sale: Gimbel Bros and Hammer Galleries, New York, NY, 1941, no. 480-4]
    -1951
    Otto Frederic Ege (1888–1951), Cleveland, OH, by descent to his widow Louise Hedwig Lange Ege
    1951-1970
    Louise Hedwig Lange Ege (1892-1970), Cleveland, OH, by inheritance to her daughter, Elizabeth Freudenheim Ege
    1970-1996
    Elizabeth Jane Freudenheim Ege (c.1926–1996), Cleveland, OH, by inheritance to her husband Milton B. Freudenheim
    1996-1998
    Milton B. Freudenheim (1927– ), New York, NY, gifted to the Cleveland Museum of Art
    1998-
    The Cleveland Museum of Art, Cleveland, OH
  • Sotheby's (Firm). Illuminated Manuscripts and Fine Printed Horae. 1926. lot 69
    Marrow, James H., H. L. M. Defoer, Anna Sophia Korteweg, and Wilhelmina C. M. Wüstefeld. The Golden Age of Dutch Manuscript Painting. Stuttgart: Belser Verlag, 1989. cat. no. 66, pp. 212-13
    Cleveland Museum of Art, “Cleveland Acquires Major New Sculpture, Rare Chinese Prints, Contemporary Prints, Drawings & Photographs,” October 30, 1998, Cleveland Museum of Art Archives. archive.org
    "La Chronique des Arts. Principales Acquisitions des Musées en 1998," Gazette des Beaux-Arts 133 (1999). fig. 172, p. 45
    Fliegel, Stephen N., and Stephen N. Fliegel. A Higher Contemplation: Sacred Meaning in the Christian Art of the Middle Ages. Kent, Ohio: Kent State University Press, 2012. p 39, fig 31
  • Medieval Monsters: Terrors, Aliens, Wonders. The Cleveland Museum of Art, Cleveland, OH (July 7-October 6, 2019).
    The Netherlandish Miniature, 1260-1550 (Manuscript Rotation) - Gallery 115. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 16, 2013-December 8, 2014).
    Main Gallery Rotation (Gallery 115), The Cleveland Museum of Art, Cleveland, OH (December 16, 2013 - December 8, 2014).
    The Glory of the Painted Page: Manuscript Illuminations from the Permanent Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 6, 2010-April 17, 2011).
    Landscape in Detail, The Cleveland Museum of Art, Cleveland, OH (September 10-Nov. 3, 1996).
    Scriptorium: The Illuminated Book in Medieval Art, The Cleveland Museum of Art, Cleveland, OH (November 5, 1991-February 2, 1992).
    The Golden Age of Dutch Manuscript Painting, Rijksmuseum het Catharijnconvent, Utrecht, The Netherlands, (December 10, 1989 - February 11, 1990); Pierpont Morgan Library, New York, NY (March 1 - May 6, 1990).
    When Angels Bent Near the Earth to Touch Their Harps of Gold: The Christmas Story, The Cleveland Museum of Art, Cleveland, OH (1981).
  • {{cite web|title=Book of Hours (Use of Utrecht)|url=false|author=Master of Gijsbrecht van Brederode, Master of the Boston City of God|year=c. 1460–1465|access-date=25 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/1998.124