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Medium: Graphite and brown wash; framing lines in graphite (64)
Medium: Graphite and brown wash; framing lines in graphite (64)
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593–1678)
1954.367CCCC0
A Spring Shower
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.573CCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Antonio Canaletto (Italian, 1697–1768)
1930.23CCCC0
View of the Acqua Acetosa (recto); David and Goliath (verso)
Claude Lorrain (French, 1604–1682)
1928.15CCCC0
View of the Acqua Acetosa (recto)
Claude Lorrain (French, 1604–1682)
1928.15.aCCCC0
Vaulted Staircase
Hubert Robert (French, 1733–1808)
1926.504CCCC0
Landscape with Winding Road
Thomas Doughty (American, 1793–1856)
1996.225CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
Shepherdess
Winslow Homer (American, 1836–1910)
1924.489CCCC0
The Woman with a Tambourine
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.12CCCC0
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.257CCCC0
Eighteen Views of Rome: The Piazza Farnese (recto)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.257.aCCCC0
The Trial
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.569CCCC0
The Game of Bowls
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.571CCCC0
The Cattle Vendor
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.574CCCC0
Design for a Ceiling: Mars and Aries
Italy, 18th century
1927.337CCCC0
Punchinello Arrested
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.570CCCC0
Gathering Wood
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.572CCCC0
Eighteen Views of Rome: The Campidoglio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.264CCCC0
A Hunting Party at Marly
attributed to Jean Baptiste Martin, Le Vieux (French, 1659–1735)
2017.211CCCC0
The Crucified Christ as the Tree of Life with Monks and Nuns
Laurent de La Hyre (French, 1606–1656)
1972.98CCCC0
Architectural Conference
Italy, 17th century
1954.713CCCC0
Elevation for Wall Decoration
Italy, 16th century
1927.363CCCC0
View Near Orleans
Isaac de Moucheron (Dutch, 1667–1744)
2019.17CCCC0
Landscape with the Village of Schenkenschanz, Gelderland
Herman Saftleven (Dutch, 1609–1685)
1961.37CCCC0
Two Young Men of Fashion (Standing)
Alphonse Marie Adolphe de Neuville (French, 1835–1885)
1942.882CCCC0
View of Ancient Buildings
Jacob van der Ulft (Dutch, 1627–1689)
1929.546CCCC0
August: Landscape with Wagons
Pieter Molyn (Dutch, 1595–1661)
1929.541CCCC0
Eighteen Views of Rome: The Piazza Colonna
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.258CCCC0
Landscape with Cattle (recto)
Jules Dupré (French, 1811–1889)
1954.675.aCCCC0
View of Alkmaar with Boats
Netherlands, 17th century
1929.538CCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689–1767)
1960.179CCCC0
Landscape with Tower at Seashore
Filippo Napoletano (Italian, c. 1587-c. 1629)
1954.674CCCC0
Maternal Solicitude
Jean Baptiste Le Prince (French, 1734–1781)
1953.609CCCC0
The Stag Hunt
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1981.36CCCC0
Ceres
Lelio Orsi (Italian, 1511–1587)
1939.655CCCC0
Sheep and Cows
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.13CCCC0
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.261CCCC0
Eighteen Views of Rome: The Piazza del Popolo (recto)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.261.aCCCC0
View of the Ponte Rotto, Rome
Jan Asselyn (Dutch, c. 1610–1652)
1972.360CCCC0
Death on Horseback Chasing a Flying Knight
Sebastian Vrancx (Flemish, 1573–1647)
1980.19CCCC0
Eighteen Views of Rome: The Castel Sant'Angelo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.268CCCC0
Landscape
Anonymous and 1 other
1962.21CCCC0
Design for a Monstrance
Anonymous
1971.33CCCC0
Eighteen Views of Rome: The Ponte Rotto
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.269CCCC0
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.262CCCC0
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.262.aCCCC0
Head of a Man
circle of Annibale Carracci (Italian, c. 1560–1609)
1954.690CCCC0
Eighteen Views of Rome: The Church of the Gesù
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.271CCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.273CCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Bernardo Castello (Italian, 1557–1629)
