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Medium: Pen and brown ink (370)
Medium: Pen and brown ink (370)
Farmhouse on the Slope of a Hill
Farmhouse on the Slope of a Hill, c. 1508
Fra Bartolommeo (Italian, 1472–1517)
1957.498CCCC0
Saint Jerome in a Landscape
Saint Jerome in a Landscape, c. 1530
Domenico Campagnola (Italian, 1500–1564)
1929.557CCCC0
View of a Castle (recto); Eight-Sided Cup (verso)
View of a Castle (recto); Eight-Sided Cup (verso), 1513
Wolfgang Huber (Austrian, 1490–1553)
1951.277CCCC0
Landscape with a Moated Village
Landscape with a Moated Village, 1559–61
Master of the Small Landscapes (Flemish)
1929.552CCCC0
A Lady with Three Suitors
A Lady with Three Suitors, c. 1500
France, 16th century
1956.40CCCC0
The Genius of the Sculptor
The Genius of the Sculptor, c. 1880–83
Auguste Rodin (French, 1840–1917)
2008.404CCCC0
A Sacrifice Interrupted
A Sacrifice Interrupted, 1770s
John Hamilton Mortimer (British, 1740–1779)
1978.20CCCC0
A Procession of Triumphal Cars in the Piazza San Marco, Venice,...
A Procession of Triumphal Cars in the Piazza San Marco, Venice,..., 1782
Francesco Guardi (Italian, 1712–1793)
1955.164CCCC0
Various Sketches of the Madonna and Child (recto) Architectural Studies ...
Various Sketches of the Madonna and Child (recto) Architectural Studies ..., c. 1570
Paolo Veronese (Italian, 1528–1588)
1939.670CCCC0
Ascension of Christ
Ascension of Christ, c. 1515
Albrecht Dürer (German, 1471–1528)
1952.530CCCC0
Figure (verso)
Figure (verso), 1940
Joan Miró (Spanish, 1893–1983)
1965.2.b©
Navicella (recto) Two Drawings of Ships (verso)
Navicella (recto) Two Drawings of Ships (verso), c. 1410s
Parri Spinelli (Italian, 1387–c. 1453)
1961.38CCCC0
Vaulted Staircase
Vaulted Staircase, c. 1770–1779
Hubert Robert (French, 1733–1808)
1926.504CCCC0
La Serpentara near Olevano
La Serpentara near Olevano, 1829
Friedrich Preller (German, 1804–1878)
1971.12CCCC0
Head of a Bearded Man Gazing to His Left
Head of a Bearded Man Gazing to His Left, 1859
William Mulready (British, 1786–1863)
2013.241CCCC0
Allegory of Christian Belief
Allegory of Christian Belief, c. 1622
Johann Liss (German, c. 1597–1631)
1953.6CCCC0
Shah Jahan
Shah Jahan, c. 1656–1661
Rembrandt van Rijn (Dutch, 1606–1669)
1978.38CCCC0
The Waterfall of Marmore at Terni
The Waterfall of Marmore at Terni, 1776–78
Philipp Hackert (German, 1737–1807)
1982.40CCCC0
Five Grotesque Heads
Five Grotesque Heads, 1750–1800
Gaetano Gandolfi (Italian, 1734–1802)
1969.277CCCC0
Apollo and the Muses Awakened by the Call of Fame
Apollo and the Muses Awakened by the Call of Fame, 1590s
Jacopo Palma il Giovane (Italian, c. 1548–1628)
1926.265CCCC0
Tobias Healing His Father's Blindness
Tobias Healing His Father's Blindness, c. 1640–45
Rembrandt van Rijn (Dutch, 1606–1669)
1969.69CCCC0
Salome with the Head of St. John the Baptist
Salome with the Head of St. John the Baptist, c. 1517
Albrecht Altdorfer (German, c. 1480–1538)
1948.440CCCC0
The Presentation in the Temple
The Presentation in the Temple, c. 1770
François Boucher (French, 1703–1770)
1925.1005CCCC0
Rib Cages
Rib Cages, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.383CCCC0
Christ Taken Before Caiaphas
Christ Taken Before Caiaphas, c. 1641–1642
Rembrandt van Rijn (Dutch, 1606–1669)
1960.187CCCC0
Venus and Cupid in a Chariot
Venus and Cupid in a Chariot, 1615–17
Guercino (Italian, 1591–1666)
1925.1188CCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55
Antonio Canaletto (Italian, 1697–1768)
1930.23CCCC0
Mandrake
Mandrake, 1951
Theodore Roszak (American, 1907–1981)
1964.141©
Farm with Trees in a Hilly Landscape
Farm with Trees in a Hilly Landscape, 1567
Gherardo Cibo (Italian, 1512–1600)
1997.37CCCC0
Landscape with Travelers
Landscape with Travelers, 1605
Jan Brueghel (Flemish, 1568–1625)
1960.27CCCC0
St. Sebastian
St. Sebastian, 1626–30
Jusepe de Ribera (Spanish, 1591–1652)
1997.53CCCC0
Design for a Candelabrum, Allegorical Figure of Abundance, Ornamental...
Design for a Candelabrum, Allegorical Figure of Abundance, Ornamental..., c. 1490s
Bernardo Parentino (Italian)
1956.41CCCC0
The Expulsion from Paradise
The Expulsion from Paradise, c. 1606
Jan Wierix (Flemish, c. 1549–after 1615)
1994.16CCCC0
A Spring Shower
A Spring Shower, 1790s-1804
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.573CCCC0
The Holy Family (Christ in the Lap of Truth)
The Holy Family (Christ in the Lap of Truth), c. 1805
William Blake (British, 1757–1827)
1950.239CCCC0
Skeleton
Skeleton, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.380CCCC0
Madonna and Child
Madonna and Child, c. 1440/50
Stefano da Zevio (Italian, c. 1374-aft 1438)
1956.42CCCC0
Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)
Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso), c. 1545/47
Perino del Vaga (Italian, 1501–1547)
1992.3CCCC0
Study of Apollo for Marsyas (recto); Face in Profile (verso)
Study of Apollo for Marsyas (recto); Face in Profile (verso), late 1860s
Paul Baudry (French, 1828–1886)
2008.373CCCC0
River Landscape with Boats
River Landscape with Boats, c. 1590
Annibale Carracci (Italian, c. 1560–1609)
1972.101CCCC0
Madonna Nursing the Christ Child
Madonna Nursing the Christ Child, c. 1670–72
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66CCCC0
Satan Starts from the Touch of Ithuriel's Spear
Satan Starts from the Touch of Ithuriel's Spear, 1776
Henry Fuseli (Swiss, 1741–1825)
1954.365CCCC0
Man in Armor beside a Chariot
Man in Armor beside a Chariot, c. 1550
Francesco Salviati (Italian, 1510–1563)
1964.99CCCC0
The Members of the Academy of Beaux-Arts Assembled to Jury the Rome Prize
The Members of the Academy of Beaux-Arts Assembled to Jury the Rome Prize, 1841 or 1842
Paul Delaroche (French, 1797–1856)
2008.346CCCC0
Mater Dolorosa (Mourning Mother)
Mater Dolorosa (Mourning Mother), 1776
George Romney (British, 1734–1802)
1970.338CCCC0
View of the Acqua Acetosa (recto); David and Goliath (verso)
View of the Acqua Acetosa (recto); David and Goliath (verso), c. 1645
Claude Lorrain (French, 1604–1682)
1928.15CCCC0
Pastoral Scene with Classical Figures
Pastoral Scene with Classical Figures, c. 1640–1645
Claude Lorrain (French, 1604–1682)
1982.13CCCC0
Landscape with a Man Leaning on a Bale
Landscape with a Man Leaning on a Bale, c. 1640
Guercino (Italian, 1591–1666)
2000.23CCCC0
Sheet of Sketches (recto and verso)
Sheet of Sketches (recto and verso), 1819
Théodore Géricault (French, 1791–1824)
1964.28CCCC0
Crucifixion with the Two Thieves
Crucifixion with the Two Thieves, second half 15th century
Italy, Piedmontese, 15th century
1956.43CCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Peasant's Cottage (recto); Bridge and Gate (verso) , c. 1600
Abraham Bloemaert (Dutch, 1564–1651)
1940.737CCCC0
The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso)
The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso), c. 1637–38
Peter Paul Rubens (Flemish, 1577–1640)
1954.2CCCC0
The Disrobing of Christ
The Disrobing of Christ, c. 1785–90
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5CCCC0
Landscape with Fortification Between Marino and Frascati
Landscape with Fortification Between Marino and Frascati, c. 1650
Jacob van der Ulft (Dutch, 1627–1689) and 2 others
1958.421CCCC0
Flight into Egypt: The Embarkment of the Holy Family
Flight into Egypt: The Embarkment of the Holy Family, c. 1735
Giovanni Battista Tiepolo (Italian, 1696–1770)
1929.443CCCC0
The Meeting of Christ with Martha and Mary after the Death of Lazarus
The Meeting of Christ with Martha and Mary after the Death of Lazarus, c. 1662–65
Rembrandt van Rijn (Dutch, 1606–1669)
1962.116CCCC0
Aeneas Saving Anchises at the Fall of Troy
Aeneas Saving Anchises at the Fall of Troy, 1587–88
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.257CCCC0
The Parable of the Tribute Money
The Parable of the Tribute Money, c. 1580–1600
Master of the Egmont Albums (Netherlandish, 1480-1620)
1992.115CCCC0
Temptation of Saint Anthony
Temptation of Saint Anthony, late 1570s
Luca Cambiaso (Italian, 1527–1585)
1929.540CCCC0
Sheet of Studies and Sketches
Sheet of Studies and Sketches, 1858
Edgar Degas (French, 1834–1917)
1951.430CCCC0
Scene with a Road Winding through a Wood
Scene with a Road Winding through a Wood, c. 1770
Thomas Gainsborough (British, 1727–1788)
1929.547CCCC0
Nude Study
Nude Study, first quarter 1900s
George Kolbe (German, 1877–1947)
1928.202CCCC0
The Queen of Sheba
L’Illustration, no. de Noel: The Queen of Sheba, 1911
Edmund Dulac (British, 1882–1953)
1940.738©
Landscape with Small Group of Buildings
Landscape with Small Group of Buildings, second half 1700s
Guercino (Italian, 1591–1666)
1954.333CCCC0
The Adoration of the Magi
The Adoration of the Magi, c. 1740
Giovanni Battista Tiepolo (Italian, 1696–1770)
1944.474CCCC0
Student (Costume Study for Goll's "Methusalem") (recto) Amalie, Ida, and...
Student (Costume Study for Goll's "Methusalem") (recto) Amalie, Ida, and..., 1922
George Grosz (German, 1893–1959)
1966.50©
Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani and...
Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani and..., 1773–1778(?)
Francesco Guardi (Italian, 1712–1793)
1939.665CCCC0
Piazza San Marco, Venice
Piazza San Marco, Venice, 1780s
Francesco Guardi (Italian, 1712–1793)
1951.83CCCC0
The Departure of Jacob
The Departure of Jacob, c. 1755
François Boucher (French, 1703–1770)
1981.58CCCC0
Study of a Plant, Possibly Thistle
Study of a Plant, Possibly Thistle, 1862
Léon Bonvin (French, 1834–1866)
1980.236CCCC0
Three Studies of a Woman Wearing an Elaborate Headdress
Three Studies of a Woman Wearing an Elaborate Headdress, c. 1500
Anonymous and 1 other
1987.31CCCC0
Study of the Sabine Statue from the Villa Medici
Study of the Sabine Statue from the Villa Medici, c. 1775–1780
Jacques-Louis David (French, 1748–1825)
2008.343CCCC0
A Palace with an Arched Bridge (A Roman Villa)
A Palace with an Arched Bridge (A Roman Villa), 1760
Hubert Robert (French, 1733–1808)
2008.362CCCC0
The Apple Market at Landerneau
The Apple Market at Landerneau, 1878
Léon Augustin Lhermitte (French, 1844–1925)
2008.356CCCC0
The Trial
The Trial, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.569CCCC0
A View from Bald Mountain, Orange County, N. Y.
A View from Bald Mountain, Orange County, N. Y., 1843
Jasper F. Cropsey (American, 1823–1900)
1933.401CCCC0
The Annunciation
The Annunciation, c. 1568
Luca Cambiaso (Italian, 1527–1585)
1959.200CCCC0
Hollow Tree, after Roelant Savery
Hollow Tree, after Roelant Savery, after 1670
Lambert Doomer (Dutch, 1623–1700) and 1 other
1958.315CCCC0
Peasants with a Farm-cart
Peasants with a Farm-cart, c. 1790
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.568CCCC0
Study for "The Revolt of Cairo"
Study for "The Revolt of Cairo", 1810
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
2008.372CCCC0
Eighteen Views of Rome: The Campidoglio
Eighteen Views of Rome: The Campidoglio, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.264CCCC0
Two Bohemian Peasants in Half-Length
Two Bohemian Peasants in Half-Length, c. 1600
Roelant Savery (Flemish, 1576–1639)
1945.114CCCC0
Copy after Giulio Romano's Fall of Icarus
Copy after Giulio Romano's Fall of Icarus, after 1536
Giulio Romano (Italian, 1492/99–1546)
1992.90CCCC0
Standing Officer Holding a Boar's Spear
Standing Officer Holding a Boar's Spear, 1586
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
The Idolatry of Solomon
The Idolatry of Solomon, 1622–23
Pietro da Cortona (Italian, 1596–1669)
1987.142CCCC0
Study of Heads (recto); Crenelated Fortress (verso)
Study of Heads (recto); Crenelated Fortress (verso), 2nd half 1500s
Agostino Carracci (Italian, 1557–1602)
1941.605CCCC0
Self-Portrait with Portrait of Delacroix
Self-Portrait with Portrait of Delacroix, c. 1845
George Sand (French, 1804–1876)
2007.219CCCC0
The Drummer
The Drummer, 17th century
Jacques Callot (French, 1592–1635)
1953.260CCCC0
View of Ancient Buildings
View of Ancient Buildings, second half 17th century
Jacob van der Ulft (Dutch, 1627–1689)
1929.546CCCC0
A Blasted Tree (recto) Floorplan (verso)
A Blasted Tree (recto) Floorplan (verso) , 1851
Jasper F. Cropsey (American, 1823–1900)
1979.91CCCC0
Punchinello Arrested
Punchinello Arrested, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.570CCCC0
The Conversion of St. Paul
The Conversion of St. Paul, after 1575
Lelio Orsi (Italian, 1511–1587)
1951.348CCCC0
Saddled Arabian Horse in Courtyard
Saddled Arabian Horse in Courtyard, 1820
Carle Vernet (French, 1758–1836)
2008.398CCCC0
Wild Sow and Her Young Attacked by Dogs
Wild Sow and Her Young Attacked by Dogs, 1748
Jean-Baptiste Oudry (French, 1686–1755)
1997.191CCCC0
Tree in a Landscape
Tree in a Landscape, mid-1600s
Ercole Bazicaluva (Italian, c. 1610–1661)
1939.663CCCC0
The Cattle Vendor
The Cattle Vendor, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.574CCCC0
Parade Horse
Parade Horse, 1619?
Anonymous
1963.241CCCC0
Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in...
Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in..., 1637
Alfonso Parigi (Italian, 1606–1656)
2011.192CCCC0
Adoration of the Magi
Adoration of the Magi, c. 1590
Maarten de Vos (Flemish, 1532–1603)
2019.232CCCC0
Cottages
Cottages, 1870–71
Jean-François Millet (French, 1814–1875)
1974.233CCCC0
Armored Figure on Horseback
Armored Figure on Horseback, c. 1450
Vittore Carpaccio (Italian, 1455/65–1525/26)
1938.391CCCC0
Design for a Frieze with a Putto and Acanthus Leaves
Design for a Frieze with a Putto and Acanthus Leaves, c. 1520
Giulio Romano (Italian, 1492/99–1546)
2020.70CCCC0
Torsos with Rib Cages
Torsos with Rib Cages, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.378CCCC0
View of Orléans from the Loire
View of Orléans from the Loire, c. 1670
Lambert Doomer (Dutch, 1623–1700)
1966.4CCCC0
Yacht Receiving Salute
Yacht Receiving Salute, c. 1700
Willem van de Velde (Dutch, c. 1611–1693)
1961.36CCCC0
Carriage in the Bois de Boulogne
Carriage in the Bois de Boulogne, 1800s
Constantin Guys (French, 1805–1892)
1958.15CCCC0
Male(?) Figure Seen from Below
Male(?) Figure Seen from Below, c. 1740s
Giovanni Battista Tiepolo (Italian, 1696–1770)
1965.17CCCC0
A Monk Preaching
A Monk Preaching, mid 17th century?
Pier Francesco Mola (Italian, 1612–1666)
1962.115CCCC0
The Meeting of Orestes and Hermione
The Meeting of Orestes and Hermione, c. 1800
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101CCCC0
Farmers and Fisherman Working
Farmers and Fisherman Working, 18th century
Francesco Guardi (Italian, 1712–1793)
1953.261CCCC0
Eighteen Views of Rome: The Piazza Colonna
Eighteen Views of Rome: The Piazza Colonna, 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.258CCCC0
Arm Bones
Arm Bones, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.379CCCC0
The Pyramid of Cestius, Rome
The Pyramid of Cestius, Rome, c. 1650–80
Michiel van Overbeek (Dutch, active 1663–1709)
2021.144CCCC0
Battle Scene with a Fort
Battle Scene with a Fort, first third 17th century?
Antonio Tempesta (Italian, 1555–1630)
1929.545CCCC0
The Empress Eugénie Receiving the Diplomatic Corps after the Birth of...
The Empress Eugénie Receiving the Diplomatic Corps after the Birth of..., 1856
Constantin Guys (French, 1805–1892)
1972.237CCCC0
Design for Two Vases, Two Coats of Arms, and a Bull (recto) Several Line...
Design for Two Vases, Two Coats of Arms, and a Bull (recto) Several Line..., mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.589CCCC0
Study of a Horse
Study of a Horse, c. 1825–30
Eugène Delacroix (French, 1798–1863)
2020.128CCCC0
Man Clutching a Horse in Water, after Poussin's "Deluge" (recto);...
Man Clutching a Horse in Water, after Poussin's "Deluge" (recto);..., c. 1816
Théodore Géricault (French, 1791–1824) and 1 other
2008.378CCCC0
Outer Staircase of a Gothic Ruin
Outer Staircase of a Gothic Ruin, 1830
Domenico Quaglio (German, 1787–1837)
1980.218CCCC0
Landscape with Clump of Trees
Landscape with Clump of Trees, 1600s
Italy, Bologna
1947.347CCCC0
The Risen Christ Adored by Saints and Angels
The Risen Christ Adored by Saints and Angels, 1566–68
Giorgio Vasari (Italian, 1511–1574)
1991.43CCCC0
Man Entwined by Two Snakes
Man Entwined by Two Snakes, c. 1527
Giovanni Antonio da Pordenone (Italian, 1483/84–1539)
1944.475CCCC0
The Tric-Trac Players
The Tric-Trac Players, c. 1660
Philips de Koninck (Dutch, 1619–1688)
1958.373CCCC0
Christ Holding a Chalice and Cross
Christ Holding a Chalice and Cross, 1666
Alonso Cano (Spanish, 1601–1667)
1982.121CCCC0
Sacrificial Offering in a Temple
Sacrificial Offering in a Temple, after 1750
Giovanni Battista Piranesi (Italian, 1720–1778)
1953.259CCCC0
The Woman with a Tambourine
The Woman with a Tambourine, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.12CCCC0
Saint Christopher
Saint Christopher, c.1500
Andrea Mantegna (Italian, 1431–1506)
1956.39CCCC0
Seated Man and Woman
Seated Man and Woman, c. 1830–60
Célestin François Nanteuil (French, 1813–1873)
2018.1064CCCC0
Landscape with Buildings and Figures
Landscape with Buildings and Figures, second half 1600s(?)
Onorio Marinari (Italian, 1627–1715)
1951.263CCCC0
Soldier in a Trench (recto) Reclining Woman (verso)
Soldier in a Trench (recto) Reclining Woman (verso), 1915
Jean Louis Forain (French, 1852–1931)
1924.331CCCC0
Last Supper
Last Supper, 1600s(?)
France, 17th century
1954.700CCCC0
The Monks
The Monks, c. 1802–30
François Marius Granet (French, 1775–1849)
2018.1059CCCC0
Gathering Wood
Gathering Wood, late 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.572CCCC0
Justice
Justice, 1530–34
Giulio Romano (Italian, 1492/99–1546)
2021.1CCCC0
Seated Woman Searching for Fleas
Seated Woman Searching for Fleas, c. 1671
Adriaen van de Velde (Dutch, 1636–1672)
1966.239CCCC0
Architectural Conference
Architectural Conference, c. 1622
Italy, 17th century
1954.713CCCC0
Studies of Hands (recto); Sketch of a Child's Head (verso)
Studies of Hands (recto); Sketch of a Child's Head (verso), c. 1586
Carletto Caliari (Italian, 1570–1596)
1929.549CCCC0
Design for Decorative Hinges (recto) Border Lines (verso)
Design for Decorative Hinges (recto) Border Lines (verso), mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.586CCCC0
Theatre Scene (recto); Lingerie Boutique and Conversation (verso)
Theatre Scene (recto); Lingerie Boutique and Conversation (verso), c. 1765–75
Gabriel de Saint-Aubin (French, 1724–1780)
2019.256CCCC0
Salome with the Head of John the Baptist
Salome with the Head of John the Baptist, c. 1650
Nicolaus Knupfer (Dutch, 1603–1655)
2019.8CCCC0
Reconciliation of the Romans and the Sabines (recto) Venus Disarming...
Reconciliation of the Romans and the Sabines (recto) Venus Disarming..., c. 1632/35
Peter Paul Rubens (Flemish, 1577–1640)
1970.37CCCC0
The Nativity with the Dream of Joseph
The Nativity with the Dream of Joseph, c. 1527/30?
