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Medium: Brush and black ink and brown and white heightening (23)
Medium: Brush and black ink and brown and white heightening (23)
The Presentation in the Temple
François Boucher (French, 1703-1770)
1925.1005CCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511-1574)
1991.43CCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1989.101CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528-1612)
1960.26CCCC0
Man in Armor beside a Chariot
assistant of Francesco Salviati (Italian, 1510-1563)
1964.99CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593-1678)
1954.366CCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503-1540)
1924.1003CCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457-1504)
1924.532CCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696-1770)
1950.449CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570-1596)
1946.216CCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504-1570)
1929.537CCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625-1695)
1960.157CCCC0
Dêbut de la manoeuvre de la Marne
Auguste Louis Lepère (French, 1849-1918)
1974.181CCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596-1669)
1954.688CCCC0
Allegory
Charles Abraham Chasselat (French, 1782-1843)
1982.366CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564-1651)
1980.49CCCC0
Worshippers at a Street Shrine
Alessandro Magnasco (Italian, 1667-1749)
1974.6CCCC0
Ruth and Boaz (recto)
Italy, 17th century
1954.684.aCCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718-1780)
1939.656CCCC0
The Bath
Félix Bracquemond (French, 1833-1914)
1980.240CCCC0
Descent from the Cross
Anonymous
1993.223CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
The Presentation in the Temple
François Boucher (French, 1703-1770)
1925.1005Pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Risen Christ Adored by Saints and Angels
Giorgio Vasari (Italian, 1511-1574)
1991.43Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)John L. Severance FundCCCC0
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767-1824)
1989.101Pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528-1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
Man in Armor beside a Chariot
assistant of Francesco Salviati (Italian, 1510-1563)
1964.99Pen and brown ink and brush and brown wash over black chalk, heightened with whiteSheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.)Dudley P. Allen FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593-1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Nativity with the Dream of Joseph
Parmigianino (Italian, 1503-1540)
1924.1003Pen and brown and black ink and brush and brown wash, with traces of brush and black wash, heightened with lead white (oxidized)Sheet: 8.6 x 7.5 cm (3 3/8 x 2 15/16 in.); Secondary Support: 14.9 x 13.4 cm (5 7/8 x 5 1/4 in.)Dudley P. Allen FundCCCC0
St. Jerome in His Study
Filippino Lippi (Italian, 1457-1504)
1924.532Pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Fox and the Turkey Hens: Illustration for the Fables of La Fontaine
Jean-Baptiste Oudry (French, 1686-1755)
1977.93Brush and black ink and gray wash heightened with white gouache, blue ink in margin; framing lines in brown inkSheet: 31 x 26 cm (12 3/16 x 10 1/4 in.); Image: 24 x 18.8 cm (9 7/16 x 7 3/8 in.)John L. Severance FundCCCC0
The Last Communion of St. Jerome
Giovanni Battista Tiepolo (Italian, 1696-1770)
1950.449Pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570-1596)
1946.216Pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Copy after Primaticcio's Juno Awakening Sleep
copy after Francesco Primaticcio (Italian, 1504-1570)
1929.537Pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
Boar Hunt
Abraham Hondius (Dutch, c. 1625-1695)
1960.157Pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown inkSheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); Secondary Support: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.)Delia E. Holden FundCCCC0
Dêbut de la manoeuvre de la Marne
Auguste Louis Lepère (French, 1849-1918)
1974.181Brush and black ink and brown and white heighteningDelia E. Holden FundCCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596-1669)
1954.688Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Allegory
Charles Abraham Chasselat (French, 1782-1843)
1982.366Pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564-1651)
1980.49Pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Worshippers at a Street Shrine
Alessandro Magnasco (Italian, 1667-1749)
1974.6Brush and red-brown ink and black chalk, heightened with lead whiteSheet: 47.7 x 37.2 cm (18 3/4 x 14 5/8 in.)Dudley P. Allen FundCCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Italy, 17th century
1954.684Pen and brown ink and brush and brown wash over black chalk, heightened with lead whiteSheet: 30.2 x 27.7 cm (11 7/8 x 10 7/8 in.)The Norweb CollectionCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695-1754)
1979.124Pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718-1780)
1939.656Pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
The Bath
Félix Bracquemond (French, 1833-1914)
1980.240Brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paperSheet: 59 x 44 cm (23 1/4 x 17 5/16 in.)Bequest of Noah L. ButkinCCCC0
Descent from the Cross
Anonymous
1993.223Black chalk or crayon, and brush and brown wash, with traces of red chalk heightened with white gouache; framing lines in black ink (bottom)Sheet: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.); Secondary Support: 42.5 x 28.1 cm (16 3/4 x 11 1/16 in.)Gift of the family of Constance Mather BishopCCCC0