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Medium: Black chalk heightened with traces of white chalk (18)
A Flying Angel (recto); Studies of Hands Playing Instruments (verso)
Giovanni Battista Piazzetta (Italian, 1682-1754)
1938.388CCCC0
A Flying Angel (recto)
Giovanni Battista Piazzetta (Italian, 1682-1754)
1938.388.aCCCC0
Two Arabs, for The Revolt of Cairo
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1973.172CCCC0
Self-Portrait in a Hat
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1978.79CCCC0
A Man Standing Seen from the Back
Gerard ter Borch (Dutch, 1617-1681)
1941.603CCCC0
Mrs. Sarah Siddons
Thomas Gainsborough (British, 1727-1788)
1976.6CCCC0
Head of a Young Man (recto) Sketch of a Head (verso)
Gaetano Gandolfi (Italian, 1734-1802)
1980.116CCCC0
Head of a Young Man
Gaetano Gandolfi (Italian, 1734-1802)
1980.116.aCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457-1504)
1924.532CCCC0
Aeneas Saving Anchises at the Fall of Troy
attributed to Federico Barocci (Italian, 1528-1612)
1960.26CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696-1770)
1950.449CCCC0
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593-1678)
1954.367CCCC0
Allegorical Figure
Anonymous
1968.68.aCCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504-1570)
1929.537CCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596-1669)
1954.688CCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
circle of Pietro da Cortona (Italian, 1596-1669)
1954.696CCCC0
Lot and His Daughters
circle of Pietro da Cortona (Italian, 1596-1669)
1954.696.aCCCC0
Descent from the Cross
Anonymous
1993.223CCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536-1602)
2015.14CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
A Flying Angel (recto); Studies of Hands Playing Instruments (verso)
Giovanni Battista Piazzetta (Italian, 1682-1754)
1938.388Black chalk heightened with traces of white chalkSheet: 56.3 x 42.6 cm (22 3/16 x 16 3/4 in.)Purchase from the J. H. Wade FundCCCC0
A Flying Angel (recto)
Giovanni Battista Piazzetta (Italian, 1682-1754)
1938.388.aBlack chalk heightened with traces of white chalkSheet: 56.3 x 42.6 cm (22 3/16 x 16 3/4 in.)Purchase from the J. H. Wade FundCCCC0
Copy of an Antique Statue of a Standing Woman (two views), over a Sketch...
Jacopo Chimenti (Italian, c. 1554-1640)
1962.202Black chalk heightened with traces of white paint and white chalk(?)Sheet: 22.5 x 15.9 cm (8 7/8 x 6 1/4 in.)Gift of Mr. and Mrs. Ralph L. Wilson in memory of Anna Elizabeth WilsonCCCC0
Two Arabs, for The Revolt of Cairo
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1973.172Black chalk heightened with white chalk, with traces of blue chalkSheet: 45.4 x 41.2 cm (17 7/8 x 16 1/4 in.); Secondary Support: 50.4 x 45.2 cm (19 13/16 x 17 13/16 in.); Tertiary Support: 50.4 x 45.2 cm (19 13/16 x 17 13/16 in.)Purchase from the J. H. Wade FundCCCC0
Self-Portrait in a Hat
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1978.79Black chalk, with stumping, heightened with traces of white gouacheSheet: 21.6 x 17.5 cm (8 1/2 x 6 7/8 in.); Secondary Support: 21.6 x 17.5 cm (8 1/2 x 6 7/8 in.)Delia E. Holden FundCCCC0
A Man Standing Seen from the Back
Gerard ter Borch (Dutch, 1617-1681)
1941.603Black chalk heightened with traces of white chalk; framing lines in brown inkSheet: 28.9 x 15 cm (11 3/8 x 5 7/8 in.)Gift of Robert Hays GriesCCCC0
Mrs. Sarah Siddons
Thomas Gainsborough (British, 1727-1788)
1976.6Black chalk with extensive stump work with traces of white gouache heighteningSheet: 46.8 x 35.3 cm (18 7/16 x 13 7/8 in.)John L. Severance FundCCCC0
Head of a Young Man (recto) Sketch of a Head (verso)
Gaetano Gandolfi (Italian, 1734-1802)
1980.116Black chalk with red chalk, heightened with traces of white chalk (black and red chalk stumped in places)Sheet: 43.6 x 31.5 cm (17 3/16 x 12 3/8 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Head of a Young Man
Gaetano Gandolfi (Italian, 1734-1802)
1980.116.aBlack chalk with red chalk, heightened with traces of white chalk (black and red chalk stumped in places)Sheet: 43.6 x 31.5 cm (17 3/16 x 12 3/8 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457-1504)
1924.532Pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Aeneas Saving Anchises at the Fall of Troy
attributed to Federico Barocci (Italian, 1528-1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister), framing lines in brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696-1770)
1950.449Pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593-1678)
1954.367Brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphiteSheet: 33 x 19.9 cm (13 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Allegorical Figure (recto and verso)
Anonymous
1968.68Black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalkSheet: 40 x 25.3 cm (15 3/4 x 9 15/16 in.)Gift of the John B. Putnam FoundationCCCC0
Allegorical Figure
Anonymous
1968.68.aBlack chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalkSheet: 40 x 25.3 cm (15 3/4 x 9 15/16 in.)Gift of the John B. Putnam FoundationCCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504-1570)
1929.537Pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink and brush and brown wash with red chalk (in the face and hands), heightened with traces of white, over black chalk, incised throughout, framing lines in brown ink and graphiteSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596-1669)
1954.688Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
circle of Pietro da Cortona (Italian, 1596-1669)
1954.696Pen and brown ink over black chalk(?), heightened with traces of white gouacheSheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)The Norweb CollectionCCCC0
Lot and His Daughters
circle of Pietro da Cortona (Italian, 1596-1669)
1954.696.aPen and brown ink over black chalk(?), heightened with traces of white gouacheSheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)The Norweb CollectionCCCC0
Descent from the Cross
Anonymous
1993.223Black chalk or crayon, and brush and brown wash, with traces of red chalk heightened with white gouache; framing lines in black ink (bottom)Sheet: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.); Secondary Support: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.)Gift of the family of Constance Mather BishopCCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536-1602)
2015.14Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs, squared in black chalk, on blue paper; within brown ink framing lines. Lined with cream wove paperSheet: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.)John L. Severance FundCCCC0