Parmigianino (Italian, 1503–1540)
1924.1003CCCC0
The Funeral of Saint Stephen
The Funeral of Saint Stephen, c. 1460
Filippo Lippi (Italian, c. 1406–1469)
1947.70CCCC0
River Landscape with Arched Rock
River Landscape with Arched Rock, second half 1600s
Crescenzio di Onofrio (Italian, 1632 ?-aft 1712)
1954.709CCCC0
Assassination of Tiberius
Assassination of Tiberius, 1816–1817
Théodore Géricault (French, 1791–1824)
2013.250CCCC0
Design for a Chalice (recto) Architectural Plan (verso)
Design for a Chalice (recto) Architectural Plan (verso), mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.587CCCC0
Victorious Soldiers with Trophy
Victorious Soldiers with Trophy, 1550s
Pellegrino Tibaldi (Italian, 1527–1596)
1954.689CCCC0
Design for a Ciborium
Design for a Ciborium, 1600s
Fantoni Family Workshop (Italian)
1925.1189CCCC0
Jupiter (in the guise of Diana) and Callisto
Jupiter (in the guise of Diana) and Callisto, 1733
Jacob de Wit (Dutch, 1695–1754)
2023.45CCCC0
Paris and Oenone
Paris and Oenone, 1791
John Flaxman (British, 1755–1826)
2008.35CCCC0
Extreme Unction (recto); Three Heads and Other Sketches (verso)
Extreme Unction (recto); Three Heads and Other Sketches (verso), 1643–1644
Nicolas Poussin (French, 1594–1665)
1983.197CCCC0
Interior of a Cathedral
Interior of a Cathedral, c. 1820s
Samuel Prout (British, 1783–1852)
1940.560CCCC0
Figures on a Winding Road
Figures on a Winding Road, mid-1600s
Salvator Rosa (Italian, 1615–1673)
1975.17CCCC0
Madonna and Child with Saints
Madonna and Child with Saints, 1700s
Giuseppe Bazzani (Italian, 1690–1769)
1960.72CCCC0
Laocoön (recto); Battle of the Milvian Bridge (fragment) (verso)
Laocoön (recto); Battle of the Milvian Bridge (fragment) (verso), second half 16th Century
Italy, 16th century
1939.654CCCC0
Landscape with a River and Aqueduct
Landscape with a River and Aqueduct, mid 1600s
Giovanni Francesco Grimaldi (Italian, 1606–1680)
1984.57CCCC0
Cupid Blindfolded and Two Doves
Cupid Blindfolded and Two Doves, 1757 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1941.604CCCC0
Monumental Vaulted Hall with Staircase
Monumental Vaulted Hall with Staircase, second quarter 18th century?
Giuseppe Galli Bibiena (Italian, 1696–1757)
1962.114CCCC0
Design for a Candlestick
Design for a Candlestick, mid 1500s
Luzio Romano (Italian, active 1528–75)
1927.362CCCC0
Jacopo Marcello Directing the Assault of Gallipoli
Jacopo Marcello Directing the Assault of Gallipoli, 1750–1760
Antonio Guardi (Italian, 1699–1760)
1953.135CCCC0
Elevation for Wall Decoration
Elevation for Wall Decoration, c. 1550
Italy, 16th century
1927.363CCCC0
Saint Deicolus and the Boar
Saint Deicolus and the Boar, 1747–48
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22CCCC0
Boar Hunt
Boar Hunt, c. 1672
Abraham Hondius (Dutch, c. 1625–1695)
1960.157CCCC0
Christ Triumphant Appearing to an Interceding Saint
Christ Triumphant Appearing to an Interceding Saint, 1600s
Italy, Bologna
1954.695CCCC0
Sheep and Cows
Sheep and Cows, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.13CCCC0
View Near Orleans
View Near Orleans, c. 1695–97
Isaac de Moucheron (Dutch, 1667–1744)
2019.17CCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria...
Eighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria..., 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.274CCCC0
Saint Peter Martyr
Saint Peter Martyr, 16th Century?
Giovanni Battista Paggi (Italian, 1554–1627)
1939.669CCCC0
Crickets in November
Crickets in November, 1917
Charles Burchfield (American, 1893–1967)
1981.207©
The Relics
The Relics, c. 1835
Jean-Jacques Grandville (French, 1803–1847)
2018.1065CCCC0
The Judgment of Paris
The Judgment of Paris, c. 1585
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Ceiling Study: Allegory of Peace and War
Ceiling Study: Allegory of Peace and War, c. 1800 ?
Giuseppe Bernardino Bison (Italian, 1762–1844)
1971.31CCCC0
Asnæs Skov, Bay at Kalundborg Fjord
Asnæs Skov, Bay at Kalundborg Fjord, 1839
Johan Thomas Lundbye (Danish, 1818–1848)
2022.87CCCC0
Design for a Crozier
Design for a Crozier, mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.588CCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Copy of Tintoretto's Children of Israel Gathering Manna, after 1594
Jacopo Tintoretto (Italian, 1518–1594)
1929.534CCCC0
Ships
Ships, second half 1600s
Ludolf Backhuysen (Dutch, 1631–1708)
1954.703CCCC0
Apotheosis of the Virgin
Apotheosis of the Virgin, 1600s
Austria
1939.644CCCC0
Cupid in the Clouds with Attendant Cherubs
Cupid in the Clouds with Attendant Cherubs, 1757 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.326CCCC0
Landscape with Tower at Seashore
Landscape with Tower at Seashore, 1600–1614(?)
Filippo Napoletano (Italian, c. 1587-c. 1629)
1954.674CCCC0
Sheet of Satirical Studies (Amorini Riding Phalli)
Sheet of Satirical Studies (Amorini Riding Phalli), c. 1650s
Salvator Rosa (Italian, 1615–1673)
2009.154CCCC0
Doctor
Doctor, late 1800s or early 1900s
Thomas Rowlandson (British, 1756–1827)
1958.5CCCC0
The Falconer
The Falconer
Eugène Fromentin (French, 1820–1876)
1973.7CCCC0
View of Dordrecht from the River
View of Dordrecht from the River, 1775–1815
Jacob van Strij (Dutch, 1756–1815)
1961.79CCCC0
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso) , c. 1535
Romanino (Italian, 1484/87–1562)
1963.87CCCC0
Detail of Martyrdom of Saint John the Evangelist, after Callot
Detail of Martyrdom of Saint John the Evangelist, after Callot, after 1634?
Stefano Della Bella (Italian, 1610–1664)
1958.430CCCC0
Flagellation of Christ
Flagellation of Christ, c. 1750/55
Gaspare Diziani (Italian, 1689–1767)
1960.179CCCC0
Madonna and Child in Glory above Three Saints
Madonna and Child in Glory above Three Saints, c. 1570
Giovanni Battista Paggi (Italian, 1554–1627)
1979.135CCCC0
Design for Two Vases and an Ornament (recto); Sketches of Five Arms and...
Design for Two Vases and an Ornament (recto); Sketches of Five Arms and..., mid 1500s
Luzio Romano (Italian, active 1528–75)
1925.1190CCCC0
Landscape
Landscape, c. 1860
Narcisse Diaz de la Peña (French, 1807–1876)
2008.389CCCC0
Ceres
Ceres, 16th century
Lelio Orsi (Italian, 1511–1587)
1939.655CCCC0
Seated Male Nude
Seated Male Nude, c. 1939
Oscar Miestchaninoff (French, 1886–1956)
1957.394©
Assumption of the Virgin
Assumption of the Virgin, 1600s
Italy, 17th century
1954.683CCCC0
Eighteen Views of Rome: The Ponte Rotto
Eighteen Views of Rome: The Ponte Rotto, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.269CCCC0
Sketches of Heads and Figures
Sketches of Heads and Figures, 1600s
Italy, Naples, 17th century
1939.658CCCC0
Sketch of a Man with Upraised Arm and Sketch of a Helmet (verso)
Sketch of a Man with Upraised Arm and Sketch of a Helmet (verso), 1878
Édouard Detaille (French, 1848–1912)
1978.133.bCCCC0
The Moscow Tavern
The Moscow Tavern, c. 1773
Jean Baptiste Le Prince (French, 1734–1781)
2008.355CCCC0
Floral Designs with Birds and Griffon
Floral Designs with Birds and Griffon, 1784
Giacomo Cavenezia (Italian)
1952.292CCCC0
Rape of Europa
Rape of Europa, 1731
Charles Joseph Natoire (French, 1700–1777)
1968.364CCCC0
Copy after Primaticcio's Juno Awakening Sleep
Copy after Primaticcio's Juno Awakening Sleep, after 1535
Francesco Primaticcio (Italian, 1504–1570)
1929.537CCCC0
The Transfiguration (recto); Study of Hands (verso)
The Transfiguration (recto); Study of Hands (verso), c. 1590
Camillo Procaccini (Italian, 1546–1629)
1987.45CCCC0
Pillaging Soldiers
Pillaging Soldiers, 1794
Dirk Langendijk (Dutch, 1748–1805)
1969.298CCCC0
Landscape with Shepherds
Landscape with Shepherds, c. 1700?
Domenico I Piola (Italian, 1627–1703)
1939.664CCCC0
The Last Judgment
The Last Judgment, 1500s
Jean Cousin (French, c. 1490–c. 1560)
1939.649CCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Illustration from Torquato Tasso's Gerusalemme Liberata, 1586–1590
Bernardo Castello (Italian, 1557–1629)
1954.692CCCC0
Landscape
Landscape, 18th century
Anonymous and 1 other
1962.21CCCC0
Study Sheet
Study Sheet, c. 1870–80
Alfred Dehodencq (French, 1822–1882)
2018.1060CCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.273CCCC0
Allegory
Allegory, 1818
Charles Abraham Chasselat (French, 1782–1843)
1982.366CCCC0
Bacchanal
Bacchanal, 1600s
Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Eighteen Views of Rome: The Church of the Gesù
Eighteen Views of Rome: The Church of the Gesù, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.271CCCC0
Watering Horses
Watering Horses, c. 1800–10
Thomas Rowlandson (British, 1756–1827)
1929.539CCCC0
Moche Suite #4
Moche Suite #4, before 1983 (?)
Moe Brooker (American, 1940–2022)
1992.256©
Apollo Flaying Marsyas (recto) Two Sketches of a Mother and Child (verso)
Apollo Flaying Marsyas (recto) Two Sketches of a Mother and Child (verso) , 16th century
Anonymous
1966.169CCCC0
River Landscape with View of St. Peter's Basilica
River Landscape with View of St. Peter's Basilica, after 1660
Giovanni Francesco Grimaldi (Italian, 1606–1680)
1978.21CCCC0
Navajo Gathering
Navajo Gathering, 1955
Mac Schweitzer (American, 1921–1962)
1956.95©
Three Scenes from the Passion of Christ (recto) Architectural Sketch ...
Three Scenes from the Passion of Christ (recto) Architectural Sketch ..., 1500s
Northern Italy, 16th century
1954.698CCCC0
Hymn to Venus
Hymn to Venus, c. 1760–65
Louis Felix de la Rue (French, 1731–1765)
2019.253CCCC0
Head of a Man
Head of a Man, 1500s
Annibale Carracci (Italian, c. 1560–1609)
1954.690CCCC0
Venus at the Forge of Vulcan
Venus at the Forge of Vulcan, 18th century
Louis Félix de La Rue (French, 1731–1777)
2017.212CCCC0
Copy of Raphael's Massacre of the Innocents
Copy of Raphael's Massacre of the Innocents, after 1510
Raphael (Italian, 1483–1520)
1988.28CCCC0
Scene in a Park
Scene in a Park, c. 1760
Jean-Honoré Fragonard (French, 1732–1806)
1925.1006CCCC0
Maternal Solicitude
Maternal Solicitude, 1777
Jean Baptiste Le Prince (French, 1734–1781)
1953.609CCCC0
Model at the Club
Model at the Club, 1929
William S. Gisch (American, 1906–1989)
1929.431©
Design for a Ceiling: Mars and Aries
Design for a Ceiling: Mars and Aries, 1700s
Italy, 18th century
1927.337CCCC0
The Last Communion of St. Jerome
The Last Communion of St. Jerome, c. 1726
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449CCCC0
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum)
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum), 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.270CCCC0
François I Brandishing a Sword
François I Brandishing a Sword, c. 1815–30
Alexandre-Evariste Fragonard (French, 1781–1850)
2019.254CCCC0
Madonna and Child
Madonna and Child, c. 1600
Jacopo Chimenti (Italian, c. 1554–1640)
1929.10CCCC0
The Conversion of Saul with Horseman and Banner
The Conversion of Saul with Horseman and Banner, c. 1645–47
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
Floral Designs with Two Birds
Floral Designs with Two Birds, 1774
Giacomo Cavenezia (Italian)
1952.289CCCC0
Floral Design with Dog and Insects
Floral Design with Dog and Insects, 1774
Giacomo Cavenezia (Italian)
1952.290CCCC0
Dune Scene with Peasant Figures
Dune Scene with Peasant Figures, mid 1650s
Willem van de Velde (Dutch, c. 1611–1693)
2019.15CCCC0
Madonna and Child with Angels
Madonna and Child with Angels, late 1500s
Aurelio Luini (Italian, 1530–1593)
1988.107CCCC0
Musical Scene
Musical Scene, 1625–55
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6CCCC0
Eighteen Views of Rome: The Church of Sant'Ignazio
Eighteen Views of Rome: The Church of Sant'Ignazio, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.266CCCC0
Hermit in a Wooded Landscape
Hermit in a Wooded Landscape, 1776
Ferdinand Kobell (German, 1740–1799)
1983.92CCCC0
Eighteen Views of Rome: The Castel Sant'Angelo
Eighteen Views of Rome: The Castel Sant'Angelo, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.268CCCC0
Eighteen Views of Rome: Santa Maria in Via Lata
Eighteen Views of Rome: Santa Maria in Via Lata, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.263CCCC0
Floral Designs and Floral Bands
Floral Designs and Floral Bands, 1784
Giacomo Cavenezia (Italian)
1952.291CCCC0
Vertical Decorative Floral Band
Vertical Decorative Floral Band, 1773
Giacomo Cavenezia (Italian)
1952.288CCCC0
Rape of the Sabines
Rape of the Sabines, 1700s
France, 18th century
1954.678CCCC0
Bust-Length Profile of an Old Woman (verso)
Bust-Length Profile of an Old Woman (verso), c. 1521
Dosso Dossi (Italian, c. 1490-aft 1541)
1980.195.bCCCC0
Rocky Landscape with a Cave Chapel
Rocky Landscape with a Cave Chapel, 19th century
Johann Martin von Rohoden (Flemish, 1778–1868)
1977.159CCCC0
Eighteen Views of Rome: The Trevi Fountain
Eighteen Views of Rome: The Trevi Fountain, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.272CCCC0
Apollo with Erato and Cupid
Apollo with Erato and Cupid, 1595
Johann Kellerthaler (German, c 1560/2–1611)
2012.98CCCC0
The Baptism of Christ
The Baptism of Christ, c. 1600–1630
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80CCCC0
Sheet of Studies
Sheet of Studies, 1871–76
Paul Cézanne (French, 1839–1906)
2008.385CCCC0
Ships at Sea
Ships at Sea, 17th century
Ludolf Backhuysen (Dutch, 1631–1708)
1954.702CCCC0
Two Studies of a Flayed Man (recto) Study of a Flayed Torso (verso)
Two Studies of a Flayed Man (recto) Study of a Flayed Torso (verso), 1554
Bartolommeo da Arezzo (Italian, active about 1550–80)
1975.26CCCC0
Eighteen Views of Rome: The Church of Santa Maria in Vallicella
Eighteen Views of Rome: The Church of Santa Maria in Vallicella, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.267CCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?), c. 1545
Battista Franco (Italian, c. 1510–1561)
1965.16CCCC0
The Bath
The Bath, c. 1900
Félix Bracquemond (French, 1833–1914)
1980.240CCCC0
The Game of Bowls
The Game of Bowls, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.571CCCC0
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San...
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San..., 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.261CCCC0
The Verification of the True Cross
The Verification of the True Cross, c. 1590
Filippo Bellini (Italian, c. 1550–1603)
2011.197CCCC0
The Deposition (recto) and (verso)
The Deposition (recto) and (verso), second half 18th century
Christian Wink (German, 1738–1797)
1939.668CCCC0
Copy of a Roman Statue of a Seated Woman
Copy of a Roman Statue of a Seated Woman, c. 1450–94
Domenico Ghirlandaio (Italian, 1449–1494)
1939.653CCCC0
Five Equestrian Studies: Cavalrymen
Five Equestrian Studies: Cavalrymen, mid 19th century
Auguste Raffet (French, 1804–1860)
1956.601CCCC0
The Poultry Woman
The Poultry Woman, second half 18th century
Hendrik Meijer (Dutch, 1737–1793)
1937.467CCCC0
Christ in Glory with Two Saints
Christ in Glory with Two Saints, first third 17th century
Marcantonio Bassetti (Italian, 1586–1630)
1939.657CCCC0
Street Scene in London
Street Scene in London, 1879
Félix Hilaire Buhot (French, 1847–1898)
2008.384CCCC0
Angel Appearing to Zacharias
Angel Appearing to Zacharias, third quarter 1600s
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12CCCC0
Bust of Diana with Putti and Hunting Attributes
Bust of Diana with Putti and Hunting Attributes, first half 18th century
Jacob de Wit (Dutch, 1695–1754)
1979.124CCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Ruth and Boaz (recto) The Fall of Simon Magus (verso), 1600s
Italy, 17th century
1954.684CCCC0
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore, 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.259CCCC0
Two Male Figures
Two Male Figures, c. 1829
George Richmond (British, 1809–1896)
2003.228CCCC0
Faggot Gatherer (recto) Study of a Head seen from Below (verso)
Faggot Gatherer (recto) Study of a Head seen from Below (verso), third quarter 1600s
Francisque Millet (French, 1642–1679)
1954.677CCCC0
Sheet of Studies: Seated Man, Head of a Dog, Seated Woman
Sheet of Studies: Seated Man, Head of a Dog, Seated Woman, 1700s
Claude-Joseph Vernet (French, 1714–1789)
2003.265CCCC0
Study for King Josiah Rending his Garments
Study for King Josiah Rending his Garments, c. 1730
James Thornhill (British, 1675–1734)
1992.50CCCC0
The Fish Monger
The Fish Monger, second half 18th century
Hendrik Meijer (Dutch, 1737–1793)
1937.468CCCC0
Floral Designs with a Blue Bird
Floral Designs with a Blue Bird, c. 1773/74
Giacomo Cavenezia (Italian)
1952.287CCCC0
Charon and the Souls of the Dead
Charon and the Souls of the Dead, c. 1858
Jean-Baptiste Carpeaux (French, 1827–1875)
2019.251CCCC0
Charles Keene as a Volunteer
Charles Keene as a Volunteer
Charles Samuel Keene (British, 1823–1891)
1924.627CCCC0
The Virgin and Child
The Virgin and Child, c. 1510
Lorenzo di Credi (Italian, 1459–1537)
1963.472CCCC0
The Fisherman (Le Pêcheur)
The Fisherman (Le Pêcheur), c. 1840–45
Théodore Rousseau (French, 1812–1867)
1980.18CCCC0
The Neuve River at the End of the Dardenne Valley
The Neuve River at the End of the Dardenne Valley, 1800s
Edouard Jean Marie Hostein (French, 1804–1889)
1978.129CCCC0
God the Father with Angels and Cherubs
God the Father with Angels and Cherubs, 1758 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.324CCCC0
Figures by a Rocky Pool
Figures by a Rocky Pool, 1660/1673
Salvator Rosa (Italian, 1615–1673)
1975.16CCCC0
Mountain Landscape with Figures
Mountain Landscape with Figures, first half 1600s
Anton Mirou (Flemish, before 1586–after 1661)
1954.707CCCC0
Couple Courting by a Tree
Couple Courting by a Tree, 1871
Léon Bonnat (French, 1833–1922)
2009.134CCCC0
Design for a Monstrance
Design for a Monstrance, 1600s
Anonymous
1971.33CCCC0
Design for a Stage Set: Interior of a Palace with Arcades
Design for a Stage Set: Interior of a Palace with Arcades, mid 1700s
Giovanni Battista III Natali (Italian, 1698–1765)
1957.505CCCC0
St. Jerome in His Study
St. Jerome in His Study, c. 1490
Filippino Lippi (Italian, 1457–1504)
1924.532CCCC0
The Man Wot Drives the Sovereign
The Man Wot Drives the Sovereign, c. 1815–80
Richard Dighton (British, 1795–1880)
1940.730CCCC0
Landscape with Sheep and Two Shepherds
Landscape with Sheep and Two Shepherds, first half 19th century?
Thomas Barker (British, 1769–1847)
1954.701CCCC0
Shepherd with His Flock
Shepherd with His Flock, c. 1870
Anton Mauve (Dutch, 1838–1888)
2003.287CCCC0
Hannibal Swearing Eternal Enmity toward Rome
Hannibal Swearing Eternal Enmity toward Rome, c. 1808
France, 19th century
2008.349CCCC0
Roman Subject
Roman Subject, 1700s
Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
Interior Scene with Soldiers at a Table
Interior Scene with Soldiers at a Table, c. 1730–1740(?)
Charles Parrocel (French, 1688–1752)
2008.370CCCC0
Eighteen Views of Rome: The Quirinale
Eighteen Views of Rome: The Quirinale, 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.260CCCC0
A View of Spa
A View of Spa, c. 1619
Jan Brueghel (Flemish, 1568–1625)
1979.26CCCC0
The Beadle
The Beadle, c. 1805–78
George Cruikshank (British, 1792–1878)
1946.445CCCC0
Opening Pages from Valerius Maximus's Facta et dicta memorabilia
Opening Pages from Valerius Maximus's Facta et dicta memorabilia, c. 1476
Flanders, 15th century
1952.274CCCC0
God the Father with Symbol of the Trinity
God the Father with Symbol of the Trinity, 1758 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.325CCCC0
Ascension of Saint Jerome
Ascension of Saint Jerome, 1600s
Karel Skréta (Czech, 1610–1674)
1954.691CCCC0
Classical Scene
Classical Scene, 1775–1800
Francisco Vieira (Portuguese, 1765–1805)
1982.372CCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s
Pietro da Cortona (Italian, 1596–1669)
1954.696CCCC0
Two Standing Saints
Two Standing Saints, 1563–1572?
Giovanni Bandini (Italian, c. 1540–1599)
1983.91CCCC0
Figure Studies
Figure Studies, c. 1640–1649
Salvator Rosa (Italian, 1615–1673)
2009.153CCCC0
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);...
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);..., 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.262CCCC0
The Stag Hunt
The Stag Hunt, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1981.36CCCC0
The Entombment
The Entombment, c. 1596
Giovanni de' Vecchi (Italian, 1536–1615)
2017.5CCCC0
A Standing Woman Holding a Child, a Seated Male at her Feet
A Standing Woman Holding a Child, a Seated Male at her Feet, first half 18th century?
Alessandro Magnasco (Italian, 1667–1749)
1950.318CCCC0
Apotheosis of a Saint
Apotheosis of a Saint, c. 1700?
Antonio Domenico Gabbiani (Italian, 1652–1726)
1994.151CCCC0
Holy Family
Holy Family, 17th century
Anonymous
1975.171CCCC0
A Faun Grasping a Bunch of Grapes
A Faun Grasping a Bunch of Grapes, after 1616–18
Peter Paul Rubens (Flemish, 1577–1640)
1943.341CCCC0
Sketches of Figures
Sketches of Figures, 1869
Alphonse Marie Adolphe de Neuville (French, 1835–1885)
1942.883CCCC0
Design for a Standing Dish
Design for a Standing Dish, c. 1625–45
Adam van Vianen (Dutch, 1559–1627) and 1 other
1964.100CCCC0
Owl
Owl, 1957
Anna P. Baker (Canadian, 1928–1985)
1958.247©
Landscape with Horsemen
Landscape with Horsemen, 1600s
Flanders, 17th century
1951.264CCCC0
Siège des Maubeuge
Siège des Maubeuge, 1914
Auguste Louis Lepère (French, 1849–1918)
1974.172CCCC0
Standing Woman and Child
Standing Woman and Child, 2nd half 1800s
Carl Bloch (Danish, 1834–1890)
2003.229CCCC0
The Flight into Egypt
The Flight into Egypt, c. 1590
Gregorio Pagani (Italian, 1558–1605)
2015.67CCCC0
Ponte San Rocco at Tivoli
Ponte San Rocco at Tivoli, first half 1600s
Willem van Niewlandt (Flemish, 1584–1635/6)
1954.560CCCC0
A Rocky Cove with Fishing Boats
A Rocky Cove with Fishing Boats, late 1650s
Allart van Everdingen (Dutch, 1621–1675)
1980.70CCCC0
The Flaying of Marsyas
The Flaying of Marsyas, c. 1570–1605
Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605)
2018.26CCCC0
Edge of Marsh at Couronne
Edge of Marsh at Couronne, 1863
Félix Ziem (French, 1821–1911)
1982.169CCCC0
The Apotheosis of Romulus: Design for a Ceiling
The Apotheosis of Romulus: Design for a Ceiling, c. 1675–76
Domenico Maria Canuti (Italian, 1625–1684)
2017.104CCCC0
Death on Horseback Chasing a Flying Knight
Death on Horseback Chasing a Flying Knight, 1631
Sebastian Vrancx (Flemish, 1573–1647)
1980.19CCCC0
Frontispiece for an Album of Drawings: Peasants at a Fountain (recto)...
