Images
https://piction.clevelandart.org/cma/ump.di?e=49322A366B095D2B16B22F1C7CD8814F31F5EF943FEBB8EEB2230867160037E7&s=24247294&se=1905716243&v=3&f=%5Cd2071%5Cu258420718%5C1999.171_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=90677B4DC432960642D51C1EB70ADA2EAD39AD23EFDB0150EE89982C78B65870&s=24247294&se=1905716243&v=5&f=1999.171_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=8E9E2F97B895EBD39111DBBAB47C83570F2B5E8486D8B1A5C6BC8198776F686D&s=24247294&se=1905716243&v=1&f=%5Cd1623%5Cu213516234%5C1999.171_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=E9869C1B1DD8B0BC7CCDFE55FB9A8B17F8F1AAD2E38B17C935881143B4240244&s=24247294&se=1905716243&v=3&f=%5Cd3105%5Cu258431050%5C1999.171det01_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=E9869C1B1DD8B0BC52258024704D499780625A00CF0CBEF2C17D99CDF5753DBB&s=24247294&se=1905716243&v=3&f=%5Cd3113%5Cu258431132%5C1999.171det02_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=E9869C1B1DD8B0BC5E61EABD0C95CA3873D43F697F94342EA9EB9B50D8416CD9&s=24247294&se=1905716243&v=3&f=%5Cd3121%5Cu258431212%5C1999.171det03_o2.jpg
https://piction.clevelandart.org/cma/ump.di?e=E9869C1B1DD8B0BCDC3E207E06FADE046A07FD336C6373EE89EB038264EB877E&s=24247294&se=1905716243&v=3&f=%5Cd3129%5Cu258431292%5C1999.171det04_o2.jpg
Jan 12, 2022
Jan 24, 2005
Jan 19, 2007
Jan 12, 2022
Jan 12, 2022
Jan 12, 2022
Jan 12, 2022
A Bride and Her Bridesmaids
A Bride and Her Bridesmaids
1851 or later
Whole-plate daguerreotype
Image: 19.9 x 14.8 cm (7 13/16 x 5 13/16 in.); Case: 21.7 x 16.5 cm (8 9/16 x 6 1/2 in.); Matted: 61 x 50.8 cm (24 x 20 in.)
Andrew R. and Martha Holden Jennings Fund 1999.171
Location
Download and Share
Description
Southworth, a druggist, and Hawes, a carpenter and self-taught painter, operated a daguerreotype studio together in Boston that served the city’s elite. Masters of the aesthetic and technical aspects of the medium, they built the first skylight in Boston to supply a clear, strong light in their studio. Another of their innovations was the addition of an extra layer of silver to their plates to enhance the luminosity and level of polish of their daguerreotypes. This medallion portrait is an example of the most difficult and expensive portrait mode of the 1850s. A daguerreotype plate was first masked and then a perforated template was moved around to take separate exposures on the same plate using a mechanism Southworth patented.
Contact us
The information about this object, including provenance, may not be currently accurate. If you notice a mistake or have additional information about this object, please email [email protected].
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk.
All images and data available through Open Access can be downloaded for free. For images not available through Open Access, a detail image, or any image with a color bar, request a digital file from Image Services.