1954.692CCCC0
Edge of Marsh at Couronne
Félix Ziem (French, 1821–1911)
1982.169CCCC0
Eighteen Views of Rome: The Church of Sant'Ignazio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.266CCCC0
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.270CCCC0
Eighteen Views of Rome: Santa Maria in Via Lata
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.263CCCC0
Eighteen Views of Rome: The Church of Santa Maria in Vallicella
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.267CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265.aCCCC0
Eighteen Views of Rome: The Trevi Fountain
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.272CCCC0
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.259CCCC0
Ascension of Saint Jerome
Karel Skréta (Czech, 1610–1674)
1954.691CCCC0
Eighteen Views of Rome: The Quirinale
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.260CCCC0
Sheep Heads
Wouter Verschuur (Dutch, 1812–1874)
1954.706CCCC0
Barrel-Vaulted Arcade Rendered in Perspective
Francesco Battaglioli (Italian, 1725–1796)
1954.687CCCC0
Frontispiece for an Album of Drawings: Peasants at a Fountain (recto)
Dirk Langendijk (Dutch, 1748–1805)
1967.184.aCCCC0
Landscape with Horsemen
Flanders, 17th century
1951.264CCCC0
Rocky Inlet with Boats and Buildings (recto)
Netherlands, 17th century
1939.643.aCCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
The Conversion of Saul with Christ and the Cross
Jacob Jordaens (Flemish, 1593–1678)
1954.367Brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphiteSheet: 33 x 19.9 cm (13 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
A Spring Shower
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.573Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphiteImage: 29.6 x 41.5 cm (11 5/8 x 16 5/16 in.); Sheet: 35.5 x 47.1 cm (14 x 18 9/16 in.)Purchase from the J. H. Wade FundCCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Antonio Canaletto (Italian, 1697–1768)
1930.23Pen and brown ink and brush and gray and black wash over traces of graphite (?); framing lines in pen and brown and black inkSheet: 26.9 x 42.1 cm (10 9/16 x 16 9/16 in.)Purchase from the J. H. Wade FundCCCC0
View of the Acqua Acetosa (recto); David and Goliath (verso)
Claude Lorrain (French, 1604–1682)
1928.15Pen and brown ink and brush and brown wash over graphite, framing lines in brown inkSheet: 26 x 40.5 cm (10 1/4 x 15 15/16 in.)Gift of Mr. and Mrs. Edward B. GreeneCCCC0
Vaulted Staircase
Hubert Robert (French, 1733–1808)
1926.504Pen and brown ink and brush and brown wash over graphite; framing lines in brown inkSheet: 44.1 x 28.2 cm (17 3/8 x 11 1/8 in.); Secondary Support: 52.9 x 38.7 cm (20 13/16 x 15 1/4 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Landscape with Winding Road
Thomas Doughty (American, 1793–1856)
1996.225Brush and brown wash over graphite; framing lines in brown ink (scored)Sheet: 11.4 x 14.8 cm (4 1/2 x 5 13/16 in.); Image: 10.7 x 14 cm (4 3/16 x 5 1/2 in.)John L. Severance FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Shepherdess
Winslow Homer (American, 1836–1910)
1924.489Charcoal with brush and brown wash, heightened with white chalk; framing lines in graphiteSheet: 41.8 x 25.8 cm (16 7/16 x 10 3/16 in.); Image: 41 x 24.1 cm (16 1/8 x 9 1/2 in.)Gift of Dr. J. A. VincentCCCC0
The Woman with a Tambourine
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.12Pen and brown ink and brush and brown wash, over black chalk; framing lines in pen and brown ink over graphiteSheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); Image: 29.7 x 41.7 cm (11 11/16 x 16 7/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.257Pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown inkSheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
The Trial
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.569Pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35 x 46.4 cm (13 3/4 x 18 1/4 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
The Game of Bowls
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.571Pen and brown ink and brush and brown wash, over traces of black chalk; framing lines in brown ink over graphiteSheet: 35.5 x 47.3 cm (14 x 18 5/8 in.); Image: 29.7 x 41.6 cm (11 11/16 x 16 3/8 in.)Purchase from the J. H. Wade FundCCCC0