Frontispiece for an Album of Drawings: Peasants at a Fountain (recto)..., 1784
Dirk Langendijk (Dutch, 1748–1805)
1967.184CCCC0
View of Lake Nemi (recto) Small Group of Roman Ruins (verso)
View of Lake Nemi (recto) Small Group of Roman Ruins (verso), c. 1650
Italy, 17th century
1955.159CCCC0
Sketches of Various Figures (verso)
Sketches of Various Figures (verso), 1850–75
Honoré Daumier (French, 1808–1879)
1966.179.bCCCC0
A Barnyard with Goats and a Goatherd
A Barnyard with Goats and a Goatherd, c. 1610–1615
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
Mystic Marriage of St. Catherine
Mystic Marriage of St. Catherine
Nicolas Poussin (French, 1594–1665)
1954.686CCCC0
Late Summer Sun
Late Summer Sun, 1953
Charles Burchfield (American, 1893–1967)
1981.213©
Venus and Adonis
Venus and Adonis, 1713
France, 18th century
2008.377CCCC0
Portrait of a Man, said to be the Sculptor Clodion (1738–1814)
Portrait of a Man, said to be the Sculptor Clodion (1738–1814), late 1700s
Unknown
2018.51CCCC0
Profile of a Girl Holding a Candle
Profile of a Girl Holding a Candle, 1400s
Italy, 15th century
1939.652CCCC0
Design for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in...
Design for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in..., c. 1810–1820
Pietro Fancelli (Italian, 1764–1850)
2013.10CCCC0
Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto...
Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto..., c. 1810–1820
Pietro Fancelli (Italian, 1764–1850)
2013.11CCCC0
Monsieur Ition Chirurgo del sre. Duca di Nivers
Monsieur Ition Chirurgo del sre. Duca di Nivers, 1749
Pier Leone Ghezzi (Italian, 1674–1755)
1995.52CCCC0
Genre Scene of Young Men Playing a Game
Genre Scene of Young Men Playing a Game
Frederico Zuccaro (Italian, 1540/1–1609)
2003.289CCCC0
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a...
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a..., c. 1565/1588
Marco Marchetti (Italian, 1565–1588)
1997.139CCCC0
Chariot Drawn by Lions with Amorini (recto) Partial Architectural Study ...
Chariot Drawn by Lions with Amorini (recto) Partial Architectural Study ..., first half 1500s
Italy, 16th century
1954.693CCCC0
Italian Landscape
Italian Landscape, 1700s
England, 18th century
1954.708CCCC0
Mythological Scene
Mythological Scene, 1600s?
Louis Cheron (French, 1660–1713)
1998.312CCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a..., 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265CCCC0
Christ Administering the Host
Christ Administering the Host, 1700s
Anonymous
1963.246CCCC0
Landscape
Landscape, 1836
Théodore Rousseau (French, 1812–1867)
2009.126CCCC0
Telemachus, Urged by Mentor, Leaving the Island of Calypso
Telemachus, Urged by Mentor, Leaving the Island of Calypso , 1800
Charles Meynier (French, 1768–1832)
2014.14CCCC0
Mercury and Argos
Mercury and Argos, c. 1836–48
Joseph Brett (British, 1816–1848)
1954.663CCCC0
The Bishop and the Demon (recto); Three Demons Holding a Knight (verso)
The Bishop and the Demon (recto); Three Demons Holding a Knight (verso), 1900s
Italy, 20th century
1951.418CCCC0
Perseus and Minerva before a Temple
Perseus and Minerva before a Temple, first third 18th century?
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
View of Alkmaar with Boats
View of Alkmaar with Boats, 1600s
Netherlands, 17th century
1929.538CCCC0
Mercury
Mercury, 18th century
Anonymous
1998.314CCCC0
Oil Derricks
Oil Derricks, before 1958
Thomas Hart Benton (American, 1889–1975)
1958.417©
Three Figures with a Dog
Three Figures with a Dog, probably 1800s
Jean-Michel the Younger Moreau (French, 1741–1814)
2017.216CCCC0
Old Maids at a Sale of Curiosities
Old Maids at a Sale of Curiosities, c. 1776–1827
Thomas Rowlandson (British, 1756–1827)
1958.7CCCC0
Rocky Inlet with Boats and Buildings (recto); Sketches of Castles (verso)
Rocky Inlet with Boats and Buildings (recto); Sketches of Castles (verso), 1600s
Netherlands, 17th century
1939.643CCCC0
View of St. Peters, Rome
View of St. Peters, Rome, c. 1817–20
Achille Etna Michallon (French, 1796–1822)
2011.128CCCC0
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies ...
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies ..., c. 1851
David Johnson (American, 1827–1908)
1996.369CCCC0
A Christening in Revolutionary France
A Christening in Revolutionary France, late 18th century
Jean-Baptiste Mallet (French, 1759–1835)
2017.213CCCC0
Virgin and Child with Saint John (recto) Unidentifiable (verso)
Virgin and Child with Saint John (recto) Unidentifiable (verso) , 1500s
Italy, 16th century
1954.710CCCC0
Barrel-Vaulted Arcade Rendered in Perspective
Barrel-Vaulted Arcade Rendered in Perspective, c. 1780–96
Francesco Battaglioli (Italian, 1725–1796)
1954.687CCCC0
Pastoral Landscape with a Ruin
Pastoral Landscape with a Ruin, 1799
Jacob Cats (Dutch, 1741–1799)
1989.228CCCC0
Pastoral Landscape with Village
Pastoral Landscape with Village, 1799
Jacob Cats (Dutch, 1741–1799)
1989.227CCCC0
Portrait of a Boy in a Green Cardigan
Portrait of a Boy in a Green Cardigan, c. 1925–1930
William Sommer (American, 1867–1949)
2004.49©
Seated Figure
Seated Figure, 1600s
Italy, 17th century
1939.667CCCC0
The Agony in the Garden
The Agony in the Garden , c. 1591
Santi di Tito (Italian, 1536–1602)
2015.14CCCC0
Illustration and Border Design for Kupfer-Bibel (Copper Bible)
Illustration and Border Design for Kupfer-Bibel (Copper Bible) , c. 1730
Johan Melchior Füssli (Swiss, 1677–1736) and 2 others
2015.439CCCC0
Execution of the Duke d'Enghien, 21 March 1804
Execution of the Duke d'Enghien, 21 March 1804, c. 1870
Anonymous
2013.242CCCC0
Ruins of Chateau d'Arque
Ruins of Chateau d'Arque, 1819
Isidore Justin Taylor (French, 1789–1879)
2013.243CCCC0
"Nincompoopiana," Illustration for Punch
"Nincompoopiana," Illustration for Punch, c. 1879
George Louis Palmella Busson Du Maurier (British, 1834–1896)
2013.254CCCC0
Street Scene (recto); Sketches (verso)
Street Scene (recto); Sketches (verso), c. 1848–49
Gustave Doré (French, 1832–1883)
2015.448CCCC0
Lady Elliott, Commonly Called Dolly The Tall
Lady Elliott, Commonly Called Dolly The Tall, 1775–1827
Thomas Rowlandson (British, 1756–1827)
1997.84CCCC0
Sketch of Two Men and Other Various Figures (verso)
Sketch of Two Men and Other Various Figures (verso), 1600s
Italy, Bologna
1939.666.bCCCC0
View of the Castle Gnandstein
View of the Castle Gnandstein, c. 1795
Adrian Zingg (Swiss, 1734–1816)
2015.76CCCC0
The Visitation
The Visitation, before 1953
Mario Toppi (Italian, 1899–1976)
1953.648©
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall...
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall..., after 1556 (recto), c. 1580s-90s (verso)
Frederico Zuccaro (Italian, 1540/1–1609) and 1 other
2015.13CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
Farmhouse on the Slope of a Hill
Farmhouse on the Slope of a Hill, c. 1508
Fra Bartolommeo (Italian, 1472–1517)
1957.498pen and brown inkSheet: 22.3 x 29.4 cm (8 3/4 x 11 9/16 in.); Secondary Support: 27.5 x 41.2 cm (10 13/16 x 16 1/4 in.)Gift of the Hanna Fund, Purchase, Dudley P. Allen Fund, Delia E. Holden Fund and L. E. Holden FundCCCC0
Saint Jerome in a Landscape
Saint Jerome in a Landscape, c. 1530
Domenico Campagnola (Italian, 1500–1564)
1929.557pen and brown inkSheet: 24.5 x 36.5 cm (9 5/8 x 14 3/8 in.); Secondary Support: 31.3 x 43.3 cm (12 5/16 x 17 1/16 in.)The Charles W. Harkness Endowment FundCCCC0
View of a Castle (recto); Eight-Sided Cup (verso)
View of a Castle (recto); Eight-Sided Cup (verso), 1513
Wolfgang Huber (Austrian, 1490–1553)
1951.277pen and brown inkSheet: 13.1 x 21.2 cm (5 3/16 x 8 3/8 in.)John L. Severance FundCCCC0
Landscape with a Moated Village
Landscape with a Moated Village, 1559–61
Master of the Small Landscapes (Flemish)
1929.552pen and brown ink; framing lines in brown ink (bottom)Sheet: 16.7 x 31.2 cm (6 9/16 x 12 5/16 in.)Dudley P. Allen Fund by exchangeCCCC0
A Lady with Three Suitors
A Lady with Three Suitors, c. 1500
France, 16th century
1956.40pen and brown ink, brush and brown wash, with traces of black chalkSheet: 23 x 19.3 cm (9 1/16 x 7 5/8 in.)John L. Severance FundCCCC0
The Genius of the Sculptor
The Genius of the Sculptor, c. 1880–83
Auguste Rodin (French, 1840–1917)
2008.404pen and brown inkSheet: 26.3 x 18.9 cm (10 3/8 x 7 7/16 in.)Bequest of Muriel ButkinCCCC0
A Sacrifice Interrupted
A Sacrifice Interrupted, 1770s
John Hamilton Mortimer (British, 1740–1779)
1978.20pen and brown inkSheet: 24.5 x 36 cm (9 5/8 x 14 3/16 in.); Secondary Support: 31.7 x 43.7 cm (12 1/2 x 17 3/16 in.)Cornelia Blakemore Warner Fund and Delia E. Holden FundCCCC0
A Procession of Triumphal Cars in the Piazza San Marco, Venice,...
A Procession of Triumphal Cars in the Piazza San Marco, Venice,..., 1782
Francesco Guardi (Italian, 1712–1793)
1955.164pen and brown ink with brush and brown washSheet: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.)John L. Severance FundCCCC0
Various Sketches of the Madonna and Child (recto) Architectural Studies ...
Various Sketches of the Madonna and Child (recto) Architectural Studies ..., c. 1570
Paolo Veronese (Italian, 1528–1588)
1939.670pen and brown ink (iron gall) and brush and brown washSheet: 20.5 x 23.4 cm (8 1/16 x 9 3/16 in.); Secondary Support: 22 x 28.2 cm (8 11/16 x 11 1/8 in.)Gift of Robert Hays GriesCCCC0
Ascension of Christ
Ascension of Christ, c. 1515
Albrecht Dürer (German, 1471–1528)
1952.530pen and brown inkSheet: 31 x 22.1 cm (12 3/16 x 8 11/16 in.); Framed: 52.5 x 39.8 x 2.3 cm (20 11/16 x 15 11/16 x 7/8 in.)Gift of the Hanna FundCCCC0
Figure (verso)
Figure (verso), 1940
Joan Miró (Spanish, 1893–1983)
1965.2.bpen and brown inkSheet: 45.8 x 37.9 cm (18 1/16 x 14 15/16 in.)Contemporary Collection of The Cleveland Museum of Art©
Navicella (recto) Two Drawings of Ships (verso)
Navicella (recto) Two Drawings of Ships (verso), c. 1410s
Parri Spinelli (Italian, 1387–c. 1453)
1961.38pen and brown ink (iron gall)Sheet: 27.2 x 37.2 cm (10 11/16 x 14 5/8 in.); Secondary Support: 32.8 x 42.8 cm (12 15/16 x 16 7/8 in.)Purchase from the J. H. Wade FundCCCC0
Vaulted Staircase
Vaulted Staircase, c. 1770–1779
Hubert Robert (French, 1733–1808)
1926.504pen and brown ink and brush and brown wash over graphite; framing lines in brown inkSheet: 44.1 x 28.2 cm (17 3/8 x 11 1/8 in.); Secondary Support: 52.9 x 38.7 cm (20 13/16 x 15 1/4 in.)Gift of Leonard C. Hanna, Jr.CCCC0
La Serpentara near Olevano
La Serpentara near Olevano, 1829
Friedrich Preller (German, 1804–1878)
1971.12pen and brown ink over black chalkSheet: 40.8 x 54 cm (16 1/16 x 21 1/4 in.)Delia E. Holden FundCCCC0
Head of a Bearded Man Gazing to His Left
Head of a Bearded Man Gazing to His Left, 1859
William Mulready (British, 1786–1863)
2013.241pen and brown inkSheet: 22.6 x 18.4 cm (8 7/8 x 7 1/4 in.); Secondary Support: 28.1 x 24 cm (11 1/16 x 9 7/16 in.)Gift in memory of Helen BorowitzCCCC0
Allegory of Christian Belief
Allegory of Christian Belief, c. 1622
Johann Liss (German, c. 1597–1631)
1953.6pen and brown ink and brush and brown wash; framing lines in pen and black inkSheet: 15.3 x 9.4 cm (6 x 3 11/16 in.)Dudley P. Allen FundCCCC0
Shah Jahan
Shah Jahan, c. 1656–1661
Rembrandt van Rijn (Dutch, 1606–1669)
1978.38pen and brown ink and brush and brown washSheet: 22.5 x 17.1 cm (8 7/8 x 6 3/4 in.); Secondary Support: 27.6 x 22.4 cm (10 7/8 x 8 13/16 in.)Leonard C. Hanna, Jr. FundCCCC0
The Waterfall of Marmore at Terni
The Waterfall of Marmore at Terni, 1776–78
Philipp Hackert (German, 1737–1807)
1982.40pen and black ink, brush and brown wash, with white gouache and graphiteSheet: 52.2 x 39.9 cm (20 9/16 x 15 11/16 in.)Dudley P. Allen FundCCCC0
Five Grotesque Heads
Five Grotesque Heads, 1750–1800
Gaetano Gandolfi (Italian, 1734–1802)
1969.277pen and brown ink and brush and brown wash over black chalkSheet: 29.5 x 20.2 cm (11 5/8 x 7 15/16 in.)Gift of Frederick M. MayerCCCC0
Apollo and the Muses Awakened by the Call of Fame
Apollo and the Muses Awakened by the Call of Fame, 1590s
Jacopo Palma il Giovane (Italian, c. 1548–1628)
1926.265pen and brown ink and brush and brown wash over graphiteSheet: 20.4 x 26.1 cm (8 1/16 x 10 1/4 in.); Secondary Support: 26.3 x 31.9 cm (10 3/8 x 12 9/16 in.)Dudley P. Allen FundCCCC0
Tobias Healing His Father's Blindness
Tobias Healing His Father's Blindness, c. 1640–45
Rembrandt van Rijn (Dutch, 1606–1669)
1969.69Pen and brown ink, touched with white gouache; framing lines in pen and brown inkSheet: 21.1 x 17.7 cm (8 5/16 x 6 15/16 in.)Purchase from the J. H. Wade FundCCCC0
Salome with the Head of St. John the Baptist
Salome with the Head of St. John the Baptist, c. 1517
Albrecht Altdorfer (German, c. 1480–1538)
1948.440pen and brown ink and brush and brown wash and white gouache; framing lines in pen and black inkSheet: 19.1 x 12.6 cm (7 1/2 x 4 15/16 in.); Secondary Support: 20 x 13 cm (7 7/8 x 5 1/8 in.)John L. Severance FundCCCC0
The Presentation in the Temple
The Presentation in the Temple, c. 1770
François Boucher (French, 1703–1770)
1925.1005pen and brown ink, brush and brown wash, and black chalk, heightened with white paint; framing lines in pen and brown inkSheet: 32.3 x 20 cm (12 11/16 x 7 7/8 in.); Framed: 66 x 50.9 x 6.4 cm (26 x 20 1/16 x 2 1/2 in.)Gift of Leonard C. Hanna, Jr.CCCC0
Rib Cages
Rib Cages, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.383pen and brown inkSheet: 11.6 x 23.8 cm (4 9/16 x 9 3/8 in.); Secondary Support: 11.6 x 23.8 cm (4 9/16 x 9 3/8 in.)Gift of Mr. and Mrs. Claude CassirerCCCC0
Christ Taken Before Caiaphas
Christ Taken Before Caiaphas, c. 1641–1642
Rembrandt van Rijn (Dutch, 1606–1669)
1960.187pen and brown ink and brush and brown wash, with white gouacheSheet: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.); Secondary Support: 18.2 x 23.4 cm (7 3/16 x 9 3/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Venus and Cupid in a Chariot
Venus and Cupid in a Chariot, 1615–17
Guercino (Italian, 1591–1666)
1925.1188Pen and brown ink and brush and brown wash over red chalkSheet: 25.5 x 39.4 cm (10 1/16 x 15 1/2 in.)Dudley P. Allen FundCCCC0
Capriccio: A Palace with a Courtyard by the Lagoon
Capriccio: A Palace with a Courtyard by the Lagoon, c. 1750–55
Antonio Canaletto (Italian, 1697–1768)
1930.23pen and brown ink and brush and gray and black wash over traces of graphite (?); framing lines in pen and brown and black inkSheet: 26.9 x 42.1 cm (10 9/16 x 16 9/16 in.)Purchase from the J. H. Wade FundCCCC0
Mandrake
Mandrake, 1951
Theodore Roszak (American, 1907–1981)
1964.141pen and brown ink and brown washContemporary Collection of The Cleveland Museum of Art©
Farm with Trees in a Hilly Landscape
Farm with Trees in a Hilly Landscape, 1567
Gherardo Cibo (Italian, 1512–1600)
1997.37pen and brown ink (iron gall)Sheet: 14.4 x 21.2 cm (5 11/16 x 8 3/8 in.); Secondary Support: 22.4 x 28.7 cm (8 13/16 x 11 5/16 in.)John L. Severance FundCCCC0
Landscape with Travelers
Landscape with Travelers, 1605
Jan Brueghel (Flemish, 1568–1625)
1960.27pen and brown ink and brush and brown wash and blue watercolor over stylusSheet: 19.9 x 31 cm (7 13/16 x 12 3/16 in.)Delia E. Holden FundCCCC0
St. Sebastian
St. Sebastian, 1626–30
Jusepe de Ribera (Spanish, 1591–1652)
1997.53red chalk with pen and brown inkSheet: 17.3 x 12.4 cm (6 13/16 x 4 7/8 in.)Delia E. Holden FundCCCC0
Design for a Candelabrum, Allegorical Figure of Abundance, Ornamental...
