The Cleveland Museum of Art

Collection Online as of February 25, 2018

A View from Moel Cynwich: Looking Over the Vale of Afon Mawddach and Toward Cader Idris, c. 1850

watercolor with scratch-away, heightened with white, . Purchase from the J. H. Wade Fund 2010.147

As a young man, Turner removed himself from the competitive London art world and returned to his native Oxford to teach and paint in solitude. This retreat may have been because he shared the same name as his contemporary Joseph Mallord William Turner, or it may have been prompted by his apparently retiring personality. He painted prolifically and traveled widely in Britain in search of subjects. This watercolor describes the dramatic mountain scenery of north Wales. The close-up view of the hillside and sheep in the left foreground juxtaposed with the sweeping vista of the mountains of Snowdonia invites a comparison of the minute with the infinite.

no inscriptions

Lemonedes, Heather. British Drawings: The Cleveland Museum of Art. Published on the occasion of the exhibition "British Drawings from the Cleveland Museum of Art" shown 10 Feb to 26 May 2013 at the Cleveland Museum of Art. London: D Giles Limited, 2013. Cover; pg 92-5, cat 31.

The Cleveland Museum of Art (02/10/2013 - 05/26/2013); "British Drawings from the Cleveland Museum of Art"

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Library materials about William Turner (272)

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