The Cattle Vendor
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.574Pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphiteSheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); Image: 29.5 x 41.7 cm (11 5/8 x 16 7/16 in.)Purchase from the J. H. Wade FundCCCC0
Design for a Ceiling: Mars and Aries
Italy, 18th century
1927.337Pen and brown ink and brush and brown wash and watercolor, with gouache, over traces of graphite; framing lines in brown inkSheet: 24.9 x 24.7 cm (9 13/16 x 9 3/4 in.); Secondary Support: 45.1 x 33.9 cm (17 3/4 x 13 3/8 in.)Gift of The Print Club of ClevelandCCCC0
Punchinello Arrested
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.570Pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35.1 x 46.7 cm (13 13/16 x 18 3/8 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Gathering Wood
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.572Pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink and graphiteSheet: 35.1 x 47 cm (13 13/16 x 18 1/2 in.); Image: 29.4 x 41.5 cm (11 9/16 x 16 5/16 in.)Purchase from the J. H. Wade FundCCCC0
Eighteen Views of Rome: The Campidoglio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.264Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 49.5 cm (15 3/16 x 19 1/2 in.)Dudley P. Allen FundCCCC0
A Hunting Party at Marly
attributed to Jean Baptiste Martin, Le Vieux (French, 1659–1735)
2017.211Graphite and gray washes; framing lines in brown inkSheet: 51.7 x 36.7 cm (20 3/8 x 14 7/16 in.)Bequest of Muriel ButkinCCCC0
The Crucified Christ as the Tree of Life with Monks and Nuns
Laurent de La Hyre (French, 1606–1656)
1972.98Black chalk, black chalk wash, and graphite with traces of brown wash and red chalk; framing lines in brown inkSheet: 31.2 x 46.4 cm (12 5/16 x 18 1/4 in.); Secondary Support: 38.2 x 52.8 cm (15 1/16 x 20 13/16 in.)Delia E. Holden FundCCCC0
Architectural Conference
Italy, 17th century
1954.713Pen and brown ink and brush and brown wash with graphite; framing lines in brown inkSheet: 45.3 x 35.2 cm (17 13/16 x 13 7/8 in.); Image: 44.2 x 34.1 cm (17 3/8 x 13 7/16 in.)Dudley P. Allen FundCCCC0
Elevation for Wall Decoration
Italy, 16th century
1927.363Pen and brown ink (ruled in places) and brush and brown wash with graphite and graphite wash; framing lines in brown ink and graphiteSheet: 35.5 x 22.8 cm (14 x 9 in.); Image: 35.3 x 22.5 cm (13 7/8 x 8 7/8 in.)Gift of The Print Club of ClevelandCCCC0
View Near Orleans
Isaac de Moucheron (Dutch, 1667–1744)
2019.17Pen and brown ink, grey, brown, pink-brown, and pale grey mixed with white washes, with traces of graphite underdrawing on laid paper; framing lines in pen and brown inkSheet: 22.8 x 29.4 cm (9 x 11 9/16 in.)John L. Severance FundCCCC0
Landscape with the Village of Schenkenschanz, Gelderland
Herman Saftleven (Dutch, 1609–1685)
1961.37Black chalk and brush and brown wash; framing lines in graphite (top) and black inkSheet: 51.2 x 21 cm (20 3/16 x 8 1/4 in.)L. E. Holden FundCCCC0
Two Young Men of Fashion (Standing)
Alphonse Marie Adolphe de Neuville (French, 1835–1885)
1942.882Graphite and brown wash; framing lines in graphiteSheet: 19.9 x 13 cm (7 13/16 x 5 1/8 in.); Secondary Support: 22.2 x 15.7 cm (8 3/4 x 6 3/16 in.); Tertiary Support: 22.2 x 15.7 cm (8 3/4 x 6 3/16 in.)Gift of Robert Hays GriesCCCC0
View of Ancient Buildings
Jacob van der Ulft (Dutch, 1627–1689)
1929.546Pen and brown ink and brush and brown wash over traces of graphite; framing lines in brown ink (iron gall)Sheet: 15 x 23.2 cm (5 7/8 x 9 1/8 in.)Dudley P. Allen FundCCCC0
August: Landscape with Wagons
Pieter Molyn (Dutch, 1595–1661)
1929.541Black chalk and brush and gray wash over traces of graphite; framing lines in brown inkSheet: 14.8 x 19.6 cm (5 13/16 x 7 11/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Piazza Colonna
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.258Pen and brown ink and brush and gray and blue wash over stylus and graphite; framing lines in brown inkSheet: 39.3 x 50 cm (15 1/2 x 19 11/16 in.)Dudley P. Allen FundCCCC0
Landscape with Cattle (recto) Cattle (verso)
Jules Dupré (French, 1811–1889)