Design for a Candelabrum, Allegorical Figure of Abundance, Ornamental..., c. 1490s
Bernardo Parentino (Italian)
1956.41pen and brown inkSheet: 25.4 x 17.1 cm (10 x 6 3/4 in.); Secondary Support: 31.5 x 20.5 cm (12 3/8 x 8 1/16 in.)John L. Severance FundCCCC0
The Expulsion from Paradise
The Expulsion from Paradise, c. 1606
Jan Wierix (Flemish, c. 1549–after 1615)
1994.16Pen and brown ink on parchmentSheet: 9.5 x 12.4 cm (3 3/4 x 4 7/8 in.); Image: 9 x 11.9 cm (3 9/16 x 4 11/16 in.)Dudley P. Allen FundCCCC0
A Spring Shower
A Spring Shower, 1790s-1804
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.573pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over graphiteImage: 29.6 x 41.5 cm (11 5/8 x 16 5/16 in.); Sheet: 35.5 x 47.1 cm (14 x 18 9/16 in.)Purchase from the J. H. Wade FundCCCC0
The Holy Family (Christ in the Lap of Truth)
The Holy Family (Christ in the Lap of Truth), c. 1805
William Blake (British, 1757–1827)
1950.239black, gray, and brown ink applied with pen and point of brush; gray, pink, yellow, and green washSheet: 37.9 x 32.5 cm (14 15/16 x 12 13/16 in.)John L. Severance FundCCCC0
Skeleton
Skeleton, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.380pen and brown ink; incisedGift of Mr. and Mrs. Claude CassirerCCCC0
Madonna and Child
Madonna and Child, c. 1440/50
Stefano da Zevio (Italian, c. 1374-aft 1438)
1956.42pen and brown inkSheet: 10.7 x 9.2 cm (4 3/16 x 3 5/8 in.)Delia E. Holden FundCCCC0
Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso)
Poros Assailed by the Macedonian Army (recto); Sketches of Animals (verso), c. 1545/47
Perino del Vaga (Italian, 1501–1547)
1992.3pen and brown ink (iron gall) and brush and brown wash; framing lines in gold paintSheet: 19.3 x 27.4 cm (7 5/8 x 10 13/16 in.); Secondary Support: 22.5 x 30.5 cm (8 7/8 x 12 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Study of Apollo for Marsyas (recto); Face in Profile (verso)
Study of Apollo for Marsyas (recto); Face in Profile (verso), late 1860s
Paul Baudry (French, 1828–1886)
2008.373pen and brown inkSheet: 26.7 x 20.6 cm (10 1/2 x 8 1/8 in.)Bequest of Muriel ButkinCCCC0
River Landscape with Boats
River Landscape with Boats, c. 1590
Annibale Carracci (Italian, c. 1560–1609)
1972.101pen and brown inkSheet: 22.3 x 40.5 cm (8 3/4 x 15 15/16 in.); Image: 22.3 x 39.9 cm (8 3/4 x 15 11/16 in.)Purchase from the J. H. Wade FundCCCC0
Madonna Nursing the Christ Child
Madonna Nursing the Christ Child, c. 1670–72
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Satan Starts from the Touch of Ithuriel's Spear
Satan Starts from the Touch of Ithuriel's Spear, 1776
Henry Fuseli (Swiss, 1741–1825)
1954.365pen and brown ink and brush and gray washSheet: 30.9 x 42.5 cm (12 3/16 x 16 3/4 in.); Secondary Support: 31 x 42.7 cm (12 3/16 x 16 13/16 in.)Dudley P. Allen FundCCCC0
Man in Armor beside a Chariot
Man in Armor beside a Chariot, c. 1550
Francesco Salviati (Italian, 1510–1563)
1964.99pen and brown ink and brush and brown wash over black chalk, heightened with whiteSheet: 35.7 x 27.1 cm (14 1/16 x 10 11/16 in.); Secondary Support: 35.7 x 27.4 cm (14 1/16 x 10 13/16 in.); Tertiary Support: 35.8 x 27.4 cm (14 1/8 x 10 13/16 in.)Dudley P. Allen FundCCCC0
The Members of the Academy of Beaux-Arts Assembled to Jury the Rome Prize
The Members of the Academy of Beaux-Arts Assembled to Jury the Rome Prize, 1841 or 1842
Paul Delaroche (French, 1797–1856)
2008.346pen and brown inkSheet: 16.4 x 29.2 cm (6 7/16 x 11 1/2 in.); Secondary Support: 28.4 x 42.9 cm (11 3/16 x 16 7/8 in.)Bequest of Muriel ButkinCCCC0
Mater Dolorosa (Mourning Mother)
Mater Dolorosa (Mourning Mother), 1776
George Romney (British, 1734–1802)
1970.338brown ink, pen and wash, with graphite underdrawingSheet: 50.1 x 29.3 cm (19 3/4 x 11 9/16 in.)Dudley P. Allen FundCCCC0
View of the Acqua Acetosa (recto); David and Goliath (verso)
View of the Acqua Acetosa (recto); David and Goliath (verso), c. 1645
Claude Lorrain (French, 1604–1682)
1928.15pen and brown ink and brush and brown wash over graphite, framing lines in brown inkSheet: 26 x 40.5 cm (10 1/4 x 15 15/16 in.)Gift of Mr. and Mrs. Edward B. GreeneCCCC0
Pastoral Scene with Classical Figures
Pastoral Scene with Classical Figures, c. 1640–1645
Claude Lorrain (French, 1604–1682)
1982.13pen and brown ink and brush and brown and gray wash over graphiteSheet: 19.2 x 25.8 cm (7 9/16 x 10 3/16 in.); Image: 19 x 25.4 cm (7 1/2 x 10 in.)Leonard C. Hanna, Jr. FundCCCC0
Landscape with a Man Leaning on a Bale
Landscape with a Man Leaning on a Bale, c. 1640
Guercino (Italian, 1591–1666)
2000.23pen and brown inkSheet: 18.5 x 26.3 cm (7 5/16 x 10 3/8 in.)John L. Severance FundCCCC0
Sheet of Sketches (recto and verso)
Sheet of Sketches (recto and verso), 1819
Théodore Géricault (French, 1791–1824)
1964.28pen and brown ink on ivory laid paperSheet: 22.8 x 35 cm (9 x 13 3/4 in.)Dudley P. Allen FundCCCC0
Crucifixion with the Two Thieves
Crucifixion with the Two Thieves, second half 15th century
Italy, Piedmontese, 15th century
1956.43pen and brown ink and black chalkSheet: 24.4 x 19.4 cm (9 5/8 x 7 5/8 in.)Delia E. and L. E. Holden Funds and John L. Severance FundCCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Peasant's Cottage (recto); Bridge and Gate (verso) , c. 1600
Abraham Bloemaert (Dutch, 1564–1651)
1940.737pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalkSheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)Bequest of James ParmeleeCCCC0
The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso)
The Feast of Herod (recto) Tomyris with the Head of Cyrus (verso), c. 1637–38
Peter Paul Rubens (Flemish, 1577–1640)
1954.2pen and brown ink, with black and red chalk, touched with white gouacheSheet: 27.2 x 47.2 cm (10 11/16 x 18 9/16 in.); Secondary Support: 27.6 x 47.3 cm (10 7/8 x 18 5/8 in.)Delia E. Holden and L. E. Holden FundsCCCC0
The Disrobing of Christ
The Disrobing of Christ, c. 1785–90
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown inkSheet: 47.9 x 38.2 cm (18 7/8 x 15 1/16 in.); Image: 46.1 x 36.2 cm (18 1/8 x 14 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Landscape with Fortification Between Marino and Frascati
Landscape with Fortification Between Marino and Frascati, c. 1650
Jacob van der Ulft (Dutch, 1627–1689) and 2 others
1958.421pen and brown ink and brush and brown washSheet: 12.3 x 20.3 cm (4 13/16 x 8 in.)Gift of Friends in memory of Mary Grafton BallouCCCC0
Flight into Egypt: The Embarkment of the Holy Family
Flight into Egypt: The Embarkment of the Holy Family, c. 1735
Giovanni Battista Tiepolo (Italian, 1696–1770)
1929.443pen and brown ink and brush and brown wash over black chalk; framing lines in black chalkSheet: 30 x 44.7 cm (11 13/16 x 17 5/8 in.)Purchase from the J. H. Wade FundCCCC0
The Meeting of Christ with Martha and Mary after the Death of Lazarus
The Meeting of Christ with Martha and Mary after the Death of Lazarus, c. 1662–65
Rembrandt van Rijn (Dutch, 1606–1669)
1962.116reed pen and brown ink and wash, heightened with white gouache (in the heads of the kneeling figures)Sheet: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.); Secondary Support: 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Aeneas Saving Anchises at the Fall of Troy
Aeneas Saving Anchises at the Fall of Troy, 1587–88
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso), 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.257pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown inkSheet: 38.7 x 49 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
The Parable of the Tribute Money
The Parable of the Tribute Money, c. 1580–1600
Master of the Egmont Albums (Netherlandish, 1480-1620)
1992.115Pen and brown ink, traces of pen and black ink and black chalk, on paper; framing lines in brown inkSheet: 27.2 x 35.4 cm (10 11/16 x 13 15/16 in.)Dudley P. Allen FundCCCC0
Temptation of Saint Anthony
Temptation of Saint Anthony, late 1570s
Luca Cambiaso (Italian, 1527–1585)
1929.540pen and brown ink and brush and brown wash, over traces of black chalkSheet: 40.1 x 28.1 cm (15 13/16 x 11 1/16 in.); Secondary Support: 52.2 x 36 cm (20 9/16 x 14 3/16 in.)Dudley P. Allen FundCCCC0
Sheet of Studies and Sketches
Sheet of Studies and Sketches, 1858
Edgar Degas (French, 1834–1917)
1951.430graphite, pen and dark brown ink, and watercolor on thick ivory wove paperSheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)John L. Severance FundCCCC0
Scene with a Road Winding through a Wood
Scene with a Road Winding through a Wood, c. 1770
Thomas Gainsborough (British, 1727–1788)
1929.547pen and brown ink and brown and grey washes over graphite, varnishedDudley P. Allen FundCCCC0
Nude Study
Nude Study, first quarter 1900s
George Kolbe (German, 1877–1947)
1928.202pen and brown ink and brush and brown washSheet: 49.2 x 36.7 cm (19 3/8 x 14 7/16 in.)Sundry Purchase FundCCCC0
The Queen of Sheba
L’Illustration, no. de Noel: The Queen of Sheba, 1911
Edmund Dulac (British, 1882–1953)
1940.738pen and brown ink and watercolor and gouacheSheet: 31.6 x 25.4 cm (12 7/16 x 10 in.)Bequest of James Parmelee©
Landscape with Small Group of Buildings
Landscape with Small Group of Buildings, second half 1700s
Guercino (Italian, 1591–1666)
1954.333pen and brown inkSheet: 30 x 20.1 cm (11 13/16 x 7 15/16 in.); Secondary Support: 32 x 21.9 cm (12 5/8 x 8 5/8 in.)Gift of The Print Club of Cleveland in memory of Mrs. Herman L. VailCCCC0
The Adoration of the Magi
The Adoration of the Magi, c. 1740
Giovanni Battista Tiepolo (Italian, 1696–1770)
1944.474pen and brown ink and brush and brown wash, over black chalkSheet: 38.7 x 28.5 cm (15 1/4 x 11 1/4 in.)Dudley P. Allen FundCCCC0
Student (Costume Study for Goll's "Methusalem") (recto) Amalie, Ida, and...
Student (Costume Study for Goll's "Methusalem") (recto) Amalie, Ida, and..., 1922
George Grosz (German, 1893–1959)
1966.50Pen and brown-black ink (applied with the aid of drafting tools) and watercolorSheet: 52.7 x 38 cm (20 3/4 x 14 15/16 in.)Contemporary Collection of The Cleveland Museum of Art©
Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani and...
Pair of Drawings: Sketch of the Labyrinth of the Villa Pisani and..., 1773–1778(?)
Francesco Guardi (Italian, 1712–1793)
1939.665pen and brown ink with brush and brown washSheet: 12.7 x 13.1 cm (5 x 5 3/16 in.)Gift of Robert Hays GriesCCCC0
Piazza San Marco, Venice
Piazza San Marco, Venice, 1780s
Francesco Guardi (Italian, 1712–1793)
1951.83pen and brown ink, brush and brown wash, with brush and gray wash (possibly chalk) and traces of black chalk, framing lines in brown and black inkSheet: 31.3 x 46.5 cm (12 5/16 x 18 5/16 in.)John L. Severance FundCCCC0
The Departure of Jacob
The Departure of Jacob, c. 1755
François Boucher (French, 1703–1770)
1981.58Pen and brown-black ink, brown ink wash, and red chalk wash, with black chalk on cream laid paperSheet: 34.8 x 23.1 cm (13 11/16 x 9 1/8 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Study of a Plant, Possibly Thistle
Study of a Plant, Possibly Thistle, 1862
Léon Bonvin (French, 1834–1866)
1980.236Watercolor and pen and brown ink with white heighteningSheet: 25.3 x 29.5 cm (9 15/16 x 11 5/8 in.); Secondary Support: 25.3 x 29.5 cm (9 15/16 x 11 5/8 in.)Bequest of Noah L. ButkinCCCC0
Three Studies of a Woman Wearing an Elaborate Headdress
Three Studies of a Woman Wearing an Elaborate Headdress, c. 1500
Anonymous and 1 other
1987.31Pen and brown ink; retouched with brush and brown wash, lead white (partially oxidized)Sheet: 12.9 x 12.8 cm (5 1/16 x 5 1/16 in.)John L. Severance FundCCCC0
Study of the Sabine Statue from the Villa Medici
Study of the Sabine Statue from the Villa Medici, c. 1775–1780
Jacques-Louis David (French, 1748–1825)
2008.343pen and brown ink and brush and gray washSheet: 21.4 x 14.8 cm (8 7/16 x 5 13/16 in.)Bequest of Muriel ButkinCCCC0
A Palace with an Arched Bridge (A Roman Villa)
A Palace with an Arched Bridge (A Roman Villa), 1760
Hubert Robert (French, 1733–1808)
2008.362pen and brown and gray ink, graphite, and watercolorSheet: 30.9 x 27.8 cm (12 3/16 x 10 15/16 in.)Bequest of Muriel ButkinCCCC0
The Apple Market at Landerneau
The Apple Market at Landerneau, 1878
Léon Augustin Lhermitte (French, 1844–1925)
2008.356pen and brown ink over tracing in red chalkSheet: 27.2 x 38.9 cm (10 11/16 x 15 5/16 in.); Image: 26.6 x 27.7 cm (10 1/2 x 10 7/8 in.)Bequest of Muriel ButkinCCCC0
The Trial
The Trial, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.569pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35 x 46.4 cm (13 3/4 x 18 1/4 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
A View from Bald Mountain, Orange County, N. Y.
A View from Bald Mountain, Orange County, N. Y., 1843
Jasper F. Cropsey (American, 1823–1900)
1933.401pen and black ink, and brown wash heightened with white, over traces of graphiteSheet: 24.2 x 37.8 cm (9 1/2 x 14 7/8 in.)Gift of J. W. L. JonesCCCC0
The Annunciation
The Annunciation, c. 1568
Luca Cambiaso (Italian, 1527–1585)
1959.200pen and brown ink (iron gall) and brush and brown wash over traces of black chalkSheet: 29.5 x 20.7 cm (11 5/8 x 8 1/8 in.)In memory of Mrs. William G. MatherCCCC0
Hollow Tree, after Roelant Savery
Hollow Tree, after Roelant Savery, after 1670
Lambert Doomer (Dutch, 1623–1700) and 1 other
1958.315pen and black and brown ink, black chalk, and brush and green, brown, and orange washSheet: 31.7 x 47.4 cm (12 1/2 x 18 11/16 in.)Delia E. Holden FundCCCC0
Peasants with a Farm-cart
Peasants with a Farm-cart, c. 1790
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.568pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink over black chalkSheet: 28.6 x 41.3 cm (11 1/4 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Study for "The Revolt of Cairo"
Study for "The Revolt of Cairo", 1810
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
2008.372pen and brown ink; framing lines in pen and brown inkSheet: 28.1 x 43 cm (11 1/16 x 16 15/16 in.); Secondary Support: 29.8 x 44.4 cm (11 3/4 x 17 1/2 in.)Bequest of Muriel ButkinCCCC0
Eighteen Views of Rome: The Campidoglio
Eighteen Views of Rome: The Campidoglio, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.264pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 49.5 cm (15 3/16 x 19 1/2 in.)Dudley P. Allen FundCCCC0
Two Bohemian Peasants in Half-Length
Two Bohemian Peasants in Half-Length, c. 1600
Roelant Savery (Flemish, 1576–1639)
1945.114Pen and light- and dark-brown inks over preliminary drawing in black chalkSheet: 15.1 x 18.8 cm (5 15/16 x 7 3/8 in.)Purchase from the J. H. Wade FundCCCC0
Copy after Giulio Romano's Fall of Icarus
Copy after Giulio Romano's Fall of Icarus, after 1536
Giulio Romano (Italian, 1492/99–1546)
1992.90pen and brown ink and brush and brown wash over red chalk, heightened with lead whiteSheet: 39.8 x 29.3 cm (15 11/16 x 11 9/16 in.); Secondary Support: 41.9 x 31.6 cm (16 1/2 x 12 7/16 in.)Seventy-fifth anniversary gift of Robert A. Frary in memory of I. T. FraryCCCC0
Standing Officer Holding a Boar's Spear
Standing Officer Holding a Boar's Spear, 1586
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transferSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
The Idolatry of Solomon
The Idolatry of Solomon, 1622–23
Pietro da Cortona (Italian, 1596–1669)
1987.142Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown inkSheet: 24.8 x 43.3 cm (9 3/4 x 17 1/16 in.); Secondary Support: 25.5 x 44.1 cm (10 1/16 x 17 3/8 in.)John L. Severance FundCCCC0
Study of Heads (recto); Crenelated Fortress (verso)
Study of Heads (recto); Crenelated Fortress (verso), 2nd half 1500s
Agostino Carracci (Italian, 1557–1602)
1941.605pen and brown ink; framing lines in brown inkSheet: 13.1 x 30.9 cm (5 3/16 x 12 3/16 in.)Gift of Robert Hays GriesCCCC0
Self-Portrait with Portrait of Delacroix
Self-Portrait with Portrait of Delacroix, c. 1845
George Sand (French, 1804–1876)
2007.219pen and brown inkSheet: 16.5 x 11.2 cm (6 1/2 x 4 7/16 in.); Image: 16.5 x 11.2 cm (6 1/2 x 4 7/16 in.)Gift of the Painting and Drawing Society of The Cleveland Museum of ArtCCCC0
The Drummer
The Drummer, 17th century
Jacques Callot (French, 1592–1635)
1953.260pen and brown ink and brush and brown washSheet: 20.1 x 13.7 cm (7 15/16 x 5 3/8 in.); Secondary Support: 20.2 x 13.7 cm (7 15/16 x 5 3/8 in.)Dudley P. Allen FundCCCC0
View of Ancient Buildings
View of Ancient Buildings, second half 17th century
Jacob van der Ulft (Dutch, 1627–1689)
1929.546pen and brown ink and brush and brown wash over traces of graphite; framing lines in brown ink (iron gall)Sheet: 15 x 23.2 cm (5 7/8 x 9 1/8 in.)Dudley P. Allen FundCCCC0
A Blasted Tree (recto) Floorplan (verso)
A Blasted Tree (recto) Floorplan (verso) , 1851
Jasper F. Cropsey (American, 1823–1900)
1979.91pen and brown ink, brown wash and graphite, heightened with whiteSheet: 19 x 15.6 cm (7 1/2 x 6 1/8 in.)Dudley P. Allen FundCCCC0
Punchinello Arrested
Punchinello Arrested, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.570pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink over graphiteSheet: 35.1 x 46.7 cm (13 13/16 x 18 3/8 in.); Image: 29.3 x 41.3 cm (11 9/16 x 16 1/4 in.)Purchase from the J. H. Wade FundCCCC0
The Conversion of St. Paul
The Conversion of St. Paul, after 1575
Lelio Orsi (Italian, 1511–1587)
1951.348pen and brown ink and brush and brown washSheet: 47.2 x 33 cm (18 9/16 x 13 in.); Secondary Support: 49 x 33.2 cm (19 5/16 x 13 1/16 in.)John L. Severance FundCCCC0
Saddled Arabian Horse in Courtyard
Saddled Arabian Horse in Courtyard, 1820
Carle Vernet (French, 1758–1836)
2008.398pen and brown ink, brown wash, with gray wash, over black chalk or crayon, heightened with white gouache and white chalkSheet: 15.8 x 24.2 cm (6 1/4 x 9 1/2 in.); With mount: 22.3 x 30.7 cm (8 3/4 x 12 1/16 in.)Bequest of Muriel ButkinCCCC0
Wild Sow and Her Young Attacked by Dogs
Wild Sow and Her Young Attacked by Dogs, 1748
Jean-Baptiste Oudry (French, 1686–1755)
1997.191Pen and brown and gray ink, brown and gray wash, heightened with white gouache on light brown laid paperSheet: 37.7 x 51.7 cm (14 13/16 x 20 3/8 in.)Andrew R. and Martha Holden Jennings FundCCCC0
Tree in a Landscape
Tree in a Landscape, mid-1600s
Ercole Bazicaluva (Italian, c. 1610–1661)
1939.663pen and brown ink; framing lines in brown inkSheet: 46 x 37.3 cm (18 1/8 x 14 11/16 in.); Secondary Support: 46 x 37.3 cm (18 1/8 x 14 11/16 in.)Gift of Robert Hays GriesCCCC0
The Cattle Vendor
The Cattle Vendor, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.574pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphiteSheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); Image: 29.5 x 41.7 cm (11 5/8 x 16 7/16 in.)Purchase from the J. H. Wade FundCCCC0
Parade Horse
Parade Horse, 1619?
Anonymous
1963.241pen and brown ink and brush and brown wash over graphiteSheet: 27.2 x 32.2 cm (10 11/16 x 12 11/16 in.); Secondary Support: 31.2 x 33.1 cm (12 5/16 x 13 1/16 in.); Tertiary Support: 31.2 x 33.1 cm (12 5/16 x 13 1/16 in.)Delia E. Holden FundCCCC0
Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in...
Study for the 'Essequie' Conducted in San Lorenzo, Florence, in 1637 in..., 1637
Alfonso Parigi (Italian, 1606–1656)
2011.192pen and brown ink and brown wash with graphite and accents of pink, purple-grey and deep blue-black washSheet: 48.5 x 65.8 cm (19 1/8 x 25 7/8 in.)Norman O. Stone and Ella A. Stone Memorial FundCCCC0
Adoration of the Magi
Adoration of the Magi, c. 1590
Maarten de Vos (Flemish, 1532–1603)
2019.232Pen and brown ink, brush and brown wash; traces of transferSheet: 20.3 x 15.9 cm (8 x 6 1/4 in.)Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment FundCCCC0
Cottages
Cottages, 1870–71
Jean-François Millet (French, 1814–1875)
1974.233pen and brown ink and graphiteSheet: 11.8 x 17.3 cm (4 5/8 x 6 13/16 in.)Gift of Mrs. Lewis B. WilliamsCCCC0
Armored Figure on Horseback
Armored Figure on Horseback, c. 1450
Vittore Carpaccio (Italian, 1455/65–1525/26)
1938.391pen and brown inkSheet: 14.3 x 9.6 cm (5 5/8 x 3 3/4 in.)Dudley P. Allen FundCCCC0
Design for a Frieze with a Putto and Acanthus Leaves
Design for a Frieze with a Putto and Acanthus Leaves, c. 1520
Giulio Romano (Italian, 1492/99–1546)
2020.70Pen and brown ink, red and black chalkSheet: 32.6 x 16.2 cm (12 13/16 x 6 3/8 in.)Anne Elizabeth Wilson Memorial FundCCCC0
Torsos with Rib Cages
Torsos with Rib Cages, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.378pen and brown ink with incised linesSheet: 11.9 x 33.3 cm (4 11/16 x 13 1/8 in.); Secondary Support: 11.9 x 33.3 cm (4 11/16 x 13 1/8 in.)Gift of Mr. and Mrs. Claude CassirerCCCC0
View of Orléans from the Loire
View of Orléans from the Loire, c. 1670
Lambert Doomer (Dutch, 1623–1700)
1966.4pen and brown ink and brush and gray and brown wash; framing lines in brown inkSheet: 23.8 x 41.2 cm (9 3/8 x 16 1/4 in.)Delia E. Holden FundCCCC0
Yacht Receiving Salute
Yacht Receiving Salute, c. 1700
Willem van de Velde (Dutch, c. 1611–1693)
1961.36pen and brown ink over graphiteSheet: 16.9 x 29 cm (6 5/8 x 11 7/16 in.)Delia E. Holden FundCCCC0
Carriage in the Bois de Boulogne
Carriage in the Bois de Boulogne, 1800s
Constantin Guys (French, 1805–1892)
1958.15pen and brown ink, brush and brown wash, and watercolorSheet: 20.6 x 31.6 cm (8 1/8 x 12 7/16 in.)Bequest of Leonard C. Hanna, Jr.CCCC0
Male(?) Figure Seen from Below
Male(?) Figure Seen from Below, c. 1740s
Giovanni Battista Tiepolo (Italian, 1696–1770)
1965.17pen and brown ink and brush and brown washSheet: 22.5 x 16.2 cm (8 7/8 x 6 3/8 in.); Secondary Support: 26 x 19.9 cm (10 1/4 x 7 13/16 in.)Dudley P. Allen FundCCCC0
A Monk Preaching
A Monk Preaching, mid 17th century?
