Bourke-White established her reputation during the
late 1920s by photographing industrial subjects in
Cleveland. She was especially attracted to the city’s
most distinctive landmark, the Terminal Tower
(completed in 1927), at that time the second tallest
building in America. She documented the Tower
from numerous vantage points, at different times
of day, and under various atmospheric conditions.
This photograph shows the Tower at the apex of a
visual pyramid, as if ascending from a smoky pit,
flanked by the “High Level” or Detroit-Superior
Bridge and smokestacks in the Flats. This new gift
to the Cleveland Museum of Art is probably the
largest known print of Bourke-White’s most popular
image of this landmark. The Tower seems to
symbolize Cleveland’s industrial power and
meteoric rise from a small settlement on the banks
of the Cuyahoga River to one of the most modern,
progressive cities in America.
Cleveland, Ohio: The Cleveland Museum of Art; March 28 - July 18, 2004. "Burchfield to Schreckengost: Cleveland Art of the Jazz Age", no exhibition catalogue.
The Cleveland Museum of Art (6/24/07 - 9/16/07) and the Frick Art and Historical Center, Pittburgh, PA (10/3/2009 - 1/3/2010); "Icons of American Photography: A Century of Photographs from the Cleveland Museum of Art", no exhibition catalogue.