1954.675Brush and brown wash over graphite; framing lines in graphiteSheet: 16.5 x 26.1 cm (6 1/2 x 10 1/4 in.)The Norweb CollectionCCCC0
View of Alkmaar with Boats
Netherlands, 17th century
1929.538Point of brush and gray ink and brush and gray wash with traces of pen and black ink over traces of graphite; framing lines in brown inkSheet: 13.8 x 20.4 cm (5 7/16 x 8 1/16 in.)Dudley P. Allen FundCCCC0
Flagellation of Christ
Gaspare Diziani (Italian, 1689–1767)
1960.179Pen and black ink, black chalk, and brush and gray wash, with brush and brown wash; squared in graphite, framing lines in black chalk and black inkSheet: 20 x 27.1 cm (7 7/8 x 10 11/16 in.); Image: 19.5 x 26.1 cm (7 11/16 x 10 1/4 in.)James Parmelee FundCCCC0
Landscape with Tower at Seashore
Filippo Napoletano (Italian, c. 1587-c. 1629)
1954.674Pen and brown ink and brush and brown and gray wash over traces of graphite; framing lines in graphiteSheet: 19 x 30.2 cm (7 1/2 x 11 7/8 in.)The Norweb CollectionCCCC0
Maternal Solicitude
Jean Baptiste Le Prince (French, 1734–1781)
1953.609Pen and black ink and brush and brown wash over graphite, with traces of white gouache; framing lines in black inkSheet: 13.3 x 18.3 cm (5 1/4 x 7 3/16 in.); Secondary Support: 20 x 25.2 cm (7 7/8 x 9 15/16 in.)Gift of William Mathewson Milliken, in memory of H. Oothout MillikenCCCC0
The Stag Hunt
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1981.36Pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink and graphiteSheet: 35.7 x 47.1 cm (14 1/16 x 18 9/16 in.); Image: 29.7 x 41.4 cm (11 11/16 x 16 5/16 in.)Gift in memory of Paul Wick from his familyCCCC0
Ceres
Lelio Orsi (Italian, 1511–1587)
1939.655Pen and brown ink and brush and brown wash; incised, squared in black chalk, framing lines in graphite (left and bottom)Sheet: 25.6 x 18.7 cm (10 1/16 x 7 3/8 in.); Secondary Support: 29.3 x 22 cm (11 9/16 x 8 11/16 in.)Gift of Robert Hays GriesCCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.274Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 48.7 cm (15 3/16 x 19 3/16 in.); Framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.)Dudley P. Allen FundCCCC0
Sheep and Cows
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.13Pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphiteSheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); Image: 29.5 x 41.5 cm (11 5/8 x 16 5/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.261Pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.9 x 49.6 cm (15 5/16 x 19 1/2 in.)Dudley P. Allen FundCCCC0
View of the Ponte Rotto, Rome
Jan Asselyn (Dutch, c. 1610–1652)
1972.360Brush and gray wash over graphite; framing lines in brown inkSheet: 35.4 x 57.6 cm (13 15/16 x 22 11/16 in.); Secondary Support: 45.6 x 63.8 cm (17 15/16 x 25 1/8 in.)Gift of Dr. and Mrs. Robert SchermerCCCC0
Death on Horseback Chasing a Flying Knight
Sebastian Vrancx (Flemish, 1573–1647)
1980.19Pen and brown ink and brush and brown wash, over traces of graphite; framing lines in brown ink (bottom edge)Sheet: 20.1 x 26 cm (7 15/16 x 10 1/4 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Castel Sant'Angelo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.268Pen and brown ink and brush and gray wash over graphite; squared in graphite; framing lines in brown inkSheet: 38.4 x 48.8 cm (15 1/8 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Landscape
Anonymous and 1 other
1962.21Pen and brown ink and brush and gray and brown wash over graphite; framing lines in brown ink (left edge and bottom) and graphite (upper edge)Sheet: 24.1 x 18.2 cm (9 1/2 x 7 3/16 in.)Delia E. Holden FundCCCC0
Design for a Monstrance
Anonymous
1971.33Pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphiteSheet: 76.6 x 43 cm (30 3/16 x 16 15/16 in.)Delia E. Holden FundCCCC0
Eighteen Views of Rome: The Ponte Rotto
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.269Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 48.7 x 39 cm (19 3/16 x 15 3/8 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.262Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.)Dudley P. Allen FundCCCC0
Head of a Man
circle of Annibale Carracci (Italian, c. 1560–1609)