Pier Francesco Mola (Italian, 1612–1666)
1962.115pen and brown ink (iron gall?) and brush and brown washSheet: 19.5 x 21.9 cm (7 11/16 x 8 5/8 in.); Secondary Support: 23.9 x 26.6 cm (9 7/16 x 10 1/2 in.)Norman O. Stone and Ella A. Stone Memorial FundCCCC0
The Meeting of Orestes and Hermione
The Meeting of Orestes and Hermione, c. 1800
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Farmers and Fisherman Working
Farmers and Fisherman Working, 18th century
Francesco Guardi (Italian, 1712–1793)
1953.261pen and brown ink over black chalkSheet: 9 x 12.1 cm (3 9/16 x 4 3/4 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Piazza Colonna
Eighteen Views of Rome: The Piazza Colonna, 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.258pen and brown ink and brush and gray and blue wash over stylus and graphite; framing lines in brown inkSheet: 39.3 x 50 cm (15 1/2 x 19 11/16 in.)Dudley P. Allen FundCCCC0
Arm Bones
Arm Bones, early 1540s
Battista Franco (Italian, c. 1510–1561)
1964.379pen and brown ink with incised linesSheet: 11.8 x 36.7 cm (4 5/8 x 14 7/16 in.); Secondary Support: 11.8 x 36.7 cm (4 5/8 x 14 7/16 in.)Gift of Mr. and Mrs. Claude CassirerCCCC0
The Pyramid of Cestius, Rome
The Pyramid of Cestius, Rome, c. 1650–80
Michiel van Overbeek (Dutch, active 1663–1709)
2021.144Pen and brown ink with red chalk on brown prepared paperImage: 9.9 x 19.9 cm (3 7/8 x 7 13/16 in.)Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment FundCCCC0
Battle Scene with a Fort
Battle Scene with a Fort, first third 17th century?
Antonio Tempesta (Italian, 1555–1630)
1929.545pen and brown ink and brush and brown wash, over black chalkSheet: 13.3 x 21.4 cm (5 1/4 x 8 7/16 in.)Dudley P. Allen FundCCCC0
The Empress Eugénie Receiving the Diplomatic Corps after the Birth of...
The Empress Eugénie Receiving the Diplomatic Corps after the Birth of..., 1856
Constantin Guys (French, 1805–1892)
1972.237pen and brown ink and brush and brown, blue, pink and yellow washSheet: 22.2 x 33.1 cm (8 3/4 x 13 1/16 in.)Bequest of Lucia McCurdy McBrideCCCC0
Design for Two Vases, Two Coats of Arms, and a Bull (recto) Several Line...
Design for Two Vases, Two Coats of Arms, and a Bull (recto) Several Line..., mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.589pen and brown ink and brush and gray and brown wash over black chalkSheet: 29.7 x 21.3 cm (11 11/16 x 8 3/8 in.)Dudley P. Allen FundCCCC0
Study of a Horse
Study of a Horse, c. 1825–30
Eugène Delacroix (French, 1798–1863)
2020.128Pen and brown ink on cream laid paperImage: 17.1 x 24 cm (6 3/4 x 9 7/16 in.); Sheet: 21 x 28.2 cm (8 1/4 x 11 1/8 in.)Nancy F. and Joseph P. Keithley Collection GiftCCCC0
Man Clutching a Horse in Water, after Poussin's "Deluge" (recto);...
Man Clutching a Horse in Water, after Poussin's "Deluge" (recto);..., c. 1816
Théodore Géricault (French, 1791–1824) and 1 other
2008.378pen and brown ink and brush and brown wash over graphiteSheet: 18 x 26.2 cm (7 1/16 x 10 5/16 in.)Bequest of Muriel ButkinCCCC0
Outer Staircase of a Gothic Ruin
Outer Staircase of a Gothic Ruin, 1830
Domenico Quaglio (German, 1787–1837)
1980.218gray and brown wash and framing lines in pen and black inkSheet: 24.1 x 16.8 cm (9 1/2 x 6 5/8 in.); Image: 23.2 x 15.2 cm (9 1/8 x 6 in.)Anonymous gift in honor of Leona E. PrasseCCCC0
Landscape with Clump of Trees
Landscape with Clump of Trees, 1600s
Italy, Bologna
1947.347pen and brown ink, with brush and brown wash(?)Sheet: 27.7 x 20.5 cm (10 7/8 x 8 1/16 in.); Secondary Support: 30.5 x 23.3 cm (12 x 9 3/16 in.)The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson MillikenCCCC0
The Risen Christ Adored by Saints and Angels
The Risen Christ Adored by Saints and Angels, 1566–68
Giorgio Vasari (Italian, 1511–1574)
1991.43Black chalk, pen and brown ink, and extensive white heightening (wash and point of brush), with incising on paper prepared with a brown wash.Sheet: 41.9 x 26.5 cm (16 1/2 x 10 7/16 in.)John L. Severance FundCCCC0
Man Entwined by Two Snakes
Man Entwined by Two Snakes, c. 1527
Giovanni Antonio da Pordenone (Italian, 1483/84–1539)
1944.475pen and brown ink and brown and blue wash, heightened with white gouacheSheet: 19.2 x 11.7 cm (7 9/16 x 4 5/8 in.)Dudley P. Allen FundCCCC0
The Tric-Trac Players
The Tric-Trac Players, c. 1660
Philips de Koninck (Dutch, 1619–1688)
1958.373reed pen and brown ink (with brush and brown wash behind left figure); framing lines in brown inkSheet: 18.8 x 16.7 cm (7 3/8 x 6 9/16 in.)Gift of Dr. Sherman E. Lee in memory of his father, Emery H. I. LeeCCCC0
Christ Holding a Chalice and Cross
Christ Holding a Chalice and Cross, 1666
Alonso Cano (Spanish, 1601–1667)
1982.121pen and brown ink and brush and brown washDudley P. Allen FundCCCC0
Sacrificial Offering in a Temple
Sacrificial Offering in a Temple, after 1750
Giovanni Battista Piranesi (Italian, 1720–1778)
1953.259pen and brown ink and brush and brown and gray wash; framing lines in brown inkSheet: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.); Secondary Support: 15.3 x 10.4 cm (6 x 4 1/8 in.)Dudley P. Allen FundCCCC0
The Woman with a Tambourine
The Woman with a Tambourine, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.12pen and brown ink and brush and brown wash, over black chalk; framing lines in pen and brown ink over graphiteSheet: 35.4 x 47.3 cm (13 15/16 x 18 5/8 in.); Image: 29.7 x 41.7 cm (11 11/16 x 16 7/16 in.)Dudley P. Allen FundCCCC0
Saint Christopher
Saint Christopher, c.1500
Andrea Mantegna (Italian, 1431–1506)
1956.39pen and brown ink and blue gouache with brush and green wash and traces of orange gouache, heightened with white gouacheSheet: 28.6 x 17.4 cm (11 1/4 x 6 7/8 in.); Secondary Support: 28.7 x 17.6 cm (11 5/16 x 6 15/16 in.)Dudley P. Allen FundCCCC0
Seated Man and Woman
Seated Man and Woman, c. 1830–60
Célestin François Nanteuil (French, 1813–1873)
2018.1064pen and brown ink, watercolor and scoring (recto), pen and brown ink (verso) on medium weight wove paperSheet: 25.8 x 19.8 cm (10 3/16 x 7 13/16 in.)Bequest of Muriel ButkinCCCC0
Landscape with Buildings and Figures
Landscape with Buildings and Figures, second half 1600s(?)
Onorio Marinari (Italian, 1627–1715)
1951.263pen and brown ink; framing lines in brown inkSheet: 16.8 x 16.6 cm (6 5/8 x 6 9/16 in.); Secondary Support: 18.1 x 17.9 cm (7 1/8 x 7 1/16 in.)Gift of Robert Hays GriesCCCC0
Soldier in a Trench (recto) Reclining Woman (verso)
Soldier in a Trench (recto) Reclining Woman (verso), 1915
Jean Louis Forain (French, 1852–1931)
1924.331pen and brown ink and brush and brown washSheet: 20.5 x 19.1 cm (8 1/16 x 7 1/2 in.)Dudley P. Allen FundCCCC0
Last Supper
Last Supper, 1600s(?)
France, 17th century
1954.700pen and brown ink and brush and brown washSheet: 19.9 x 31 cm (7 13/16 x 12 3/16 in.); Secondary Support: 20.4 x 31.5 cm (8 1/16 x 12 3/8 in.)The Norweb CollectionCCCC0
The Monks
The Monks, c. 1802–30
François Marius Granet (French, 1775–1849)
2018.1059watercolor, pen and brown ink on laid paperSheet: 35 x 25.2 cm (13 3/4 x 9 15/16 in.); Primary mount: 37 x 27.4 cm (14 9/16 x 10 13/16 in.); Secondary mount: 43.4 x 37.1 cm (17 1/16 x 14 5/8 in.)Bequest of Muriel ButkinCCCC0
Gathering Wood
Gathering Wood, late 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.572pen and brown ink and brush and brown wash over black chalk; framing lines in brown ink and graphiteSheet: 35.1 x 47 cm (13 13/16 x 18 1/2 in.); Image: 29.4 x 41.5 cm (11 9/16 x 16 5/16 in.)Purchase from the J. H. Wade FundCCCC0
Justice
Justice, 1530–34
Giulio Romano (Italian, 1492/99–1546)
2021.1pen and brown ink and wash within brown ink and red chalk framing linesSheet: 18 x 9.8 cm (7 1/16 x 3 7/8 in.)Mr. and Mrs. William H. Marlatt FundCCCC0
Seated Woman Searching for Fleas
Seated Woman Searching for Fleas, c. 1671
Adriaen van de Velde (Dutch, 1636–1672)
1966.239red chalk over black chalk; framing lines in pen and brown inkSheet: 18.4 x 23.4 cm (7 1/4 x 9 3/16 in.); Secondary Support: 18.4 x 23.4 cm (7 1/4 x 9 3/16 in.)John L. Severance FundCCCC0
Architectural Conference
Architectural Conference, c. 1622
Italy, 17th century
1954.713pen and brown ink and brush and brown wash with graphite; framing lines in brown inkSheet: 45.3 x 35.2 cm (17 13/16 x 13 7/8 in.); Image: 44.2 x 34.1 cm (17 3/8 x 13 7/16 in.)Dudley P. Allen FundCCCC0
Studies of Hands (recto); Sketch of a Child's Head (verso)
Studies of Hands (recto); Sketch of a Child's Head (verso), c. 1586
Carletto Caliari (Italian, 1570–1596)
1929.549charcoal (stumped in places) heightened with white chalk; black chalk with pen and brown inkSheet: 27.5 x 17.8 cm (10 13/16 x 7 in.)Dudley P. Allen FundCCCC0
Design for Decorative Hinges (recto) Border Lines (verso)
Design for Decorative Hinges (recto) Border Lines (verso), mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.586pen and brown ink over black chalk; framing lines in brown ink (lower left, upper right)Sheet: 29.8 x 17.5 cm (11 3/4 x 6 7/8 in.)Dudley P. Allen FundCCCC0
Theatre Scene (recto); Lingerie Boutique and Conversation (verso)
Theatre Scene (recto); Lingerie Boutique and Conversation (verso), c. 1765–75
Gabriel de Saint-Aubin (French, 1724–1780)
2019.256Pen and brown ink, black crayon and pink wash on laid paper (recto); pen and brown ink on laid paper (verso)Sheet: 21.7 x 17 cm (8 9/16 x 6 11/16 in.)Bequest of Muriel ButkinCCCC0
Salome with the Head of John the Baptist
Salome with the Head of John the Baptist, c. 1650
Nicolaus Knupfer (Dutch, 1603–1655)
2019.8pen and brown ink, brown washes and white heightening (oxidized), over black chalk on antique laid paper; framing lines in pen and brown inkSheet: 33.4 x 27.9 cm (13 1/8 x 11 in.)John L. Severance FundCCCC0
Reconciliation of the Romans and the Sabines (recto) Venus Disarming...
Reconciliation of the Romans and the Sabines (recto) Venus Disarming..., c. 1632/35
Peter Paul Rubens (Flemish, 1577–1640)
1970.37pen and brown ink and brush and gray and brown wash; framing lines in brown inkSheet: 19.9 x 49.2 cm (7 13/16 x 19 3/8 in.)Purchase from the J. H. Wade FundCCCC0
The Nativity with the Dream of Joseph
The Nativity with the Dream of Joseph, c. 1527/30?
Parmigianino (Italian, 1503–1540)
1924.1003pen and brown and black ink and brush and brown wash, with traces of brush and black wash, heightened with lead white (oxidized)Sheet: 8.6 x 7.5 cm (3 3/8 x 2 15/16 in.); Secondary Support: 14.9 x 13.4 cm (5 7/8 x 5 1/4 in.)Dudley P. Allen FundCCCC0
The Funeral of Saint Stephen
The Funeral of Saint Stephen, c. 1460
Filippo Lippi (Italian, c. 1406–1469)
1947.70pen and brown ink with brush and brown wash with traces of stylus over traces of black chalkSheet: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.); Secondary Support: 24.9 x 19.3 cm (9 13/16 x 7 5/8 in.)John L. Severance FundCCCC0
River Landscape with Arched Rock
River Landscape with Arched Rock, second half 1600s
Crescenzio di Onofrio (Italian, 1632 ?-aft 1712)
1954.709pen and brown ink over black chalk; framing lines in brown inkSheet: 17.1 x 23.6 cm (6 3/4 x 9 5/16 in.); Image: 16.4 x 23.1 cm (6 7/16 x 9 1/8 in.)The Norweb CollectionCCCC0
Assassination of Tiberius
Assassination of Tiberius, 1816–1817
Théodore Géricault (French, 1791–1824)
2013.250pen and brown inkSheet: 14.2 x 19.3 cm (5 9/16 x 7 5/8 in.)Gift in memory of Helen BorowitzCCCC0
Design for a Chalice (recto) Architectural Plan (verso)
Design for a Chalice (recto) Architectural Plan (verso), mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.587pen and brown ink and brush and brown wash over black chalkSheet: 32.1 x 20 cm (12 5/8 x 7 7/8 in.)Dudley P. Allen FundCCCC0
Victorious Soldiers with Trophy
Victorious Soldiers with Trophy, 1550s
Pellegrino Tibaldi (Italian, 1527–1596)
1954.689pen and brown ink and brush and brown wash; framing lines in brown inkSheet: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); Secondary Support: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); Tertiary Support: 21.8 x 27.7 cm (8 9/16 x 10 7/8 in.)The Norweb CollectionCCCC0
Design for a Ciborium
Design for a Ciborium, 1600s
Fantoni Family Workshop (Italian)
1925.1189pen and brown ink (iron gall) and brush and brown wash, with graphite Sheet: 27.8 x 20.5 cm (10 15/16 x 8 1/16 in.); Secondary Support: 27.8 x 20.5 cm (10 15/16 x 8 1/16 in.)Dudley P. Allen FundCCCC0
Jupiter (in the guise of Diana) and Callisto
Jupiter (in the guise of Diana) and Callisto, 1733
Jacob de Wit (Dutch, 1695–1754)
2023.45black chalk, pen and ink, brown and gray wash, watercolor, gouache, white heightening and brown ink framing linesSheet: 44.5 x 30.8 cm (17 1/2 x 12 1/8 in.)Norman O. Stone and Ella A. Stone Memorial FundCCCC0
Paris and Oenone
Paris and Oenone, 1791
John Flaxman (British, 1755–1826)
2008.35brush and gray wash with pen and pale gray-black ink with graphite and brown inkSheet: 30.3 x 48.8 cm (11 15/16 x 19 3/16 in.); Secondary Support: 35.1 x 53.6 cm (13 13/16 x 21 1/8 in.)Purchase from the J. H. Wade FundCCCC0
Extreme Unction (recto); Three Heads and Other Sketches (verso)
Extreme Unction (recto); Three Heads and Other Sketches (verso), 1643–1644
Nicolas Poussin (French, 1594–1665)
1983.197pen and brown ink and brush and brown washSheet: 12.6 x 22 cm (4 15/16 x 8 11/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Interior of a Cathedral
Interior of a Cathedral, c. 1820s
Samuel Prout (British, 1783–1852)
1940.560gray and brown wash with point of brush and pen and brown ink with watercolor heightened with gouacheSheet: 43.3 x 30 cm (17 1/16 x 11 13/16 in.)Bequest of James ParmeleeCCCC0
Figures on a Winding Road
Figures on a Winding Road, mid-1600s
Salvator Rosa (Italian, 1615–1673)
1975.17Pen and brown ink and brush and gray and brown wash, traces of framing lines in brown inkSheet: 18.4 x 12.5 cm (7 1/4 x 4 15/16 in.)Dudley P. Allen FundCCCC0
Madonna and Child with Saints
Madonna and Child with Saints, 1700s
Giuseppe Bazzani (Italian, 1690–1769)
1960.72pen and brown ink and brush and gray wash, with traces of black chalk and brush and brown washSheet: 29.2 x 39.3 cm (11 1/2 x 15 1/2 in.)James Parmelee FundCCCC0
Laocoön (recto); Battle of the Milvian Bridge (fragment) (verso)
Laocoön (recto); Battle of the Milvian Bridge (fragment) (verso), second half 16th Century
Italy, 16th century
1939.654pen and brown inkSheet: 27.4 x 24.4 cm (10 13/16 x 9 5/8 in.)Gift of Robert Hays GriesCCCC0
Landscape with a River and Aqueduct
Landscape with a River and Aqueduct, mid 1600s
Giovanni Francesco Grimaldi (Italian, 1606–1680)
1984.57pen and brown ink over traces of black chalkSheet: 35.7 x 46.3 cm (14 1/16 x 18 1/4 in.); Secondary Support: 45.5 x 59.9 cm (17 15/16 x 23 9/16 in.)Delia E. Holden FundCCCC0
Cupid Blindfolded and Two Doves
Cupid Blindfolded and Two Doves, 1757 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1941.604pen and brown ink and brush and brown wash; framing lines in brown inkSheet: 18.9 x 25.4 cm (7 7/16 x 10 in.)Gift of Robert Hays GriesCCCC0
Monumental Vaulted Hall with Staircase
Monumental Vaulted Hall with Staircase, second quarter 18th century?
Giuseppe Galli Bibiena (Italian, 1696–1757)
1962.114pen and brown ink and brush and gray wash, with brush and brown wash and traces of yellow gouache; framing lines in brown inkSheet: 31.6 x 45 cm (12 7/16 x 17 11/16 in.); Image: 31 x 44.4 cm (12 3/16 x 17 1/2 in.)Delia E. Holden FundCCCC0
Design for a Candlestick
Design for a Candlestick, mid 1500s
Luzio Romano (Italian, active 1528–75)
1927.362pen and brown ink and brush and brown wash, over black chalkSheet: 32.5 x 14.6 cm (12 13/16 x 5 3/4 in.); Secondary Support: 38.8 x 20.9 cm (15 1/4 x 8 1/4 in.)Gift of The Print Club of ClevelandCCCC0
Jacopo Marcello Directing the Assault of Gallipoli
Jacopo Marcello Directing the Assault of Gallipoli, 1750–1760
Antonio Guardi (Italian, 1699–1760)
1953.135pen and brown ink and brush and brown wash, over black chalk; framing lines in brown inkSheet: 53.6 x 77 cm (21 1/8 x 30 5/16 in.); Image: 50.9 x 75 cm (20 1/16 x 29 1/2 in.)Dudley P. Allen FundCCCC0
Elevation for Wall Decoration
Elevation for Wall Decoration, c. 1550
Italy, 16th century
1927.363pen and brown ink (ruled in places) and brush and brown wash with graphite and graphite wash; framing lines in brown ink and graphiteSheet: 35.5 x 22.8 cm (14 x 9 in.); Image: 35.3 x 22.5 cm (13 7/8 x 8 7/8 in.)Gift of The Print Club of ClevelandCCCC0
Saint Deicolus and the Boar
Saint Deicolus and the Boar, 1747–48
Johann Wolfgang Baumgartner (German, 1712–1761)
1967.22pen and brown and gray ink and brush and gray wash heightened with white gouache; incised, verso coated with red chalkSheet: 52.2 x 73.5 cm (20 9/16 x 28 15/16 in.)Dudley P. Allen FundCCCC0
Boar Hunt
Boar Hunt, c. 1672
Abraham Hondius (Dutch, c. 1625–1695)
1960.157pen and black ink and brush and black and gray wash heightened with lead white (partially oxidized); framing lines in black and brown inkSheet: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.); Secondary Support: 41.9 x 52.5 cm (16 1/2 x 20 11/16 in.)Delia E. Holden FundCCCC0
Christ Triumphant Appearing to an Interceding Saint
Christ Triumphant Appearing to an Interceding Saint, 1600s
Italy, Bologna
1954.695pen and brown ink and brush and brown wash; framing lines in brown inkSheet: 38 x 25.8 cm (14 15/16 x 10 3/16 in.); Image: 37.2 x 25 cm (14 5/8 x 9 13/16 in.); Secondary Support: 38.6 x 26.6 cm (15 3/16 x 10 1/2 in.)The Norweb CollectionCCCC0
Sheep and Cows
Sheep and Cows, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1947.13pen and brown ink and brush and brown wash, over black chalk; framing lines in brown ink and graphiteSheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); Image: 29.5 x 41.5 cm (11 5/8 x 16 5/16 in.)Dudley P. Allen FundCCCC0
View Near Orleans
View Near Orleans, c. 1695–97
Isaac de Moucheron (Dutch, 1667–1744)
2019.17Pen and brown ink, grey, brown, pink-brown, and pale grey mixed with white washes, with traces of graphite underdrawing on laid paper; framing lines in pen and brown inkSheet: 22.8 x 29.4 cm (9 x 11 9/16 in.)John L. Severance FundCCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria...
Eighteen Views of Rome: The Quattro Fontane Looking Toward Santa Maria..., 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.274pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 48.7 cm (15 3/16 x 19 3/16 in.); Framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.)Dudley P. Allen FundCCCC0
Saint Peter Martyr
Saint Peter Martyr, 16th Century?
Giovanni Battista Paggi (Italian, 1554–1627)
1939.669pen and brown ink and brush and brown wash over black chalkSheet: 33.6 x 23.5 cm (13 1/4 x 9 1/4 in.); Secondary Support: 42.3 x 31.8 cm (16 5/8 x 12 1/2 in.)Gift of Robert Hays GriesCCCC0
Crickets in November
Crickets in November, 1917
Charles Burchfield (American, 1893–1967)
1981.207Pen and brown ink with black ink, colored crayons, and graphite, with watercolor on two sheets of butt-joined wove paper, lined21.9 x 27.6 cm (8 5/8 x 10 7/8 in.)Mr. and Mrs. Charles G. Prasse Collection©
The Relics
The Relics, c. 1835
Jean-Jacques Grandville (French, 1803–1847)
2018.1065pen and brown ink, brown ink wash, heightened with white and red-orange gouache with scoring on wove paperSheet: 11.8 x 9.4 cm (4 5/8 x 3 11/16 in.); Mounted: 20.6 x 16.5 cm (8 1/8 x 6 1/2 in.)Bequest of Muriel ButkinCCCC0
The Judgment of Paris
The Judgment of Paris, c. 1585
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Ceiling Study: Allegory of Peace and War
Ceiling Study: Allegory of Peace and War, c. 1800 ?
