The Cleveland Museum of Art

Collection Online as of April 16, 2024

Mannequin (André Masson)

Mannequin (André Masson)

1938
(Belgian, 1910–1985)
Image: 22.8 x 9.4 cm (9 x 3 11/16 in.); Paper: 23.3 x 9.9 cm (9 3/16 x 3 7/8 in.)
© 2013 Artists Rights Society (ARS), New York / ADAGP, Paris
Location: not on view

Description

These shop window mannequins decorated by Salvador Dalí and André Masson were among 20 lining a corridor entitled The Most Beautiful Streets of Paris in the 1938 International Surrealist Exhibition in Paris. The show, which included work by 60 artists from 14 countries and heralded the movement’s broad reach and acceptance into mainstream culture, was a newsworthy event and garnered coverage in the popular press. One article included the image by Paris on view here. Ubac was there as both photojournalist and artist; his photography was hanging in another section of the exhibition.
  • (Ubu Gallery, New York, NY)
    (Barry Friedman Ltd., New York, NY)
    David Raymond [b.1979], New York, NY
    2007-
    The Cleveland Museum of Art, Cleveland, OH
  • Schneede, Uwe M. Begierde im Blick: surrealistische Photographie. Ostfildern-Ruit: Hatje Cantz, 2005. Reproduced: p. 195; mentioned p. 218.
    Hinson, Tom E. Ian Walker and Lisa Kurzner. Forbidden Games: Surrealist and Modernist Photography: The David Raymond Collection in the Cleveland Museum of Art. Cleveland: The Cleveland Museum of Art, 2014. . Mentioned: p. 90; reproduced: p. 94; reproduced and mentioned: p. 238.
  • Forbidden Games: Surrealist and Modernist Photography. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 19, 2014-January 11, 2015).
    Begierde im Blick: Surrealistische Fotografie. Hamburger Kunsthalle (May 11-29, 2009).
    Behind Closed Doors: The Art of Hans Bellmer. International Center of Photography, New York, NY (March 29-June 10, 2001).
  • {{cite web|title=Mannequin (André Masson)|url=false|author=Raoul Ubac|year=1938|access-date=16 April 2024|publisher=Cleveland Museum of Art}}

Source URL:

https://www.clevelandart.org/art/2007.130