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Medium: Black, brown, and white chalk (51)
Medium: Black, brown, and white chalk (51)
A Seated Shepherdess
Jules Dupré (French, 1811–1889)
2009.314CCCC0
The Feast of Herod (recto)
Peter Paul Rubens (Flemish, 1577–1640)
1954.2.aCCCC0
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101CCCC0
Studies of Hands (recto); Sketch of a Child's Head (verso)
Carletto Caliari (Italian, 1570–1596)
1929.549CCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66CCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593–1678)
1954.367CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43CCCC0
Seated Nude
Jean Louis Forain (French, 1852–1931)
1926.274CCCC0
Man in Armor beside a Chariot
Francesco Salviati (Italian, 1510–1563)
1964.99CCCC0
Hilly Landscape with Hut Beside a Stream
Esaias van de Velde (Dutch, 1587–1630)
1966.7CCCC0
The Bird Seller
Willem van Mieris (Dutch, 1662–1747)
2019.10CCCC0
Salome with the Head of John the Baptist
Nicolaus Knupfer (Dutch, 1603–1655)
2019.8CCCC0
The Client
Jean Louis Forain (French, 1852–1931)
1956.733CCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6CCCC0
Worshippers at a Street Shrine
Alessandro Magnasco (Italian, 1667–1749)
1974.6CCCC0
Portrait of a man in profile, turned to the left
Simon Vouet (French, 1590–1649)
2021.133CCCC0
Portrait of a Man
Italy, 16th century
1929.11CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449CCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398CCCC0
Flowering Bush above an Eroded Bank
Federico Barocci (Italian, 1528–1612)
1973.171CCCC0
The Oath of the Seven Chiefs against Thebes
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
2000.71CCCC0
Woman in Profile, Turned to the Left
Henri-Pierre Danloux (French, 1753–1809)
2008.387CCCC0
Two Women
Anonymous and 1 other
1978.35CCCC0
Young Man with a Beard
François Quesnel (French, 1543–1619)
1997.72CCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532CCCC0
Allegorical Figure (recto)
Anonymous
1968.68.aCCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67CCCC0
The Temptation of St. Anthony
Julien Léopold Boilly (French, 1796–1874)
2018.42CCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Nude
Henry Keller (American, 1869–1949)
2004.147©
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Madame de Maintenon Returning to the Catholic Church [2]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.288CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
Madame de Maintenon Returning to the Catholic Church [1]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.292CCCC0
The Truffle Gatherers
Charles-Émile Jacque (French, 1813–1894)
2010.159CCCC0
Descent from the Cross
Anonymous
1993.223CCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
Pietro da Cortona (Italian, 1596–1669)
1954.696CCCC0
Lot and His Daughters (recto)
Pietro da Cortona (Italian, 1596–1669)
1954.696.aCCCC0
Ruth and Boaz (recto)
Italy, 17th century
1954.684.aCCCC0
Mountain Landscape with Figures
Anton Mirou (Flemish, before 1586–after 1661)
1954.707CCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14CCCC0
Study for "Boyhood Memories"
Henry Keller (American, 1869–1949)
1934.105©
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
A Seated Shepherdess
Jules Dupré (French, 1811–1889)
2009.314black chalk with white heightening and white pastel on brown paper laid down on boardSheet: 61.1 x 47.6 cm (24 1/16 x 18 3/4 in.)Bequest of Muriel ButkinCCCC0
The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso)
Peter Paul Rubens (Flemish, 1577–1640)
1954.2pen and brown ink, with black and red chalk, touched with white gouacheSheet: 27.2 x 47.2 cm (10 11/16 x 18 9/16 in.); Secondary Support: 27.6 x 47.3 cm (10 7/8 x 18 5/8 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Studies of Hands (recto); Sketch of a Child's Head (verso)
Carletto Caliari (Italian, 1570–1596)
1929.549charcoal (stumped in places) heightened with white chalk; black chalk with pen and brown inkSheet: 27.5 x 17.8 cm (10 13/16 x 7 in.)Dudley P. Allen FundCCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paperSheet: 59 x 44 cm (23 1/4 x 17 5/16 in.)Bequest of Noah L. ButkinCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transferSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593–1678)