Giuseppe Bernardino Bison (Italian, 1762–1844)
1971.31pen and brown ink and brush and brown wash over black chalkSheet: 29.7 x 43 cm (11 11/16 x 16 15/16 in.); Secondary Support: 29.7 x 43 cm (11 11/16 x 16 15/16 in.); Tertiary Support: 37.8 x 50.9 cm (14 7/8 x 20 1/16 in.)Delia E. Holden FundCCCC0
Asnæs Skov, Bay at Kalundborg Fjord
Asnæs Skov, Bay at Kalundborg Fjord, 1839
Johan Thomas Lundbye (Danish, 1818–1848)
2022.87Pen and black ink and gray and brown ink washes with arched framing line in pen and black ink, bordered in pink watercolor on modern cream laid paperSheet: 18.9 x 30 cm (7 7/16 x 11 13/16 in.)Alma Kroeger FundCCCC0
Design for a Crozier
Design for a Crozier, mid 1500s
Luzio Romano (Italian, active 1528–75)
1924.588pen and brown ink and brush and brown wash; pricked (bottom half)Sheet: 38.8 x 23.2 cm (15 1/4 x 9 1/8 in.); Secondary Support: 43.4 x 26.5 cm (17 1/16 x 10 7/16 in.)Dudley P. Allen FundCCCC0
Copy of Tintoretto's Children of Israel Gathering Manna
Copy of Tintoretto's Children of Israel Gathering Manna, after 1594
Jacopo Tintoretto (Italian, 1518–1594)
1929.534pen and brown ink and brush and brown wash, with brush and red (chalk?) wash and blue gouache, heightened with white gouacheSheet: 31.6 x 44.2 cm (12 7/16 x 17 3/8 in.); Secondary Support: 33.5 x 47.1 cm (13 3/16 x 18 9/16 in.)Dudley P. Allen FundCCCC0
Ships
Ships, second half 1600s
Ludolf Backhuysen (Dutch, 1631–1708)
1954.703pen and brown ink and brush and gray washSheet: 19.2 x 29.2 cm (7 9/16 x 11 1/2 in.)The Norweb CollectionCCCC0
Apotheosis of the Virgin
Apotheosis of the Virgin, 1600s
Austria
1939.644pen and brown ink and gray washGift of Robert Hays GriesCCCC0
Cupid in the Clouds with Attendant Cherubs
Cupid in the Clouds with Attendant Cherubs, 1757 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.326pen and brown ink and brush and brown washSheet: 18.4 x 24.6 cm (7 1/4 x 9 11/16 in.)Gift of Mr. and Mrs. A. Dean PerryCCCC0
Landscape with Tower at Seashore
Landscape with Tower at Seashore, 1600–1614(?)
Filippo Napoletano (Italian, c. 1587-c. 1629)
1954.674pen and brown ink and brush and brown and gray wash over traces of graphite; framing lines in graphiteSheet: 19 x 30.2 cm (7 1/2 x 11 7/8 in.)The Norweb CollectionCCCC0
Sheet of Satirical Studies (Amorini Riding Phalli)
Sheet of Satirical Studies (Amorini Riding Phalli), c. 1650s
Salvator Rosa (Italian, 1615–1673)
2009.154Pen and brown ink, wash, and red chalk Sheet: 14 x 36.7 cm (5 1/2 x 14 7/16 in.)Gift of Joseph F. McCrindleCCCC0
Doctor
Doctor, late 1800s or early 1900s
Thomas Rowlandson (British, 1756–1827)
1958.5pen and brown ink with watercolor washSheet: 19.7 x 15.5 cm (7 3/4 x 6 1/8 in.)Bequest of Leonard C. Hanna, Jr.CCCC0
The Falconer
The Falconer
Eugène Fromentin (French, 1820–1876)
1973.7watercolor with pen and brown inkNorman O. Stone and Ella A. Stone Memorial FundCCCC0
View of Dordrecht from the River
View of Dordrecht from the River, 1775–1815
Jacob van Strij (Dutch, 1756–1815)
1961.79pen and black and brown ink and brush and black, gray, brown and blue wash, over black chalk; framing lines in brown inkSheet: 20.5 x 36.5 cm (8 1/16 x 14 3/8 in.); Secondary Support: 20.5 x 33.2 cm (8 1/16 x 13 1/16 in.)Delia E. Holden FundCCCC0
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso) , c. 1535
Romanino (Italian, 1484/87–1562)
1963.87pen and brown ink, with point of brush and brown wash over black chalk (traces of red chalk and purple wash unrelated to composition)Sheet: 16.3 x 24.8 cm (6 7/16 x 9 3/4 in.); Secondary Support: 23.6 x 31 cm (9 5/16 x 12 3/16 in.)Dudley P. Allen FundCCCC0
Detail of Martyrdom of Saint John the Evangelist, after Callot
Detail of Martyrdom of Saint John the Evangelist, after Callot, after 1634?
Stefano Della Bella (Italian, 1610–1664)
1958.430pen and brown ink with brush and brown wash over black chalk (upper portion of soldier's armor)Sheet: 12.8 x 18.6 cm (5 1/16 x 7 5/16 in.)James Parmelee FundCCCC0
Flagellation of Christ
Flagellation of Christ, c. 1750/55
Gaspare Diziani (Italian, 1689–1767)
1960.179pen and black ink, black chalk, and brush and gray wash, with brush and brown wash; squared in graphite, framing lines in black chalk and black inkSheet: 20 x 27.1 cm (7 7/8 x 10 11/16 in.); Image: 19.5 x 26.1 cm (7 11/16 x 10 1/4 in.)James Parmelee FundCCCC0
Madonna and Child in Glory above Three Saints
Madonna and Child in Glory above Three Saints, c. 1570
Giovanni Battista Paggi (Italian, 1554–1627)
1979.135pen and brown ink (iron gall) over black chalk(?)Sheet: 30.4 x 21 cm (11 15/16 x 8 1/4 in.); Secondary Support: 30.4 x 21 cm (11 15/16 x 8 1/4 in.)Gift of Janet S. and Wesley C. Williams for the 60th Anniversary of The Print Club of ClevelandCCCC0
Design for Two Vases and an Ornament (recto); Sketches of Five Arms and...
Design for Two Vases and an Ornament (recto); Sketches of Five Arms and..., mid 1500s
Luzio Romano (Italian, active 1528–75)
1925.1190pen and brown ink and brush and brown wash, with brush and gray wash (left vase), over black chalkSheet: 31.6 x 21.6 cm (12 7/16 x 8 1/2 in.)Dudley P. Allen FundCCCC0
Landscape
Landscape, c. 1860
Narcisse Diaz de la Peña (French, 1807–1876)
2008.389watercolor and gouache with pen and brown ink and graphiteSheet: 15 x 22.8 cm (5 7/8 x 9 in.)Bequest of Muriel ButkinCCCC0
Ceres
Ceres, 16th century
Lelio Orsi (Italian, 1511–1587)
1939.655pen and brown ink and brush and brown wash; incised, squared in black chalk, framing lines in graphite (left and bottom)Sheet: 25.6 x 18.7 cm (10 1/16 x 7 3/8 in.); Secondary Support: 29.3 x 22 cm (11 9/16 x 8 11/16 in.)Gift of Robert Hays GriesCCCC0
Seated Male Nude
Seated Male Nude, c. 1939
Oscar Miestchaninoff (French, 1886–1956)
1957.394pen and brown inkSheet: 41 x 28.7 cm (16 1/8 x 11 5/16 in.); Secondary Support: 53.9 x 40 cm (21 1/4 x 15 3/4 in.)Gift of Mrs. Beatrice Miestchaninoff©
Assumption of the Virgin
Assumption of the Virgin, 1600s
Italy, 17th century
1954.683pen and brown ink and brush and brown wash over red chalk, heightened with white gouache; incisedSheet: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.); Secondary Support: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Ponte Rotto
Eighteen Views of Rome: The Ponte Rotto, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.269pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 48.7 x 39 cm (19 3/16 x 15 3/8 in.)Dudley P. Allen FundCCCC0
Sketches of Heads and Figures
Sketches of Heads and Figures, 1600s
Italy, Naples, 17th century
1939.658pen and brown inkSheet: 26 x 17.7 cm (10 1/4 x 6 15/16 in.)Gift of Robert Hays GriesCCCC0
Sketch of a Man with Upraised Arm and Sketch of a Helmet (verso)
Sketch of a Man with Upraised Arm and Sketch of a Helmet (verso), 1878
Édouard Detaille (French, 1848–1912)
1978.133.bpen and brown inkSheet: 34.4 x 25.8 cm (13 9/16 x 10 3/16 in.)Gift of Mr. and Mrs. Noah L. ButkinCCCC0
The Moscow Tavern
The Moscow Tavern, c. 1773
Jean Baptiste Le Prince (French, 1734–1781)
2008.355Pen and brown ink and brush and brown and gray wash on white laid paperSheet: 19.5 x 24.2 cm (7 11/16 x 9 1/2 in.)Bequest of Muriel ButkinCCCC0
Floral Designs with Birds and Griffon
Floral Designs with Birds and Griffon, 1784
Giacomo Cavenezia (Italian)
1952.292pen and brown ink, brush and brown amd gray wash, watercolor and gouacheSheet: 31.9 x 22.7 cm (12 9/16 x 8 15/16 in.)Dudley P. Allen FundCCCC0
Rape of Europa
Rape of Europa, 1731
Charles Joseph Natoire (French, 1700–1777)
1968.364pen and black and brown ink, gray and brown wash, and black chalkGift of Dr. and Mrs. Sherman E. LeeCCCC0
Copy after Primaticcio's Juno Awakening Sleep
Copy after Primaticcio's Juno Awakening Sleep, after 1535
Francesco Primaticcio (Italian, 1504–1570)
1929.537pen and black ink (with point of brush?) and brush and red-brown wash (red chalk wash?), heightened with lead white (partially oxidized); framing lines in brown ink with traces of gold paintSheet: 22.3 x 33.5 cm (8 3/4 x 13 3/16 in.); Secondary Support: 33.5 x 45.7 cm (13 3/16 x 18 in.)Dudley P. Allen FundCCCC0
The Transfiguration (recto); Study of Hands (verso)
The Transfiguration (recto); Study of Hands (verso), c. 1590
Camillo Procaccini (Italian, 1546–1629)
1987.45pen and brown ink and graphite and brush and brown washSheet: 16.5 x 19.4 cm (6 1/2 x 7 5/8 in.); Secondary Support: 26.7 x 30.7 cm (10 1/2 x 12 1/16 in.)John L. Severance FundCCCC0
Pillaging Soldiers
Pillaging Soldiers, 1794
Dirk Langendijk (Dutch, 1748–1805)
1969.298pen and brown ink and brush and gray and black wash; framing lines in brown inkSheet: 23.8 x 33.3 cm (9 3/8 x 13 1/8 in.)Delia E. Holden FundCCCC0
Landscape with Shepherds
Landscape with Shepherds, c. 1700?
Domenico I Piola (Italian, 1627–1703)
1939.664pen and brown ink and brush and brown wash over traces of black chalk; framing lines in brown inkSheet: 35.7 x 47.8 cm (14 1/16 x 18 13/16 in.); Secondary Support: 35.7 x 47.8 cm (14 1/16 x 18 13/16 in.)Gift of Robert Hays GriesCCCC0
The Last Judgment
The Last Judgment, 1500s
Jean Cousin (French, c. 1490–c. 1560)
1939.649pen and brown ink; framing lines in black inkSheet: 10.8 x 16.4 cm (4 1/4 x 6 7/16 in.)Gift of Robert Hays GriesCCCC0
Illustration from Torquato Tasso's Gerusalemme Liberata
Illustration from Torquato Tasso's Gerusalemme Liberata, 1586–1590
Bernardo Castello (Italian, 1557–1629)
1954.692pen and brown ink and brush and brown wash with traces of graphite; framing lines in brown inkSheet: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.); Secondary Support: 21.3 x 20.5 cm (8 3/8 x 8 1/16 in.)The Norweb CollectionCCCC0
Landscape
Landscape, 18th century
Anonymous and 1 other
1962.21pen and brown ink and brush and gray and brown wash over graphite; framing lines in brown ink (left edge and bottom) and graphite (upper edge)Sheet: 24.1 x 18.2 cm (9 1/2 x 7 3/16 in.)Delia E. Holden FundCCCC0
Study Sheet
Study Sheet, c. 1870–80
Alfred Dehodencq (French, 1822–1882)
2018.1060pen and dark brown ink, watercolor with graphite on lightweight wove paperSheet: 18.5 x 22 cm (7 5/16 x 8 11/16 in.)Bequest of Muriel ButkinCCCC0
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo
Eighteen Views of Rome: The Quattro Fontane Looking Toward Monte Cavallo, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.273pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.7 x 48.7 cm (15 1/4 x 19 3/16 in.); Framed: 61.7 x 76.8 x 2.6 cm (24 5/16 x 30 1/4 x 1 in.)Dudley P. Allen FundCCCC0
Allegory
Allegory, 1818
Charles Abraham Chasselat (French, 1782–1843)
1982.366pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
Bacchanal
Bacchanal, 1600s
Pietro da Cortona (Italian, 1596–1669)
1954.688pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Church of the Gesù
Eighteen Views of Rome: The Church of the Gesù, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.271pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 48.7 cm (15 1/4 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Watering Horses
Watering Horses, c. 1800–10
Thomas Rowlandson (British, 1756–1827)
1929.539Pen and brown ink and watercolorSheet: 19.2 x 26.3 cm (7 9/16 x 10 3/8 in.)Dudley P. Allen FundCCCC0
Moche Suite #4
Moche Suite #4, before 1983 (?)
Moe Brooker (American, 1940–2022)
1992.256pen and brown, black and silver ink and colored crayon with colored pencilSheet: 21.6 x 14 cm (8 1/2 x 5 1/2 in.)Bequest of Lockwood Thompson©
Apollo Flaying Marsyas (recto) Two Sketches of a Mother and Child (verso)
Apollo Flaying Marsyas (recto) Two Sketches of a Mother and Child (verso) , 16th century
Anonymous
1966.169pen and brown ink and brown wash over black chalkSheet: 30.7 x 21.5 cm (12 1/16 x 8 7/16 in.)The Norweb CollectionCCCC0
River Landscape with View of St. Peter's Basilica
River Landscape with View of St. Peter's Basilica, after 1660
Giovanni Francesco Grimaldi (Italian, 1606–1680)
1978.21pen and brown ink over traces of black chalk; framing lines in graphiteSheet: 11.4 x 26.5 cm (4 1/2 x 10 7/16 in.)Delia E. Holden FundCCCC0
Navajo Gathering
Navajo Gathering, 1955
Mac Schweitzer (American, 1921–1962)
1956.95pen and black ink and brown washGift of The Print Club of Cleveland©
Three Scenes from the Passion of Christ (recto) Architectural Sketch ...
Three Scenes from the Passion of Christ (recto) Architectural Sketch ..., 1500s
Northern Italy, 16th century
1954.698pen and brown ink and brush and brown wash over traces of black chalk; framing line (left edge) in brown inkSheet: 26.9 x 14.4 cm (10 9/16 x 5 11/16 in.)The Norweb CollectionCCCC0
Hymn to Venus
Hymn to Venus, c. 1760–65
Louis Felix de la Rue (French, 1731–1765)
2019.253Pen and brown ink over red chalk (?) on antique laid paperSheet: 38.8 x 44.2 cm (15 1/4 x 17 3/8 in.)Bequest of Muriel ButkinCCCC0
Head of a Man
Head of a Man, 1500s
Annibale Carracci (Italian, c. 1560–1609)
1954.690pen and brown ink (iron gall?) and brush and brown wash; framing lines in graphiteSheet: 9.8 x 8 cm (3 7/8 x 3 1/8 in.)The Norweb CollectionCCCC0
Venus at the Forge of Vulcan
Venus at the Forge of Vulcan, 18th century
Louis Félix de La Rue (French, 1731–1777)
2017.212Pen and brown ink, and brown wash (bistre) with red chalk and traces of graphiteSheet: 19.6 x 32.2 cm (7 11/16 x 12 11/16 in.); Overall: 19.9 x 32.6 cm (7 13/16 x 12 13/16 in.)Bequest of Muriel ButkinCCCC0
Copy of Raphael's Massacre of the Innocents
Copy of Raphael's Massacre of the Innocents, after 1510
Raphael (Italian, 1483–1520)
1988.28pen and brown ink (iron gall) and brush and brown wash, heightened with traces of lead white(?) (oxidized); framing lines in brown inkSheet: 22.8 x 30.1 cm (9 x 11 7/8 in.); Secondary Support: 23.9 x 30.5 cm (9 7/16 x 12 in.)John L. Severance FundCCCC0
Scene in a Park
Scene in a Park, c. 1760
Jean-Honoré Fragonard (French, 1732–1806)
1925.1006pen and brown and gray ink, brush and brown and gray wash, and traces of yellow watercolor over black chalk; framing lines in black inkSheet: 19.2 x 25 cm (7 9/16 x 9 13/16 in.); Secondary Support: 19.2 x 25 cm (7 9/16 x 9 13/16 in.)Dudley P. Allen FundCCCC0
Maternal Solicitude
Maternal Solicitude, 1777
Jean Baptiste Le Prince (French, 1734–1781)
1953.609pen and black ink and brush and brown wash over graphite, with traces of white gouache; framing lines in black inkSheet: 13.3 x 18.3 cm (5 1/4 x 7 3/16 in.); Secondary Support: 20 x 25.2 cm (7 7/8 x 9 15/16 in.)Gift of William Mathewson Milliken, in memory of H. Oothout MillikenCCCC0
Model at the Club
Model at the Club, 1929
William S. Gisch (American, 1906–1989)
1929.431pen and ink and brown and black chalkGift of The Print Club of Cleveland©
Design for a Ceiling: Mars and Aries
Design for a Ceiling: Mars and Aries, 1700s
Italy, 18th century
1927.337pen and brown ink and brush and brown wash and watercolor, with gouache, over traces of graphite; framing lines in brown inkSheet: 24.9 x 24.7 cm (9 13/16 x 9 3/4 in.); Secondary Support: 45.1 x 33.9 cm (17 3/4 x 13 3/8 in.)Gift of The Print Club of ClevelandCCCC0
The Last Communion of St. Jerome
The Last Communion of St. Jerome, c. 1726
Giovanni Battista Tiepolo (Italian, 1696–1770)
1950.449pen and brown ink and brush and brown wash over traces of black chalk heightened with lead whiteSheet: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.); Secondary Support: 55.2 x 40.8 cm (21 3/4 x 16 1/16 in.)Gift of Edward B. GreeneCCCC0
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum)
Eighteen Views of Rome: The Campo Vaccino (The Roman Forum), 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.270pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.8 x 50.7 cm (15 1/4 x 19 15/16 in.)Dudley P. Allen FundCCCC0
François I Brandishing a Sword
François I Brandishing a Sword, c. 1815–30
Alexandre-Evariste Fragonard (French, 1781–1850)
2019.254Pen and brown ink and brush and brown wash with graphite underdrawing and white and yellow gouache heightening on wove paperSheet: 16.9 x 12.2 cm (6 5/8 x 4 13/16 in.)Bequest of Muriel ButkinCCCC0
Madonna and Child
Madonna and Child, c. 1600
Jacopo Chimenti (Italian, c. 1554–1640)
1929.10black and red chalk and pen and brown ink (iron gall)Sheet: 32.7 x 22.3 cm (12 7/8 x 8 3/4 in.); Secondary Support: 32.7 x 22.3 cm (12 7/8 x 8 3/4 in.)The Charles W. Harkness Endowment FundCCCC0
The Conversion of Saul with Horseman and Banner
The Conversion of Saul with Horseman and Banner, c. 1645–47
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Floral Designs with Two Birds
Floral Designs with Two Birds, 1774
Giacomo Cavenezia (Italian)
1952.289pen and brown ink, brush and brown wash, gouache and watercolor, over traces of black chalkSheet: 31.7 x 22.8 cm (12 1/2 x 9 in.)Dudley P. Allen FundCCCC0
Floral Design with Dog and Insects
Floral Design with Dog and Insects, 1774
Giacomo Cavenezia (Italian)
1952.290pen and brown ink, brush and brown and gray wash, watercolor, with gouacheSheet: 32.8 x 22.8 cm (12 15/16 x 9 in.)Dudley P. Allen FundCCCC0
Dune Scene with Peasant Figures
Dune Scene with Peasant Figures, mid 1650s
Willem van de Velde (Dutch, c. 1611–1693)
2019.15pen and brown ink over graphite on antique laid paper; lined with tissue paperSheet: 17.5 x 49.2 cm (6 7/8 x 19 3/8 in.)John L. Severance FundCCCC0
Madonna and Child with Angels
Madonna and Child with Angels, late 1500s
Aurelio Luini (Italian, 1530–1593)
1988.107pen and brown ink and brush and brown wash over black chalk (extended with brush and water in places); prickedSheet: 23.9 x 18.7 cm (9 7/16 x 7 3/8 in.)Edwin R. and Harriet Pelton Perkins Memorial FundCCCC0
Musical Scene
Musical Scene, 1625–55
Gerrit van Honthorst (Dutch, 1590–1656)
2019.6black ink wash over pen and brown ink and black chalk over graphite on gray-brown paper with white heightening, incisedSheet: 17.3 x 20.4 cm (6 13/16 x 8 1/16 in.)John L. Severance FundCCCC0
Eighteen Views of Rome: The Church of Sant'Ignazio
Eighteen Views of Rome: The Church of Sant'Ignazio, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.266pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.)Dudley P. Allen FundCCCC0
Hermit in a Wooded Landscape
Hermit in a Wooded Landscape, 1776
Ferdinand Kobell (German, 1740–1799)
1983.92pen and brown ink over traces of graphite; framing lines brown inkSheet: 19.1 x 22.3 cm (7 1/2 x 8 3/4 in.); Secondary Support: 26.8 x 29.8 cm (10 9/16 x 11 3/4 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: The Castel Sant'Angelo
Eighteen Views of Rome: The Castel Sant'Angelo, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.268pen and brown ink and brush and gray wash over graphite; squared in graphite; framing lines in brown inkSheet: 38.4 x 48.8 cm (15 1/8 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Eighteen Views of Rome: Santa Maria in Via Lata
Eighteen Views of Rome: Santa Maria in Via Lata, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.263pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 49 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
Floral Designs and Floral Bands
Floral Designs and Floral Bands, 1784
Giacomo Cavenezia (Italian)
1952.291pen and brown ink, brush and brown and black wash, watercolor and gouacheSheet: 31.7 x 22.8 cm (12 1/2 x 9 in.)Dudley P. Allen FundCCCC0
Vertical Decorative Floral Band
Vertical Decorative Floral Band, 1773
Giacomo Cavenezia (Italian)
1952.288pen and brown ink, brush and brown wash, gouache and watercolorSheet: 32 x 22.9 cm (12 5/8 x 9 in.)Dudley P. Allen FundCCCC0
Rape of the Sabines
Rape of the Sabines, 1700s
France, 18th century
1954.678pen and brown ink and brush and brown wash, with traces of black chalk?Sheet: 28.1 x 51.6 cm (11 1/16 x 20 5/16 in.)The Norweb CollectionCCCC0
Bust-Length Profile of an Old Woman (verso)
Bust-Length Profile of an Old Woman (verso), c. 1521
Dosso Dossi (Italian, c. 1490-aft 1541)
1980.195.bpen and brown ink with red chalkSheet: 9.7 x 6.8 cm (3 13/16 x 2 11/16 in.); Secondary Support: 17.5 x 14.9 cm (6 7/8 x 5 7/8 in.)Purchase from the J. H. Wade FundCCCC0
Rocky Landscape with a Cave Chapel
Rocky Landscape with a Cave Chapel, 19th century
Johann Martin von Rohoden (Flemish, 1778–1868)
1977.159pen and brown ink and brush and brown and purple wash; framing lines in brown ink (left side and top)Sheet: 32.5 x 26.3 cm (12 13/16 x 10 3/8 in.); Secondary Support: 32.8 x 26.3 cm (12 15/16 x 10 3/8 in.)Gift of Margery Irish and Thomas Irish in memory of V. Browne IrishCCCC0
Eighteen Views of Rome: The Trevi Fountain
Eighteen Views of Rome: The Trevi Fountain, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.272pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.6 x 48.8 cm (15 3/16 x 19 3/16 in.)Dudley P. Allen FundCCCC0
Apollo with Erato and Cupid
Apollo with Erato and Cupid, 1595
Johann Kellerthaler (German, c 1560/2–1611)
2012.98pen and black ink and brown wash heightened with white gouache Sheet: 19.1 x 15 cm (7 1/2 x 5 7/8 in.)Purchase from the J. H. Wade FundCCCC0
The Baptism of Christ
The Baptism of Christ, c. 1600–1630
Cesare Pollini (Italian, c. 1560-c. 1630)
1988.80pen and brown ink and brush and brown wash and red chalk; traces of framing lines in black chalkSheet: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.); Secondary Support: 11.5 x 19.6 cm (4 1/2 x 7 11/16 in.)John L. Severance FundCCCC0
Sheet of Studies
Sheet of Studies, 1871–76
Paul Cézanne (French, 1839–1906)
2008.385graphite and pen and brown inkSheet: 20.9 x 12.2 cm (8 1/4 x 4 13/16 in.)Bequest of Muriel ButkinCCCC0
Ships at Sea
Ships at Sea, 17th century
Ludolf Backhuysen (Dutch, 1631–1708)
1954.702pen and brown ink and brush and gray and brown wash, with brush and grey ink; framing lines in brown ink Sheet: 12.3 x 17.1 cm (4 13/16 x 6 3/4 in.)The Norweb CollectionCCCC0
Two Studies of a Flayed Man (recto) Study of a Flayed Torso (verso)
Two Studies of a Flayed Man (recto) Study of a Flayed Torso (verso), 1554
Bartolommeo da Arezzo (Italian, active about 1550–80)
1975.26pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure)Sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.)L. E. Holden FundCCCC0
Eighteen Views of Rome: The Church of Santa Maria in Vallicella
Eighteen Views of Rome: The Church of Santa Maria in Vallicella, 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.267pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.8 x 49.1 cm (15 1/4 x 19 5/16 in.)Dudley P. Allen FundCCCC0
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?)
