Curved Plane/Figure VII (Study)

1995
(American, 1937-)
Framed: 117.5 x 83.2 x 5.8 cm (46 1/4 x 32 3/4 x 2 5/16 in.); Unframed: 124.5 x 248.9 cm (49 x 98 in.)
© Robert Mangold / Artists Rights Society (ARS), New York
This artwork is known to be under copyright.
Location: not on view

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Robert Mangold prefers to create artwork in series, each representing a process of experimentation with a specific idea, such as form, shape, or color.

Description

Form, color, and drawing are central to the abstract paintings of Robert Mangold. In this half-scale study for one of eleven paintings in his Curved Plane/ Figure Series from 1994–95, Mangold joined three canvas panels to form a large, harmonious semicircular composition. He unified the painted surface by blending the smooth red-orange pigment of the left panel with the gray of the right to create the color of the central section. On this background, Mangold used black pencil to draw two ovals, one standing upright, while the other leans to the right. As the title suggests, the subject of the painting is the contrast between the flat, painted surfaces and the illusion of depth suggested by the drawn shapes.
Curved Plane/Figure VII (Study)

Curved Plane/Figure VII (Study)

1995

Robert Mangold

(American, 1937-)
America, 20th century

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