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May 25, 2010

Landscapes in Various Styles after Old Masters

倣古山水圖冊

1690

Part of a set. See all set records

Mei Qing 梅清

(Chinese, 1623–1697)

China, Qing dynasty

(1644-1911)

Album of ten leaves, ink and color on paper

Overall: 28.6 x 44 cm (11 1/4 x 17 5/16 in.)

John L. Severance Fund 1962.157

Location

not on view

Did you know?

Mei Qing produced a surge of new paintings after his 1690 tour of Huangshan’s breathtaking peaks.

Inscriptions

Inscription

Artist's 10 inscriptions, signatures, and 35 seals.

Provenance

?–1962

Richard B. Hobart [1885–1963], Cambridge, MA, sold to the Cleveland Museum of Art

1962–

The Cleveland Museum of Art, Cleveland, OH

Citations

Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1954. Mentioned and Reproduced: cat. no. 109

Sirén, Osvald. Chinese Painting: Leading Masters and Principles. New York: Ronald Press, 1956. Mentioned: VII, Lists, 386

Goepper, Roger. 1000 Jahre chinesische Malerei. München: Haus der Kunst, 1959. Mentioned and Reproduced: cat. no. 110

Fontein, Jan. "Chinese Art" In Encyclopedia of World Art 3 [Calder - cosmology and cartography] cols. 466-578. New York: McGraw-Hill, 1960. Reproduced: pl. 291

Lee, Sherman E. Chinese Landscape Painting. Cleveland, OH: The Cleveland Museum of Art, 1962. Reproduced: p. 124, no. 100

Lee, Sherman E. A History of Far Eastern Art. New York: H.N. Abrams, 1964. Reproduced: p. 455, fig. 600

Sullivan, Michael. Chinese and Japanese Art. New York: Grolier, 1965. Reproduced: p. 95, fig. B

Cahill, James, and Virginia Field. Fantastics and Eccentrics in Chinese Painting. [New York]: Asia Society; distributed by Abrams, 1967 Mentioned: cat. no. 17

Lee, Sherman E. "The Water and the Moon in Chinese and Modern Painting." Art international, vol. 14 (1970), no. 1, pp. 47-59. Reproduced: p. 53, fig. 21

Lee, Sherman Emery, and James Robinson. The Colors of Ink: Chinese Paintings and Related Ceramics from the Cleveland Museum of Art. New York: Asia Society; distributed by New York Graphic Society, 1974. Mentioned and Reproduced: cat. nos. 43 and 44

Cahill, James. "Chūgoku kaiga niokeru kisō to gensō" [Fantastics and eccentrics in Chinese painting] (part II). Kokka (1975): no. 979, pp. 2-21. Reproduced: color pl. 4

Fu, Shen 傅申. Ming Qing zhi ji di ke bi gou le feng shang yu Shitao di zao qi zuo pin [明清之際的渴筆勾勒風尚與石濤的早期作品 = An aspect of mid-seventeenth century Chinese painting: The "dry linear" style and the early work of Tao-chi]. Hong Kong: Xianggang Zhong wen da xue [香港中文大學 = The Chinese University of Hong Kong], 1976. Mentioned and Reproduced: figs. 21 and 22

Vinograd, Richard. “‘Reminiscences of Ch'in-Huai’: Tao-Chi and the Nanking School.” Archives of Asian Art, vol. 31, 1977, pp. 6–31. Mentioned and Reproduced: fig. 12, pp. 9, 17 www.jstor.org

Watson, William. L'art de l'ancienne Chine. Paris: Mazenod, 1979. Reproduced: pl. 563

Ho, Wai-kam, Sherman E. Lee, Laurence Sickman, and Marc F. Wilson. Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art. Cleveland, OH: Cleveland Museum of Art, in cooperation with Indiana University Press, 1980. Mentioned and Reproduced: cat. no. 228, pp. 307-309

Chou, Ju-hsi and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. Cleveland, OH: The Cleveland Museum of Art, 2015. Mentioned and Reproduced: pp. 391-396

Exhibition history

Chinese Landscape Painting. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 5-December 26, 1954).

Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum, Northampton, MA (1964).

Fantastics and Eccentrics. Asia House Gallery, New York, NY, (March 23-May 28, 1967); Los Angeles County Museum of Art, CA (June 20-August 13, 1967); and M. H. De Young Memorial Museum, San Francisco, CA (September 15-November 5, 1967).

Conference on Oriental-Western Literary and Cultural Relations. Indiana University, Bloomington, IN (1974).

Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 10-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982).

Main Asian Rotation (Gallery 122). The Cleveland Museum of Art, Cleveland, OH (October 27, 2003-March 10, 2004). (only 1962.157.2 and 1962.157.10)

1000 Jahre Chinesische Malerei. Haus der Kunst, Munich, Mùnich, Germany (organizer) (October 16-December 13, 1959).

Year in Review - 1962. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 24-November 25, 1962).

Fifteen Chinese Paintings from the Cleveland Museum of Art. Smith College Museum of Art, Northampton, MA (organizer) (October 9-28, 1964).

Juxtapositions. The Cleveland Museum of Art, Cleveland, OH (September 11-October 10, 1965).

Fantastics and Eccentrics in Chinese Painting. The Asia Society Museum, New York, NY (organizer) (March 23-May 28, 1967); Los Angeles County Museum of Art, Los Angeles, CA (June 20-August 13, 1967); Fine Arts Museums of San Francisco, de Young Museum, San Francisco, CA (September 15-November 5, 1967).

The Colors of Ink. The Cleveland Museum of Art, Cleveland, OH (organizer) (April 9-May 12, 1974).

Conference of Oriental-Western Literary and Cultural Relations. Indiana University Art Museum, Bloomington, IN (organizer) (October 17-19, 1974).

Asian Autumn: Masterpieces from the Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 17, 1991-January 5, 1992).

Cite this page

{{cite web|title=Landscapes in Various Styles after Old Masters|url=https://clevelandart.org/art/1962.157|author=Mei Qing|year=1690|access-date=05 June 2023|publisher=Cleveland Museum of Art}}

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Landscapes in Various Styles after Old Masters

Landscapes in Various Styles after Old Masters

倣古山水圖冊

Mei Qing 梅清

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