Virgin and Child with St. Catherine of Alexandria and Saint Anne (?), c. 1545
Battista Franco (Italian, c. 1510–1561)
1965.16pen and brown ink and brush and brown wash with red chalk underdrawing, heightened with white gouache (partially tarnished); pricked (lower part of Virgin)Sheet: 26.1 x 26.2 cm (10 1/4 x 10 5/16 in.)Delia E. Holden FundCCCC0
The Bath
The Bath, c. 1900
Félix Bracquemond (French, 1833–1914)
1980.240brush and black and brown wash with pen and black ink, black chalk, and charcoal, heightened with white chalk, on brown wove paper laid on yellow-beige wove paperSheet: 59 x 44 cm (23 1/4 x 17 5/16 in.)Bequest of Noah L. ButkinCCCC0
The Game of Bowls
The Game of Bowls, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1937.571pen and brown ink and brush and brown wash, over traces of black chalk; framing lines in brown ink over graphiteSheet: 35.5 x 47.3 cm (14 x 18 5/8 in.); Image: 29.7 x 41.6 cm (11 11/16 x 16 3/8 in.)Purchase from the J. H. Wade FundCCCC0
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San...
Eighteen Views of Rome: The Piazza del Popolo (recto); Sketch for San..., 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.261pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.9 x 49.6 cm (15 5/16 x 19 1/2 in.)Dudley P. Allen FundCCCC0
The Verification of the True Cross
The Verification of the True Cross, c. 1590
Filippo Bellini (Italian, c. 1550–1603)
2011.197pen and brown ink, brown wash, over graphiteSheet: 28.6 x 19.7 cm (11 1/4 x 7 3/4 in.); Secondary Support: 29.7 x 21 cm (11 11/16 x 8 1/4 in.)Norman O. Stone and Ella A. Stone Memorial FundCCCC0
The Deposition (recto) and (verso)
The Deposition (recto) and (verso), second half 18th century
Christian Wink (German, 1738–1797)
1939.668pen and brown ink over black chalkSheet: 18.9 x 26.8 cm (7 7/16 x 10 9/16 in.)Gift of Robert Hays GriesCCCC0
Copy of a Roman Statue of a Seated Woman
Copy of a Roman Statue of a Seated Woman, c. 1450–94
Domenico Ghirlandaio (Italian, 1449–1494)
1939.653pen and brown ink (two different colors) with graphite; framing lines in pen and brown inkSheet: 23 x 12.8 cm (9 1/16 x 5 1/16 in.); Secondary Support: 23 x 12.8 cm (9 1/16 x 5 1/16 in.)Gift of Robert Hays GriesCCCC0
Five Equestrian Studies: Cavalrymen
Five Equestrian Studies: Cavalrymen, mid 19th century
Auguste Raffet (French, 1804–1860)
1956.601pen and brown ink and brush and brown wash over graphite, with red chalk washSheet: 23.5 x 30.5 cm (9 1/4 x 12 in.)Gift of Alida di Nardo in memory of her husband, Antonio di NardoCCCC0
The Poultry Woman
The Poultry Woman, second half 18th century
Hendrik Meijer (Dutch, 1737–1793)
1937.467pen and brown ink and brush and brown wash over black chalk; framing lines in black inkSheet: 15.8 x 13.1 cm (6 1/4 x 5 3/16 in.)Gift of Mrs. Benjamin P. BoleCCCC0
Christ in Glory with Two Saints
Christ in Glory with Two Saints, first third 17th century
Marcantonio Bassetti (Italian, 1586–1630)
1939.657pen and brown ink and brush and brown wash with graphiteSheet: 25.5 x 16.6 cm (10 1/16 x 6 9/16 in.); Secondary Support: 25.5 x 16.6 cm (10 1/16 x 6 9/16 in.)Gift of Robert Hays GriesCCCC0
Street Scene in London
Street Scene in London, 1879
Félix Hilaire Buhot (French, 1847–1898)
2008.384pen and black and brown ink, black crayon and graphite, heightened with white and yellow gouacheSheet: 19.5 x 24.4 cm (7 11/16 x 9 5/8 in.)Bequest of Muriel ButkinCCCC0
Angel Appearing to Zacharias
Angel Appearing to Zacharias, third quarter 1600s
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12reed pen and brown and black ink and brush and brown, gray and red wash, over black chalkSheet: 17.1 x 15.5 cm (6 3/4 x 6 1/8 in.)The Charles W. Harkness Endowment FundCCCC0
Bust of Diana with Putti and Hunting Attributes
Bust of Diana with Putti and Hunting Attributes, first half 18th century
Jacob de Wit (Dutch, 1695–1754)
1979.124pen and brown ink and brush and brown wash over black chalk, heightened with white; framing lines in black and brown ink over graphiteSheet: 29.2 x 15.3 cm (11 1/2 x 6 in.)Gift of Steve AlbertCCCC0
Ruth and Boaz (recto) The Fall of Simon Magus (verso)
Ruth and Boaz (recto) The Fall of Simon Magus (verso), 1600s
Italy, 17th century
1954.684pen and brown ink and brush and brown wash over black chalk, heightened with lead whiteSheet: 30.2 x 27.7 cm (11 7/8 x 10 7/8 in.)The Norweb CollectionCCCC0
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore
Eighteen Views of Rome: The Basilica of Santa Maria Maggiore, 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.259pen and brown ink and brush and gray wash over stylus and graphite; framing lines in brown inkSheet: 38.4 x 49.4 cm (15 1/8 x 19 7/16 in.)Dudley P. Allen FundCCCC0
Two Male Figures
Two Male Figures, c. 1829
George Richmond (British, 1809–1896)
2003.228pen and brown inkSheet: 14.9 x 16 cm (5 7/8 x 6 5/16 in.)James Parmelee FundCCCC0
Faggot Gatherer (recto) Study of a Head seen from Below (verso)
Faggot Gatherer (recto) Study of a Head seen from Below (verso), third quarter 1600s
Francisque Millet (French, 1642–1679)
1954.677pen and brown ink and brush and gray and brown washSheet: 11.6 x 14 cm (4 9/16 x 5 1/2 in.)The Norweb CollectionCCCC0
Sheet of Studies: Seated Man, Head of a Dog, Seated Woman
Sheet of Studies: Seated Man, Head of a Dog, Seated Woman, 1700s
Claude-Joseph Vernet (French, 1714–1789)
2003.265red chalk (seated man); black chalk (head of a dog); pen and brown ink over black chalk (seated woman)Sheet: 12.4 x 12.7 cm (4 7/8 x 5 in.)Bequest of Nicholas J. VelloneyCCCC0
Study for King Josiah Rending his Garments
Study for King Josiah Rending his Garments, c. 1730
James Thornhill (British, 1675–1734)
1992.50pen and brown ink over black chalkSheet: 19.5 x 28.5 cm (7 11/16 x 11 1/4 in.)John L. Severance FundCCCC0
The Fish Monger
The Fish Monger, second half 18th century
Hendrik Meijer (Dutch, 1737–1793)
1937.468pen and brown ink and brush and brown wash over black chalk; framing lines in black inkSheet: 15.7 x 13 cm (6 3/16 x 5 1/8 in.)Gift of Mrs. Benjamin P. BoleCCCC0
Floral Designs with a Blue Bird
Floral Designs with a Blue Bird, c. 1773/74
Giacomo Cavenezia (Italian)
1952.287pen and black and brown ink, brush and black and brown wash, watercolor and gouache, over traces of black chalkSheet: 32.3 x 22.8 cm (12 11/16 x 9 in.)Dudley P. Allen FundCCCC0
Charon and the Souls of the Dead
Charon and the Souls of the Dead, c. 1858
Jean-Baptiste Carpeaux (French, 1827–1875)
2019.251Pen and brown ink and graphite on antique laid paper (recto), black chalk on antique laid paper (verso)Sheet: 16.1 x 22.4 cm (6 5/16 x 8 13/16 in.)Bequest of Muriel ButkinCCCC0
Charles Keene as a Volunteer
Charles Keene as a Volunteer
Charles Samuel Keene (British, 1823–1891)
1924.627pen and brown inkSheet: 17.2 x 11 cm (6 3/4 x 4 5/16 in.)Dudley P. Allen FundCCCC0
The Virgin and Child
The Virgin and Child, c. 1510
Lorenzo di Credi (Italian, 1459–1537)
1963.472metalpoint, (losses on left sleeve of the Madonna restored in pen and brown ink?); framing lines in black and brown inkSheet: 14.5 x 9.4 cm (5 11/16 x 3 11/16 in.); Secondary Support: 14.5 x 9.4 cm (5 11/16 x 3 11/16 in.)John L. Severance FundCCCC0
The Fisherman (Le Pêcheur)
The Fisherman (Le Pêcheur), c. 1840–45
Théodore Rousseau (French, 1812–1867)
1980.18pen and brown ink and brush, gray and black wash (scratched away in places), with touches of pink watercolorSheet: 20.9 x 28 cm (8 1/4 x 11 in.); Secondary Support: 20.9 x 28 cm (8 1/4 x 11 in.); Tertiary Support: 29.6 x 37.9 cm (11 5/8 x 14 15/16 in.)John L. Severance FundCCCC0
The Neuve River at the End of the Dardenne Valley
The Neuve River at the End of the Dardenne Valley, 1800s
Edouard Jean Marie Hostein (French, 1804–1889)
1978.129pen and brush and black ink, brush and brown and gray wash, and white and gray-blue gouache, over graphiteSheet: 30.5 x 43.8 cm (12 x 17 1/4 in.)Gift of Muriel S. ButkinCCCC0
God the Father with Angels and Cherubs
God the Father with Angels and Cherubs, 1758 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.324pen and brown ink and brush and brown wash over black chalk; traces of framing lines in silver paint Sheet: 28.1 x 19.8 cm (11 1/16 x 7 13/16 in.); Secondary Support: 34.4 x 25.2 cm (13 9/16 x 9 15/16 in.)Gift of Mrs. A. Dean PerryCCCC0
Figures by a Rocky Pool
Figures by a Rocky Pool, 1660/1673
Salvator Rosa (Italian, 1615–1673)
1975.16pen and brown ink and brush and gray and brown wash; traces of framing lines in brown ink Sheet: 18.3 x 12.5 cm (7 3/16 x 4 15/16 in.)Dudley P. Allen FundCCCC0
Mountain Landscape with Figures
Mountain Landscape with Figures, first half 1600s
Anton Mirou (Flemish, before 1586–after 1661)
1954.707pen and brown ink and brush and gray wash with blue and green watercolor, over traces of black chalk, with white paintImage: 20.8 x 32.2 cm (8 3/16 x 12 11/16 in.)The Norweb CollectionCCCC0
Couple Courting by a Tree
Couple Courting by a Tree, 1871
Léon Bonnat (French, 1833–1922)
2009.134pen and brown inkSheet: 28.5 x 20.4 cm (11 1/4 x 8 1/16 in.)Bequest of Muriel ButkinCCCC0
Design for a Monstrance
Design for a Monstrance, 1600s
Anonymous
1971.33pen and brown ink (ruled in places) and brush and brown wash, with graphite, traces of brush and gray and pink wash, and stylus; framing lines in graphiteSheet: 76.6 x 43 cm (30 3/16 x 16 15/16 in.)Delia E. Holden FundCCCC0
Design for a Stage Set: Interior of a Palace with Arcades
Design for a Stage Set: Interior of a Palace with Arcades, mid 1700s
Giovanni Battista III Natali (Italian, 1698–1765)
1957.505pen and brown ink and brush and gray wash over graphite(?)Sheet: 15 x 10.5 cm (5 7/8 x 4 1/8 in.)The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson MillikenCCCC0
St. Jerome in His Study
St. Jerome in His Study, c. 1490
Filippino Lippi (Italian, 1457–1504)
1924.532pen and brown ink over traces of black chalk(?), with brush and brown wash, heightened with lead white; prickedSheet: 24 x 20.8 cm (9 7/16 x 8 3/16 in.); Secondary Support: 24.2 x 20.8 cm (9 1/2 x 8 3/16 in.)Gift of Leonard C. Hanna, Jr.CCCC0
The Man Wot Drives the Sovereign
The Man Wot Drives the Sovereign, c. 1815–80
Richard Dighton (British, 1795–1880)
1940.730pen and brown ink with brown washSheet: 35.5 x 23.8 cm (14 x 9 3/8 in.)Bequest of James ParmeleeCCCC0
Landscape with Sheep and Two Shepherds
Landscape with Sheep and Two Shepherds, first half 19th century?
Thomas Barker (British, 1769–1847)
1954.701pen and brown ink and brush and brown wash with graphite; squared in graphiteSheet: 24.1 x 30.9 cm (9 1/2 x 12 3/16 in.)The Norweb CollectionCCCC0
Shepherd with His Flock
Shepherd with His Flock, c. 1870
Anton Mauve (Dutch, 1838–1888)
2003.287pen and brown inkSheet: 10.2 x 16.5 cm (4 x 6 1/2 in.)Gift of Mr. and Mrs. Theodore Alfred in memory of Carey CroneisCCCC0
Hannibal Swearing Eternal Enmity toward Rome
Hannibal Swearing Eternal Enmity toward Rome, c. 1808
France, 19th century
2008.349pen and black and brown ink, brush and brown and gray wash, and white paint over graphiteSheet: 34.4 x 42.9 cm (13 9/16 x 16 7/8 in.)Bequest of Muriel ButkinCCCC0
Roman Subject
Roman Subject, 1700s
Philibert Benoît Delarue (French, 1718–1780)
1939.656pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
Interior Scene with Soldiers at a Table
Interior Scene with Soldiers at a Table, c. 1730–1740(?)
Charles Parrocel (French, 1688–1752)
2008.370pen and brown ink with gray wash on white laid paperSheet: 22.2 x 17.5 cm (8 3/4 x 6 7/8 in.)Bequest of Muriel ButkinCCCC0
Eighteen Views of Rome: The Quirinale
Eighteen Views of Rome: The Quirinale, 1664
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.260pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.7 x 48.9 cm (15 1/4 x 19 1/4 in.)Dudley P. Allen FundCCCC0
A View of Spa
A View of Spa, c. 1619
Jan Brueghel (Flemish, 1568–1625)
1979.26pen and brown ink and brush and brown and gray wash, with blue and green watercolor and red chalk wash; framing lines in pen and brown inkSheet: 20.5 x 14.8 cm (8 1/16 x 5 13/16 in.)Andrew R. and Martha Holden Jennings FundCCCC0
The Beadle
The Beadle, c. 1805–78
George Cruikshank (British, 1792–1878)
1946.445graphite, pen and brown ink, brown and red washSheet: 12.2 x 6.8 cm (4 13/16 x 2 11/16 in.)Gift of Gertrude Haskell Britton, Katherine Haskell Perkins, Mary Haskell Hunter and Melville Hanna Haskell in memory of Mrs. Coburn HaskellCCCC0
Opening Pages from Valerius Maximus's Facta et dicta memorabilia
Opening Pages from Valerius Maximus's Facta et dicta memorabilia, c. 1476
Flanders, 15th century
1952.274pen and brown ink, watercolor, and gouache; framing lines in brown ink (around image), with letterpress textSheet: 38.4 x 28.2 cm (15 1/8 x 11 1/8 in.)Purchase from the J. H. Wade FundCCCC0
God the Father with Symbol of the Trinity
God the Father with Symbol of the Trinity, 1758 or after
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1991.325pen and brown ink and brush and brown wash over traces of black chalk; traces of framing lines in silver paintSheet: 28.1 x 19.8 cm (11 1/16 x 7 13/16 in.); Secondary Support: 30.8 x 23.1 cm (12 1/8 x 9 1/8 in.)Gift of Mrs. A. Dean PerryCCCC0
Ascension of Saint Jerome
Ascension of Saint Jerome, 1600s
Karel Skréta (Czech, 1610–1674)
1954.691pen and brown ink, graphite and brush and brown wash; framing lines in black inkSheet: 27.9 x 16.7 cm (11 x 6 9/16 in.)The Norweb CollectionCCCC0
Classical Scene
Classical Scene, 1775–1800
Francisco Vieira (Portuguese, 1765–1805)
1982.372pen and brown and gray ink with gray wash over pencilGift of Henry H. HawleyCCCC0
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso)
Lot and His Daughters (recto) Sketch for Lot and His Daughters (verso), 1600s
Pietro da Cortona (Italian, 1596–1669)
1954.696pen and brown ink over black chalk(?), heightened with traces of white gouacheSheet: 21.8 x 19.6 cm (8 9/16 x 7 11/16 in.)The Norweb CollectionCCCC0
Two Standing Saints
Two Standing Saints, 1563–1572?
Giovanni Bandini (Italian, c. 1540–1599)
1983.91pen and brown ink with traces of black chalk (abraded in haloes); traces of framing lines in black ink and gold paintSheet: 40.8 x 26.8 cm (16 1/16 x 10 9/16 in.)Edwin R. and Harriet Pelton Perkins Memorial FundCCCC0
Figure Studies
Figure Studies, c. 1640–1649
Salvator Rosa (Italian, 1615–1673)
2009.153pen and brown ink and washSheet: 10.3 x 6.4 cm (4 1/16 x 2 1/2 in.)Gift of Joseph F. McCrindleCCCC0
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);...
Eighteen Views of Rome: The Collegio di Propaganda Fide (recto);..., 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.262pen and brown ink and brush and gray wash over graphite; framing lines in brown inkSheet: 38.9 x 48.9 cm (15 5/16 x 19 1/4 in.)Dudley P. Allen FundCCCC0
The Stag Hunt
The Stag Hunt, 1790s
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1981.36pen and brown ink and brush and brown wash, with black chalk; framing lines in brown ink and graphiteSheet: 35.7 x 47.1 cm (14 1/16 x 18 9/16 in.); Image: 29.7 x 41.4 cm (11 11/16 x 16 5/16 in.)Gift in memory of Paul Wick from his familyCCCC0
The Entombment
The Entombment, c. 1596
Giovanni de' Vecchi (Italian, 1536–1615)
2017.5Pen and brown ink, brush and purple-pink wash with admixtures of white, and brush and brown wash, with graphite underdrawing; squared for transfer with graphiteSheet: 20.2 x 14.7 cm (7 15/16 x 5 13/16 in.); Secondary Support: 25.7 x 21.3 cm (10 1/8 x 8 3/8 in.)Purchase from the J. H. Wade FundCCCC0
A Standing Woman Holding a Child, a Seated Male at her Feet
A Standing Woman Holding a Child, a Seated Male at her Feet, first half 18th century?
Alessandro Magnasco (Italian, 1667–1749)
1950.318pen and brown ink with brush and brown wash over red chalkSheet: 19.2 x 22.9 cm (7 9/16 x 9 in.)Gift of Alessandro Brass in memory of Mary Spedding MillikenCCCC0
Apotheosis of a Saint
Apotheosis of a Saint, c. 1700?