1954.367brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphiteSheet: 33 x 19.9 cm (13 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)John L. Severance FundCCCC0
Seated Nude
Jean Louis Forain (French, 1852–1931)
1926.274brown, white, and black chalkSheet: 41.9 x 31.9 cm (16 1/2 x 12 9/16 in.)Gift of Mrs. Ralph KingCCCC0
Man in Armor beside a Chariot
Francesco Salviati (Italian, 1510–1563)
1964.99pen and brown ink and brush and brown wash over black chalk, heightened with whiteSheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.)Dudley P. Allen FundCCCC0
Hilly Landscape with Hut Beside a Stream
Esaias van de Velde (Dutch, 1587–1630)
1966.7black chalk and brush and gray and brown wash (addition, upper left, in white paint and black chalk); framing lines in brown inkSheet: 19.6 x 29.2 cm (7 11/16 x 11 1/2 in.)Dudley P. Allen FundCCCC0
The Bird Seller
Willem van Mieris (Dutch, 1662–1747)
2019.10black and white chalk on blue paper, laid down on brown paperSheet: 26 x 22.3 cm (10 1/4 x 8 3/4 in.)John L. Severance FundCCCC0
Salome with the Head of John the Baptist
Nicolaus Knupfer (Dutch, 1603–1655)
2019.8pen and brown ink, brown washes and white heightening (oxidized), over black chalk on antique laid paper; framing lines in pen and brown inkSheet: 33.4 x 27.9 cm (13 1/8 x 11 in.)John L. Severance FundCCCC0
The Client
Jean Louis Forain (French, 1852–1931)
1956.733black, brown, and white chalkSheet: 58.7 x 47 cm (23 1/8 x 18 1/2 in.); Secondary Support: 60 x 48.5 cm (23 5/8 x 19 1/8 in.)The Fanny Tewksbury King CollectionCCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6black ink wash over pen and brown ink and black chalk over graphite on gray-brown paper with white heightening, incisedSheet: 17.3 x 20.4 cm (6 13/16 x 8 1/16 in.)John L. Severance FundCCCC0
Worshippers at a Street Shrine
Alessandro Magnasco (Italian, 1667–1749)
1974.6brush and red-brown ink and black chalk, heightened with lead whiteSheet: 47.7 x 37.2 cm (18 3/4 x 14 5/8 in.)Dudley P. Allen FundCCCC0
Portrait of a man in profile, turned to the left
Simon Vouet (French, 1590–1649)
2021.133black and white chalks, red, pink and yellow pastel on light brown paperImage: 27.5 x 20.8 cm (10 13/16 x 8 3/16 in.); Sheet: 49.4 x 38.6 cm (19 7/16 x 15 3/16 in.)Severance and Greta Millikin Purchase FundCCCC0
Portrait of a Man
Italy, 16th century
1929.11black and red chalk, with brown and purple chalk, heightened with white gouacheSheet: 27.6 x 18.5 cm (10 7/8 x 7 5/16 in.); Secondary Support: 28.3 x 19.5 cm (11 1/8 x 7 11/16 in.)The Charles W. Harkness Endowment FundCCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398pen and brown ink, brown wash, with gray wash, over black chalk or crayon, heightened with white gouache and white chalkSheet: 15.8 x 24.2 cm (6 1/4 x 9 1/2 in.); With mount: 22.3 x 30.7 cm (8 3/4 x 12 1/16 in.)Bequest of Muriel ButkinCCCC0
Flowering Bush above an Eroded Bank
Federico Barocci (Italian, 1528–1612)
1973.171black chalk, brush and brown wash, and lead white (partially oxidized), with traces of red chalkSheet: 20 x 13.2 cm (7 7/8 x 5 3/16 in.); Secondary Support: 30.4 x 22.9 cm (11 15/16 x 9 in.)Purchase from the J. H. Wade FundCCCC0
The Oath of the Seven Chiefs against Thebes
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
2000.71Black chalks and white chalk with stumping and erasing on light brown wove paperOverall: 41.8 x 62 cm (16 7/16 x 24 7/16 in.)Purchase from the J. H. Wade FundCCCC0
Woman in Profile, Turned to the Left
Henri-Pierre Danloux (French, 1753–1809)
2008.387Charcoal and black chalk with stumping on off-white laid paper, signed in brown inkSheet: 23.7 x 20.7 cm (9 5/16 x 8 1/8 in.); Secondary Support: 30.9 x 28.9 cm (12 3/16 x 11 3/8 in.)Bequest of Muriel ButkinCCCC0
Two Women
Anonymous and 1 other
1978.35black chalk heightened with white chalk, both with stumping (with spots of black ink and brown paint, unrelated to composition)Sheet: 29.8 x 23.4 cm (11 3/4 x 9 3/16 in.)Gift of Mr. and Mrs. Wilbur D. PrescottCCCC0
Young Man with a Beard
François Quesnel (French, 1543–1619)
