The Cleveland Museum of Art

Collection Online as of April 25, 2018

Ecce Homo. Christ Presented to the People, 1655

drypoint, Sheet: 36.1 x 45.6 cm (14 3/16 x 17 15/16 in.); Platemark: 35.9 x 45.6 cm (14 1/8 x 17 15/16 in.). Leonard C. Hanna, Jr. Fund 2006.155

Rembrandt was an experimental and innovative printmaker and the first to execute works in pure drypoint on this monumental scale. Drypoint produces blurred lines and rich, velvety shadows, but these effects are lost as the plate wears. A limited number of rich impressions exist like this fine example of the fifth state, which demonstrates how Rembrandt redefined the expressive potential of printmaking. Rembrandt’s habit of drawing from life made him a keen observer of behavior and body language, endowing his biblical scenes with a human dimension and veracity not seen previously. The throng in Christ Presented to the People represents a cross section of the population and reflects the pictorial tradition that common humanity condemned Christ. Large areas of the imposing building, symbolizing the crushing weight and authority of the state, remain unworked so that blank white paper seems radiant in contrast to rich black shadows.

Recto, upper left, in graphite: 79; lower left: FPS. Verso, in purple ink: Prince of Liechtenstein or Colnaghi for Liechtenstein stamp; in black ink, Zinser stamp, castle tower (rook chess piece); along side, in graphite: No. 36; along top: (illegible) name; upper left, in graphite: No 79 P(?) G (?) La Second

CMA, "Treasures on Paper from the Collection of the Cleveland Museum of Art" (Mar. 9, 2014-Jun. 8, 2014)

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