Antonio Domenico Gabbiani (Italian, 1652–1726)
1994.151pen and brown ink (iron gall) with graphite (architectural element)Sheet: 22.1 x 16.7 cm (8 11/16 x 6 9/16 in.); Secondary Support: 22.1 x 16.7 cm (8 11/16 x 6 9/16 in.)Gift of Henry H. Hawley in memory of Henry S. FrancisCCCC0
Holy Family
Holy Family, 17th century
Anonymous
1975.171pen and brown ink and brush and brown wash over traces of black chalk or charcoalSheet: 10.3 x 8 cm (4 1/16 x 3 1/8 in.)Gift of Dr. and Mrs. Sherman E. LeeCCCC0
A Faun Grasping a Bunch of Grapes
A Faun Grasping a Bunch of Grapes, after 1616–18
Peter Paul Rubens (Flemish, 1577–1640)
1943.341black chalk and brush and brown wash; framing lines in pen and black inkSheet: 37.8 x 26.2 cm (14 7/8 x 10 5/16 in.)Purchase from the J. H. Wade FundCCCC0
Sketches of Figures
Sketches of Figures, 1869
Alphonse Marie Adolphe de Neuville (French, 1835–1885)
1942.883graphite, pen and brown ink, and watercolorSheet: 27 x 38.7 cm (10 5/8 x 15 1/4 in.)Gift of Robert Hays GriesCCCC0
Design for a Standing Dish
Design for a Standing Dish, c. 1625–45
Adam van Vianen (Dutch, 1559–1627) and 1 other
1964.100black chalk (stumped in places), pen and brown ink, and brush and black inkSheet: 53.6 x 53.9 cm (21 1/8 x 21 1/4 in.); Secondary Support: 53.6 x 53.9 cm (21 1/8 x 21 1/4 in.)Norman O. Stone and Ella A. Stone Memorial FundCCCC0
Owl
Owl, 1957
Anna P. Baker (Canadian, 1928–1985)
1958.247pen and brown ink and gray washSheet: 60.2 x 45 cm (23 11/16 x 17 11/16 in.)Silver Jubilee Treasure Fund©
Landscape with Horsemen
Landscape with Horsemen, 1600s
Flanders, 17th century
1951.264pen and brown ink and brush and brown wash over traces of graphite; framing lines in black inkSheet: 15.2 x 20.2 cm (6 x 7 15/16 in.); Secondary Support: 25 x 32.5 cm (9 13/16 x 12 13/16 in.)Gift of Robert Hays GriesCCCC0
Siège des Maubeuge
Siège des Maubeuge, 1914
Auguste Louis Lepère (French, 1849–1918)
1974.172brush and pen and black ink with touches of brown ink and penDelia E. Holden FundCCCC0
Standing Woman and Child
Standing Woman and Child, 2nd half 1800s
Carl Bloch (Danish, 1834–1890)
2003.229pen and brown ink, brush and brown washSheet: 27.8 x 15.9 cm (10 15/16 x 6 1/4 in.); Mounted: 40.1 x 27.9 cm (15 13/16 x 11 in.)James Parmelee FundCCCC0
The Flight into Egypt
The Flight into Egypt, c. 1590
Gregorio Pagani (Italian, 1558–1605)
2015.67pen and brown ink and wash, heightened with white, over black chalk, on beige paperSheet: 39.9 x 25 cm (15 11/16 x 9 13/16 in.)John L. Severance FundCCCC0
Ponte San Rocco at Tivoli
Ponte San Rocco at Tivoli, first half 1600s
Willem van Niewlandt (Flemish, 1584–1635/6)
1954.560pen and brown ink and brush and blue and brown wash over traces of black chalk; framing lines in brown ink Sheet: 38.1 x 27.6 cm (15 x 10 7/8 in.)John L. Severance FundCCCC0
A Rocky Cove with Fishing Boats
A Rocky Cove with Fishing Boats, late 1650s
Allart van Everdingen (Dutch, 1621–1675)
1980.70pen and brown and black ink and brush and gray and black wash; framing lines in brown inkSheet: 13.4 x 17.2 cm (5 1/4 x 6 3/4 in.); Image: 11.2 x 15.4 cm (4 7/16 x 6 1/16 in.)Delia E. Holden FundCCCC0
The Flaying of Marsyas
The Flaying of Marsyas, c. 1570–1605
Jan van der Straet, called Johannes Stradanus (Netherlandish, active Italy, 1523–1605)
2018.26Pen and brown ink and brown and red washes, heightened with white paint (or gouache), on paper prepared with red washesSheet: 21.1 x 31.5 cm (8 5/16 x 12 3/8 in.)Severance and Greta Millikin Purchase FundCCCC0
Edge of Marsh at Couronne
Edge of Marsh at Couronne, 1863
Félix Ziem (French, 1821–1911)
1982.169pen and brown ink, black crayon and brush and gray wash; framing lines in black crayon; two figures in right margin in black crayon (top figure) and graphite (bottom figure)Sheet: 22.5 x 35.2 cm (8 7/8 x 13 7/8 in.); Image: 18.8 x 30.3 cm (7 3/8 x 11 15/16 in.)Gift of Rabbi and Mrs. Daniel J. Silver in honor of Dr. Sherman E. LeeCCCC0
The Apotheosis of Romulus: Design for a Ceiling
The Apotheosis of Romulus: Design for a Ceiling, c. 1675–76
Domenico Maria Canuti (Italian, 1625–1684)
2017.104Black chalk, pen and brown ink, brown wash, heightened with white, with perspectival indicationsSheet: 24 x 37.7 cm (9 7/16 x 14 13/16 in.)Severance and Greta Millikin Purchase FundCCCC0
Death on Horseback Chasing a Flying Knight
Death on Horseback Chasing a Flying Knight, 1631
Sebastian Vrancx (Flemish, 1573–1647)
1980.19pen and brown ink and brush and brown wash, over traces of graphite; framing lines in brown ink (bottom edge)Sheet: 20.1 x 26 cm (7 15/16 x 10 1/4 in.)Dudley P. Allen FundCCCC0
Frontispiece for an Album of Drawings: Peasants at a Fountain (recto)...
Frontispiece for an Album of Drawings: Peasants at a Fountain (recto)..., 1784
Dirk Langendijk (Dutch, 1748–1805)
1967.184pen and black ink and brush and brown and gray wash over graphite; framing lines in black inkSheet: 39.4 x 29.8 cm (15 1/2 x 11 3/4 in.)Gift of Rosenberg & Stiebel, Inc.CCCC0
View of Lake Nemi (recto) Small Group of Roman Ruins (verso)
View of Lake Nemi (recto) Small Group of Roman Ruins (verso), c. 1650
Italy, 17th century
1955.159pen and brown ink with brush and blue wash (discolored to green in places) (trace of red chalk unrelated to composition)Sheet: 16.7 x 26 cm (6 9/16 x 10 1/4 in.)John L. Severance FundCCCC0
Sketches of Various Figures (verso)
Sketches of Various Figures (verso), 1850–75
Honoré Daumier (French, 1808–1879)
1966.179.bpen and black ink, black chalk, black crayon and brush and black and brown washSheet: 6.5 x 29.8 cm (2 9/16 x 11 3/4 in.)Fiftieth anniversary gift of Mr. and Mrs. Eugene Victor ThawCCCC0
A Barnyard with Goats and a Goatherd
A Barnyard with Goats and a Goatherd, c. 1610–1615
Abraham Bloemaert (Dutch, 1564–1651)
1980.49pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
Mystic Marriage of St. Catherine
Mystic Marriage of St. Catherine
Nicolas Poussin (French, 1594–1665)
1954.686pen and brown ink and brush and gray and brown wash, over black chalkThe Norweb CollectionCCCC0
Late Summer Sun
Late Summer Sun, 1953
Charles Burchfield (American, 1893–1967)
1981.213brush and black ink and pen and brown ink and pencil and charcoalMr. and Mrs. Charles G. Prasse Collection©
Venus and Adonis
Venus and Adonis, 1713
France, 18th century
2008.377black chalk, pen and gray ink with brown washMatted: 29.8 x 24.9 cm (11 3/4 x 9 13/16 in.)Bequest of Muriel ButkinCCCC0
Portrait of a Man, said to be the Sculptor Clodion (1738–1814)
Portrait of a Man, said to be the Sculptor Clodion (1738–1814), late 1700s
Unknown
2018.51Black chalk with stumping and red and blue chalks; frame details in pen and brown ink and blue washesDiameter: 13.7 cm (5 3/8 in.); height: 13.9 cm (5 1/2 in.)Bequest of Muriel ButkinCCCC0
Profile of a Girl Holding a Candle
Profile of a Girl Holding a Candle, 1400s
Italy, 15th century
1939.652pen and brown ink, heightened with traces of white gouacheSheet: 15.2 x 10.8 cm (6 x 4 1/4 in.)Gift of Robert Hays GriesCCCC0
Design for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in...
Design for a Fresco of the Tomb of Vincenzo Martinelli (1737-1807) in..., c. 1810–1820
Pietro Fancelli (Italian, 1764–1850)
2013.10pen and brown ink and watercolor with graphite underdrawingSheet: 47.2 x 29.8 cm (18 9/16 x 11 3/4 in.)Norman O. Stone and Ella A. Stone Memorial FundCCCC0
Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto...
Design for a Fresco of an Artist's Tomb in the Certosa of Bologna (recto..., c. 1810–1820
Pietro Fancelli (Italian, 1764–1850)
2013.11pen and brown ink and watercolor with graphite under drawingSheet: 49.2 x 34.3 cm (19 3/8 x 13 1/2 in.)Norman O. Stone and Ella A. Stone Memorial FundCCCC0
Monsieur Ition Chirurgo del sre. Duca di Nivers
Monsieur Ition Chirurgo del sre. Duca di Nivers, 1749
Pier Leone Ghezzi (Italian, 1674–1755)
1995.52pen and brown ink over graphite; framing lines in brown inkSheet: 26.7 x 20.2 cm (10 1/2 x 7 15/16 in.); Secondary Support: 47.9 x 37.9 cm (18 7/8 x 14 15/16 in.)John L. Severance FundCCCC0
Genre Scene of Young Men Playing a Game
Genre Scene of Young Men Playing a Game
Frederico Zuccaro (Italian, 1540/1–1609)
2003.289pen and brown ink and brush and brown wash over graphiteSheet: 13.7 x 20.1 cm (5 3/8 x 7 15/16 in.)Gift of Mr. and Mrs. Theodore Alfred in memory of Carey CroneisCCCC0
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a...
Grotesque with a Satyr Feeding a Dragon (recto); Grotesque with a..., c. 1565/1588
Marco Marchetti (Italian, 1565–1588)
1997.139pen and brown ink and brush and brown wash, over traces of black chalkSheet: 27.4 x 19.8 cm (10 13/16 x 7 13/16 in.); Secondary Support: 31.4 x 23 cm (12 3/8 x 9 1/16 in.)Andrew R. and Martha Holden Jennings FundCCCC0
Chariot Drawn by Lions with Amorini (recto) Partial Architectural Study ...
Chariot Drawn by Lions with Amorini (recto) Partial Architectural Study ..., first half 1500s
Italy, 16th century
1954.693pen and brown ink and brush and brown wash over black chalk; framing lines in brown inkSheet: 9 x 42.4 cm (3 9/16 x 16 11/16 in.)The Norweb CollectionCCCC0
Italian Landscape
Italian Landscape, 1700s
England, 18th century
1954.708pen and brown ink, brown and gray wash, with graphiteSheet: 24.5 x 38.3 cm (9 5/8 x 15 1/16 in.)The Norweb CollectionCCCC0
Mythological Scene
Mythological Scene, 1600s?
Louis Cheron (French, 1660–1713)
1998.312pen and brown ink and brush and gray wash; framing lines in brown ink and gray washSheet: 11.1 x 7.6 cm (4 3/8 x 3 in.); Secondary Support: 17.2 x 13.6 cm (6 3/4 x 5 3/8 in.)Bequest of Gordon K. MottCCCC0
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a...
Eighteen Views of Rome: The Piazza Barberini (recto); Tracing of a..., 1665
Lievin Cruyl (Flemish, c. 1640-c. 1720)
1943.265pen and brown ink and brush and gray wash with graphite; framing lines in brown ink and graphite (along bottom edge); sketch unrelated to main composition in graphite (upper right)Sheet: 38.3 x 49.7 cm (15 1/16 x 19 9/16 in.)Dudley P. Allen FundCCCC0
Christ Administering the Host
Christ Administering the Host, 1700s
Anonymous
1963.246red chalk with pen and brown ink, brush and gray and red chalk wash, over stylusSheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.); Secondary Support: 39.9 x 27.7 cm (15 11/16 x 10 7/8 in.)Dudley P. Allen FundCCCC0
Landscape
Landscape, 1836
Théodore Rousseau (French, 1812–1867)
2009.126pen and brown ink, ink wash, graphite underdrawing and selective gum glazingSheet: 18.8 x 13.5 cm (7 3/8 x 5 5/16 in.)Bequest of Muriel ButkinCCCC0
Telemachus, Urged by Mentor, Leaving the Island of Calypso
Telemachus, Urged by Mentor, Leaving the Island of Calypso , 1800
Charles Meynier (French, 1768–1832)
2014.14Pen and black ink and brown wash with black chalk Sheet: 47.5 x 61.5 cm (18 11/16 x 24 3/16 in.); Mounted: 51 x 66 cm (20 1/16 x 26 in.)Severance and Greta Millikin Purchase FundCCCC0
Mercury and Argos
Mercury and Argos, c. 1836–48
Joseph Brett (British, 1816–1848)
1954.663pen and brown and blue ink with ink washesSheet: 16 x 31.2 cm (6 5/16 x 12 5/16 in.)The Norweb CollectionCCCC0
The Bishop and the Demon (recto); Three Demons Holding a Knight (verso)
The Bishop and the Demon (recto); Three Demons Holding a Knight (verso), 1900s
Italy, 20th century
1951.418pen and black ink and brush and brown wash (two different colors brown wash)Sheet: 29.4 x 21.5 cm (11 9/16 x 8 7/16 in.); Image: 29 x 21 cm (11 7/16 x 8 1/4 in.)Gift of Edward B. Greene in memory of Joseph Oriel EatonCCCC0
Perseus and Minerva before a Temple
Perseus and Minerva before a Temple, first third 18th century?
Jan Goeree (Dutch, 1670–1731)
1998.152pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0
View of Alkmaar with Boats
View of Alkmaar with Boats, 1600s
Netherlands, 17th century
1929.538point of brush and gray ink and brush and gray wash with traces of pen and black ink over traces of graphite; framing lines in brown inkSheet: 13.8 x 20.4 cm (5 7/16 x 8 1/16 in.)Dudley P. Allen FundCCCC0
Mercury
Mercury, 18th century
Anonymous
1998.314pen and brown ink and brush and gray wash over graphiteSheet: 22.2 x 13.8 cm (8 3/4 x 5 7/16 in.); Secondary Support: 27.2 x 18.1 cm (10 11/16 x 7 1/8 in.)Bequest of Gordon K. MottCCCC0
Oil Derricks
Oil Derricks, before 1958
Thomas Hart Benton (American, 1889–1975)
1958.417pen and black ink, black crayon, and brush and brown washSheet: 22.5 x 30.4 cm (8 7/8 x 11 15/16 in.)Gift of Mrs. Malcolm L. McBride©
Three Figures with a Dog
Three Figures with a Dog, probably 1800s
Jean-Michel the Younger Moreau (French, 1741–1814)
2017.216Pen and black ink with brown and gray washes and traces of white gouache (brim of standing man’s hat)Overall: 14 x 9.9 cm (5 1/2 x 3 7/8 in.); Sheet: 7.9 x 4.9 cm (3 1/8 x 1 15/16 in.)Bequest of Muriel ButkinCCCC0
Old Maids at a Sale of Curiosities
Old Maids at a Sale of Curiosities, c. 1776–1827
Thomas Rowlandson (British, 1756–1827)
1958.7pen and brown and gray ink and watercolor washSheet: 21.9 x 26.5 cm (8 5/8 x 10 7/16 in.)Bequest of Leonard C. Hanna, Jr.CCCC0
Rocky Inlet with Boats and Buildings (recto); Sketches of Castles (verso)
Rocky Inlet with Boats and Buildings (recto); Sketches of Castles (verso), 1600s
Netherlands, 17th century
1939.643pen and brown ink, point of brush and black and gray wash, and brush and gray wash over traces of graphite; framing lines in brown ink (iron gall)Sheet: 6.9 x 14.8 cm (2 11/16 x 5 13/16 in.)Gift of Robert Hays GriesCCCC0
View of St. Peters, Rome
View of St. Peters, Rome, c. 1817–20
Achille Etna Michallon (French, 1796–1822)
2011.128Pen and brown ink and brush and wash over graphiteSheet: 23.3 x 34.8 cm (9 3/16 x 13 11/16 in.)Bequest of Dr. Paul J. Vignos, Jr.CCCC0
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies ...
Pine Tree, Conway, New Hampshire (recto); Landscape and Tree Studies ..., c. 1851
David Johnson (American, 1827–1908)
1996.369graphite with pen and brown inkSheet: 36.2 x 25.4 cm (14 1/4 x 10 in.)Gift of The Honorable Joseph P. Carroll and Roberta Carroll, M.D.CCCC0
A Christening in Revolutionary France
A Christening in Revolutionary France, late 18th century
Jean-Baptiste Mallet (French, 1759–1835)
2017.213Pen and brown and gray inks and red chalk and watercolor, heightened with white; squaring for transferSheet: 33.3 x 44.6 cm (13 1/8 x 17 9/16 in.)Bequest of Muriel ButkinCCCC0
Virgin and Child with Saint John (recto) Unidentifiable (verso)
Virgin and Child with Saint John (recto) Unidentifiable (verso) , 1500s
Italy, 16th century
1954.710pen and black ink and brush and brown wash and blue, green, red and red-purple gouacheSheet: 17.6 x 15 cm (6 15/16 x 5 7/8 in.); Secondary Support: 18.2 x 15.6 cm (7 3/16 x 6 1/8 in.); Tertiary Support: 18.2 x 15.6 cm (7 3/16 x 6 1/8 in.); Quadratic Support: 24.8 x 20.9 cm (9 3/4 x 8 1/4 in.)The Norweb CollectionCCCC0
Barrel-Vaulted Arcade Rendered in Perspective
Barrel-Vaulted Arcade Rendered in Perspective, c. 1780–96
Francesco Battaglioli (Italian, 1725–1796)
1954.687pen and brown ink and brush and blue-gray wash, over graphite (ruled in places); framing lines in brown inkSheet: 36 x 24.7 cm (14 3/16 x 9 3/4 in.); Image: 34.8 x 24 cm (13 11/16 x 9 7/16 in.)The Norweb CollectionCCCC0
Pastoral Landscape with a Ruin
Pastoral Landscape with a Ruin, 1799
Jacob Cats (Dutch, 1741–1799)
1989.228watercolor, point of brush and watercolor, and pen and brown ink over black chalk; framing lines in brown ink and brown washSheet: 25.8 x 18 cm (10 3/16 x 7 1/16 in.); Secondary Support: 25.8 x 18 cm (10 3/16 x 7 1/16 in.)Bequest of Mrs. Severance A. MillikinCCCC0
Pastoral Landscape with Village
Pastoral Landscape with Village, 1799
Jacob Cats (Dutch, 1741–1799)
1989.227watercolor, point of brush and watercolor, and pen and brown ink over black chalk; framing lines in brown inkSheet: 18.1 x 25.7 cm (7 1/8 x 10 1/8 in.); Secondary Support: 18.1 x 25.7 cm (7 1/8 x 10 1/8 in.)Bequest of Mrs. Severance A. MillikinCCCC0
Portrait of a Boy in a Green Cardigan
Portrait of a Boy in a Green Cardigan, c. 1925–1930
William Sommer (American, 1867–1949)
2004.49watercolor, gouache, and pen and brown ink with graphiteSheet: 45.4 x 32 cm (17 7/8 x 12 5/8 in.)Gift of Joseph M. Erdelac©
Seated Figure
Seated Figure, 1600s
Italy, 17th century
1939.667pen and brown ink (iron gall?) over black chalk; squared in black chalkSheet: 19.9 x 16 cm (7 13/16 x 6 5/16 in.); Secondary Support: 19.9 x 16 cm (7 13/16 x 6 5/16 in.)Gift of Robert Hays GriesCCCC0
The Agony in the Garden
The Agony in the Garden , c. 1591
Santi di Tito (Italian, 1536–1602)
2015.14Pen and brown ink, brown wash, heightened with white gouache with traces of black chalk on hillside above stairs, squared in black chalk, on blue paper; within brown ink framing lines. Lined with cream wove paperSheet: 20.2 x 15.1 cm (7 15/16 x 5 15/16 in.)John L. Severance FundCCCC0
Illustration and Border Design for Kupfer-Bibel (Copper Bible)
Illustration and Border Design for Kupfer-Bibel (Copper Bible) , c. 1730
Johan Melchior Füssli (Swiss, 1677–1736) and 2 others
2015.439Pen and brown ink and gray wash (illustration); pen and black ink and gray wash (border design)Sheet: 29.5 x 20.2 cm (11 5/8 x 7 15/16 in.)Bequest of Muriel ButkinCCCC0
Execution of the Duke d'Enghien, 21 March 1804
Execution of the Duke d'Enghien, 21 March 1804, c. 1870
Anonymous
2013.242brown ink wash, pen and brown ink, with white and blue-gray gouache highlights on medium-weight wove paperSheet: 26.8 x 36.4 cm (10 9/16 x 14 5/16 in.)Gift in memory of Helen BorowitzCCCC0
Ruins of Chateau d'Arque
Ruins of Chateau d'Arque, 1819
Isidore Justin Taylor (French, 1789–1879)
2013.243pen and brown ink, brush and brown wash over black chalk on laid paperSheet: 21.5 x 18.3 cm (8 7/16 x 7 3/16 in.)Gift in memory of Helen BorowitzCCCC0
"Nincompoopiana," Illustration for Punch
"Nincompoopiana," Illustration for Punch, c. 1879
George Louis Palmella Busson Du Maurier (British, 1834–1896)
2013.254pen and brown ink with touches of graphite on wove paperSheet: 25.2 x 35.5 cm (9 15/16 x 14 in.)Gift in memory of Helen BorowitzCCCC0
Street Scene (recto); Sketches (verso)
Street Scene (recto); Sketches (verso), c. 1848–49
Gustave Doré (French, 1832–1883)
2015.448pen and brown ink and gray wash with white (recto); graphite (verso)Sheet: 25.2 x 40.4 cm (9 15/16 x 15 7/8 in.)Bequest of Muriel ButkinCCCC0
Lady Elliott, Commonly Called Dolly The Tall
Lady Elliott, Commonly Called Dolly The Tall, 1775–1827
Thomas Rowlandson (British, 1756–1827)
1997.84graphite, pen and brown ink, and watercolor, heightened with traces of white gouacheImage: 16.2 x 10.9 cm (6 3/8 x 4 5/16 in.); Secondary Support: 25.4 x 20 cm (10 x 7 7/8 in.)Bequest of Mrs. A. Dean PerryCCCC0
Sketch of Two Men and Other Various Figures (verso)
Sketch of Two Men and Other Various Figures (verso), 1600s
Italy, Bologna
1939.666.bred chalk (traces of pen and brown ink unrelated to composition)Sheet: 21.3 x 29.2 cm (8 3/8 x 11 1/2 in.)Gift of Robert Hays GriesCCCC0
View of the Castle Gnandstein
View of the Castle Gnandstein, c. 1795
Adrian Zingg (Swiss, 1734–1816)
2015.76Gray wash and black ink (applied with pen and point-of-brush) with brown ink and traces of graphite underdrawingSheet: 38.5 x 52.3 cm (15 3/16 x 20 9/16 in.); Mounted: 47.2 x 63.2 cm (18 9/16 x 24 7/8 in.)Alma Kroeger FundCCCC0
The Visitation
The Visitation, before 1953
Mario Toppi (Italian, 1899–1976)
1953.648watercolor, brush and brown and gray wash, and pen and black ink, with gouache and gold paint, over graphite underdrawingSheet: 41.2 x 50.4 cm (16 1/4 x 19 13/16 in.)The Mary Spedding Milliken Memorial Collection, Gift of William Mathewson Milliken©
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall...
Un Hebreo, from Christ Shown to the People (recto); Design for a Wall..., after 1556 (recto), c. 1580s-90s (verso)
Frederico Zuccaro (Italian, 1540/1–1609) and 1 other
2015.13Brown wash with outlining in pen and brown ink and red chalk, with traces of black chalk (recto); Pen and brown ink with brown wash over red chalk and traces of pencil, the three pasted-in compositional sketches in black chalk laid down on an album sheetSheet: 33.4 x 43.5 cm (13 1/8 x 17 1/8 in.); Page: 34.1 x 46 cm (13 7/16 x 18 1/8 in.); Sheet 4: 7.9 x 3.9 cm (3 1/8 x 1 9/16 in.); Sheet 3: 13.7 x 7.3 cm (5 3/8 x 2 7/8 in.); Sheet 1: 7.9 x 3.7 cm (3 1/8 x 1 7/16 in.)John L. Severance FundCCCC0