1997.72black, red, brown, and white chalk with stumpingSheet: 28.6 x 21.1 cm (11 1/4 x 8 5/16 in.); Secondary Support: 44 x 29.2 cm (17 5/16 x 11 1/2 in.)Bequest of Mrs. A. Dean PerryCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Allegorical Figure (recto and verso)
Anonymous
1968.68black chalk and brush and brown and gray wash heightened with white and gray gouache, with traces of stylus and white chalkSheet: 40 x 25.3 cm (15 3/4 x 9 15/16 in.)Gift of the John B. Putnam FoundationCCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67pen and brown ink and wash, heightened with white, over black chalk, on beige paperSheet: 39.9 x 25 cm (15 11/16 x 9 13/16 in.)John L. Severance FundCCCC0
The Temptation of St. Anthony
Julien Léopold Boilly (French, 1796–1874)
2018.42Black chalk with white, pink, orange, ochre, and brown chalks on blue paperSheet: 28.6 x 32.7 cm (11 1/4 x 12 7/8 in.)Bequest of Muriel ButkinCCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104Black chalk, pen and brown ink, brown wash, heightened with white, with perspectival indicationsSheet: 24 x 37.7 cm (9 7/16 x 14 13/16 in.)Severance and Greta Millikin Purchase FundCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Nude
Henry Keller (American, 1869–1949)
2004.147fabricated chalks: black, brown, red-brown, and whiteSheet: 45.4 x 30.5 cm (17 7/8 x 12 in.)Gift of Charlotte Trenkamp in memory of Henry Trenkamp, Jr.©
Bacchanal
Pietro da Cortona (Italian, 1596–1669)
1954.688pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Madame de Maintenon Returning to the Catholic Church [2]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.288black chalk and brown wash, heightened extensively with white (gouache) and graphite Sheet: 27.5 x 33.2 cm (10 13/16 x 13 1/16 in.)Bequest of Muriel ButkinCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Madame de Maintenon Returning to the Catholic Church [1]
Charles Dominique Joseph Eisen (French, 1720–1778)
2010.292black chalk and brown wash, heightened extensively with white (gouache) with graphiteSheet: 27 x 28.5 cm (10 5/8 x 11 1/4 in.)Bequest of Muriel ButkinCCCC0
The Truffle Gatherers
Charles-Émile Jacque (French, 1813–1894)
2010.159brown ink heightened with black and white chalkSheet: 15.1 x 27.3 cm (5 15/16 x 10 3/4 in.)Bequest of Muriel ButkinCCCC0
Descent from the Cross
Anonymous
1993.223black chalk or crayon, and brush and brown wash, with traces of red chalk heightened with white gouache; framing lines in black ink (bottom)Sheet: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.); Secondary Support: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.)Gift of the family of Constance Mather BishopCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
Pietro da Cortona (Italian, 1596–1669)
1954.696pen and brown ink over black chalk(?), heightened with traces of white gouacheSheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)The Norweb CollectionCCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Italy, 17th century
1954.684pen and brown ink and brush and brown wash over black chalk, heightened with lead whiteSheet: 30.2 x 27.7 cm (11 7/8 x 10 7/8 in.)The Norweb CollectionCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Two Young Women Seated
Lucien Simon (French, 1861–1945)
1939.651black and brown crayon, with white chalk (wetted and stumped in places)Sheet: 31.3 x 34.1 cm (12 5/16 x 13 7/16 in.)Gift of Robert Hays Gries©
Mountain Landscape with Figures
Anton Mirou (Flemish, before 1586–after 1661)
1954.707pen and brown ink and brush and gray wash with blue and green watercolor, over traces of black chalk, with white paintImage: 20.8 x 32.2 cm (8 3/16 x 12 11/16 in.)The Norweb CollectionCCCC0
Roman Subject
Philibert Benoît Delarue (French, 1718–1780)
1939.656pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs, squared in black chalk, on blue paper; within brown ink framing lines. Lined with cream wove paperSheet: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.)John L. Severance FundCCCC0
Study for "Boyhood Memories"
Henry Keller (American, 1869–1949)
1934.105Black chalk with touches of brown and blue chalk with white heightening Sheet: 32.6 x 43.4 cm (12 13/16 x 17 1/16 in.)Gift of the Artist©