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Medium: Pen and brown ink and brush and brown wash over red chalk (14)
Medium: Pen and brown ink and brush and brown wash over red chalk (14)
Venus and Cupid in a Chariot
Guercino (Italian, 1591–1666)
1925.1188CCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66CCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737CCCC0
Peasant's Cottage (recto)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737.aCCCC0
Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737.bCCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5CCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195CCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90CCCC0
Angel Appearing to Zacharias
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Romulus and Remus Found by Faustulus (recto)
Romanino (Italian, 1484/87–1562)
1963.87.aCCCC0
Assumption of the Virgin
Italy, 17th century
1954.683CCCC0
Five Equestrian Studies: Cavalrymen
Auguste Raffet (French, 1804–1860)
1956.601CCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
Venus and Cupid in a Chariot
Guercino (Italian, 1591–1666)
1925.1188Pen and brown ink and brush and brown wash over red chalkSheet: 25.5 x 39.4 cm (10 1/16 x 15 1/2 in.)Dudley P. Allen FundCCCC0
Madonna Nursing the Christ Child
Bartolomé Esteban Murillo (Spanish, 1617–1682)
1968.66pen and brown ink and brush and brown wash over red and black chalk, with traces of white; framing lines in pen and brown inkSheet: 21.4 x 15.4 cm (8 7/16 x 6 1/16 in.); Secondary Support: 24.1 x 18.5 cm (9 1/2 x 7 5/16 in.)Mr. and Mrs. Charles G. Prasse CollectionCCCC0
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert (Dutch, 1564–1651)
1940.737pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalkSheet: 17.2 x 27.2 cm (6 3/4 x 10 11/16 in.)Bequest of James ParmeleeCCCC0
The Disrobing of Christ
Giovanni Domenico Tiepolo (Italian, 1727–1804)
1999.5pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown inkSheet: 47.9 x 38.2 cm (18 7/8 x 15 1/16 in.); Image: 46.1 x 36.2 cm (18 1/8 x 14 1/4 in.)Purchase from the J. H. Wade FundCCCC0
Standing Officer Holding a Boar's Spear
Hendrick Goltzius (Dutch, 1558–1617)
1994.195Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transferSheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)Leonard C. Hanna, Jr. FundCCCC0
Copy after Giulio Romano's Fall of Icarus
Giulio Romano (Italian, 1492/99–1546)
1992.90pen and brown ink and brush and brown wash over red chalk, heightened with lead whiteSheet: 39.8 x 29.3 cm (15 11/16 x 11 9/16 in.); Secondary Support: 41.9 x 31.6 cm (16 1/2 x 12 7/16 in.)Seventy-fifth anniversary gift of Robert A. Frary in memory of I. T. FraryCCCC0
Angel Appearing to Zacharias
Samuel van Hoogstraten (Dutch, 1627–1678)
1929.12reed pen and brown and black ink and brush and brown, gray and red wash, over black chalkSheet: 17.1 x 15.5 cm (6 3/4 x 6 1/8 in.)The Charles W. Harkness Endowment FundCCCC0
Christ Administering the Host
Anonymous
1963.246red chalk with pen and brown ink, brush and gray and red chalk wash, over stylusSheet: 39.7 x 27.4 cm (15 5/8 x 10 13/16 in.); Secondary Support: 39.9 x 27.7 cm (15 11/16 x 10 7/8 in.)Dudley P. Allen FundCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Romulus and Remus Found by Faustulus (recto) Concentric Circles (verso)
Romanino (Italian, 1484/87–1562)
1963.87pen and brown ink, with point of brush and brown wash over black chalk (traces of red chalk and purple wash unrelated to composition)Sheet: 16.3 x 24.8 cm (6 7/16 x 9 3/4 in.); Secondary Support: 23.6 x 31 cm (9 5/16 x 12 3/16 in.)Dudley P. Allen FundCCCC0
Assumption of the Virgin
Italy, 17th century
1954.683pen and brown ink and brush and brown wash over red chalk, heightened with white gouache; incisedSheet: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.); Secondary Support: 36.7 x 28.4 cm (14 7/16 x 11 3/16 in.)The Norweb CollectionCCCC0
Five Equestrian Studies: Cavalrymen
Auguste Raffet (French, 1804–1860)
1956.601pen and brown ink and brush and brown wash over graphite, with red chalk washSheet: 23.5 x 30.5 cm (9 1/4 x 12 in.)Gift of Alida di Nardo in memory of her husband, Antonio di NardoCCCC0
A Standing Woman Holding a Child, a Seated Male at her Feet
Alessandro Magnasco (Italian, 1667–1749)
1950.318pen and brown ink with brush and brown wash over red chalkSheet: 19.2 x 22.9 cm (7 9/16 x 9 in.)Gift of Alessandro Brass in memory of Mary Spedding MillikenCCCC0
Perseus and Minerva before a Temple
Jan Goeree (Dutch, 1670–1731)
1998.152pen and brown ink, brush and brown and gray wash, over traces of red chalk, heightened with white gouache; framing lines in brown inkSheet: 21.4 x 15.8 cm (8 7/16 x 6 1/4 in.); Secondary Support: 25.5 x 19.7 cm (10 1/16 x 7 3/4 in.)John L. Severance FundCCCC0