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Medium: Pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black ink (7)
Medium: Pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black ink (7)
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366CCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216Pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366Pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49Pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718–1780)
1939.656Pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0