1954.690Pen and brown ink (iron gall?) and brush and brown wash; framing lines in graphiteSheet: 9.8 x 8 cm (3 7/8 x 3 1/8 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Church of the Gesù
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.271Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 48.7 cm (15 1/4 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.273Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); Framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.)Dudley P. Allen FundCCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Bernardo Castello (Italian, 1557–1629)
1954.692Pen and brown ink and brush and brown wash with traces of graphite; framing lines in brown inkSheet: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.); Secondary Support: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.)The Norweb CollectionCCCC0
Edge of Marsh at Couronne
Félix Ziem (French, 1821–1911)
1982.169Pen and brown ink, black crayon and brush and gray wash; framing lines in black crayon; two figures in right margin in black crayon (top figure) and graphite (bottom figure)Sheet: 22.5 x 35.2 cm (8 7/8 x 13 7/8 in.); Image: 18.8 x 30.3 cm (7 3/8 x 11 15/16 in.)Gift of Rabbi and Mrs. Daniel J. Silver in honor of Dr. Sherman E. LeeCCCC0
Eighteen Views of Rome: The Church of Sant'Ignazio
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.266Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum)
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.270Pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.8 x 50.7 cm (15 1/4 x 19 15/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: Santa Maria in Via Lata
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.263Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Church of Santa Maria in Vallicella
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.267Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 49.1 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265Pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)Sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Trevi Fountain
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.272Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.259Pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.)Dudley P. Allen FundCCCC0
Ascension of Saint Jerome
Karel Skréta (Czech, 1610–1674)
1954.691Pen and brown ink, graphite and brush and brown wash; framing lines in black inkSheet: 27.9 x 16.7 cm (11 x 6 9/16 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Quirinale
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.260Pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.7 x 48.9 cm (15 1/4 x 19 1/4 in.)Dudley P. Allen FundCCCC0
Bust of Diana with Putti and Hunting Attributes
Jacob de Wit (Dutch, 1695–1754)
1979.124Pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Sheep Heads
Wouter Verschuur (Dutch, 1812–1874)
1954.706Black chalk and brush and gray and black wash over traces of graphite; framing lines in brown ink and graphiteSheet: 14.5 x 18.4 cm (5 11/16 x 7 1/4 in.)The Norweb CollectionCCCC0
Barrel-Vaulted Arcade Rendered in Perspective
Francesco Battaglioli (Italian, 1725–1796)
1954.687Pen and brown ink and brush and blue-gray wash, over graphite (ruled in places); framing lines in brown inkSheet: 36 x 24.7 cm (14 3/16 x 9 3/4 in.); Image: 34.8 x 24 cm (13 11/16 x 9 7/16 in.)The Norweb CollectionCCCC0
Frontispiece for an Album of Drawings: Peasants at a Fountain (recto)...
Dirk Langendijk (Dutch, 1748–1805)
1967.184Pen and black ink and brush and brown and gray wash over graphite; framing lines in black inkSheet: 39.4 x 29.8 cm (15 1/2 x 11 3/4 in.)Gift of Rosenberg & Stiebel, Inc.CCCC0
Landscape with Horsemen
Flanders, 17th century
1951.264Pen and brown ink and brush and brown wash over traces of graphite; framing lines in black inkSheet: 15.2 x 20.2 cm (6 x 7 15/16 in.); Secondary Support: 25 x 32.5 cm (9 13/16 x 12 13/16 in.)Gift of Robert Hays GriesCCCC0
Rocky Inlet with Boats and Buildings (recto); Sketches of Castles (verso)
Netherlands, 17th century
1939.643Pen and brown ink, point of brush and black and gray wash, and brush and gray wash over traces of graphite; framing lines in brown ink (iron gall)Sheet: 6.9 x 14.8 cm (2 11/16 x 5 13/16 in.)Gift of Robert Hays GriesCCCC0