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Medium: Brown ink heightened with black and white chalk (27)
Medium: Brown ink heightened with black and white chalk (27)
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005CCCC0
Studies of Hands (recto); Sketch of a Child's Head (verso)
Carletto Caliari (Italian, 1570–1596)
1929.549CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101CCCC0
Man in Armor beside a Chariot
assistant of Francesco Salviati (Italian, 1510–1563)
1964.99CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449CCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398CCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Worshippers at a Street Shrine
Alessandro Magnasco (Italian, 1667–1749)
1974.6CCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67CCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6CCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Two Women
Anonymous and 1 other
1978.35CCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
Ruth and Boaz (recto)
Italy, 17th century
1954.684.aCCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
circle of Pietro da Cortona (Italian, 1596–1669)
1954.696CCCC0
Lot and His Daughters (recto)
circle of Pietro da Cortona (Italian, 1596–1669)
1954.696.aCCCC0
The Truffle Gatherers
Charles-Émile Jacque (French, 1813–1894)
2010.159CCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240CCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
Descent from the Cross
Anonymous
1993.223CCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
The Presentation in the Temple
François Boucher (French, 1703–1770)
1925.1005Pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Studies of Hands (recto); Sketch of a Child's Head (verso)
Carletto Caliari (Italian, 1570–1596)
1929.549Charcoal (stumped in places) heightened with white chalk; black chalk with pen and brown inkSheet: 27.5 x 17.8 cm (10 13/16 x 7 in.)Dudley P. Allen FundCCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101Pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Man in Armor beside a Chariot
assistant of Francesco Salviati (Italian, 1510–1563)
1964.99Pen and brown ink and brush and brown wash over black chalk, heightened with whiteSheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.)Dudley P. Allen FundCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457–1504)
1924.532Pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449Pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
Saddled Arabian Horse in Courtyard
Carle Vernet (French, 1758–1836)
2008.398Pen and brown ink, brown wash, with gray wash, over black chalk or crayon, heightened with white gouache and white chalkSheet: 15.8 x 24.2 cm (6 1/4 x 9 1/2 in.); With mount: 22.3 x 30.7 cm (8 3/4 x 12 1/16 in.)Bequest of Muriel ButkinCCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511–1574)
1991.43Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)John L. Severance FundCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216Pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Worshippers at a Street Shrine
Alessandro Magnasco (Italian, 1667–1749)
1974.6Brush and red-brown ink and black chalk, heightened with lead whiteSheet: 47.7 x 37.2 cm (18 3/4 x 14 5/8 in.)Dudley P. Allen FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504–1570)
1929.537Pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
The Flight into Egypt
Gregorio Pagani (Italian, 1558–1605)
2015.67Pen and brown ink and wash, heightened with white, over black chalk, on beige paperSheet: 39.9 x 25 cm (15 11/16 x 9 13/16 in.)John L. Severance FundCCCC0
Musical Scene
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6Black ink wash over pen and brown ink and black chalk over graphite on gray-brown paper with white heightening, incisedSheet: 17.3 x 20.4 cm (6 13/16 x 8 1/16 in.)John L. Severance FundCCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Two Women
Anonymous and 1 other
1978.35Black chalk heightened with white chalk, both with stumping (with spots of black ink and brown paint, unrelated to composition)Sheet: 29.8 x 23.4 cm (11 3/4 x 9 3/16 in.)Gift of Mr. and Mrs. Wilbur D. PrescottCCCC0
The Apotheosis of Romulus: Design for a Ceiling
Domenico Maria Canuti (Italian, 1625–1684)
2017.104Black chalk, pen and brown ink, brown wash, heightened with white, with perspectival indicationsSheet: 24 x 37.7 cm (9 7/16 x 14 13/16 in.)Severance and Greta Millikin Purchase FundCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49Pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Italy, 17th century
1954.684Pen and brown ink and brush and brown wash over black chalk, heightened with lead whiteSheet: 30.2 x 27.7 cm (11 7/8 x 10 7/8 in.)The Norweb CollectionCCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
circle of Pietro da Cortona (Italian, 1596–1669)
1954.696Pen and brown ink over black chalk(?), heightened with traces of white gouacheSheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)The Norweb CollectionCCCC0
The Truffle Gatherers
Charles-Émile Jacque (French, 1813–1894)
2010.159Brown ink heightened with black and white chalkSheet: 15.1 x 27.3 cm (5 15/16 x 10 3/4 in.)Bequest of Muriel ButkinCCCC0
The Bath
Félix Bracquemond (French, 1833–1914)
1980.240Brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paperSheet: 59 x 44 cm (23 1/4 x 17 5/16 in.)Bequest of Noah L. ButkinCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124Pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718–1780)
1939.656Pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
Descent from the Cross
Anonymous
1993.223Black chalk or crayon, and brush and brown wash, with traces of red chalk heightened with white gouache; framing lines in black ink (bottom)Sheet: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.); Secondary Support: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.)Gift of the family of Constance Mather BishopCCCC0
The Agony in the Garden
Santi di Tito (Italian, 1536–1602)
2015.14Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs, squared in black chalk, on blue paper; within brown ink framing lines. Lined with cream wove paperSheet: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.)John L. Severance FundCCCC0