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Medium: Pen and brush and black ink heightened with white gouache (14)
Medium: Pen and brush and black ink heightened with white gouache (14)
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101CCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26CCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366CCCC0
View of  the Château of Pierrefonds
François-Louis Français (French, 1814–1897)
2008.380CCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216CCCC0
Allegorical Figure (verso)
Niccolo dell' Abbate (Italian, c. 1512–1571)
1974.227.bCCCC0
Cartouche with Putti
Franz Xaver Habermann (German)
1967.24CCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366CCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688CCCC0
Design for Glass Painting: Man and Woman in Architectural Setting
attributed to Tobias Stimmer (Swiss, 1539–1584)
1923.74CCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49CCCC0
The Mine
Auguste Louis Lepère (French, 1849–1918)
1974.110CCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718–1780)
1939.656CCCC0
Fantastic Harbor Scene with Architecture and Figures
Isaac de Moucheron (Dutch, 1667–1744)
1989.246CCCC0
Title, DateArtist / CultureAccession numberMediumDimensionsCredit lineRights
The Meeting of Orestes and Hermione
Anne-Louis Girodet de Roucy-Trioson (French, 1767–1824)
1989.101Pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paperSheet: 28.5 x 21.8 cm (11 1/4 x 8 9/16 in.)Leonard C. Hanna, Jr. FundCCCC0
Aeneas Saving Anchises at the Fall of Troy
Federico Barocci (Italian, 1528–1612)
1960.26Pen and brown ink, brush and brown wash and yellow gouache heightened with traces of white, over black chalk, with stylus (banister); framing lines in pen and brown inkSheet: 27.7 x 42.6 cm (10 7/8 x 16 3/4 in.)L. E. Holden FundCCCC0
The Conversion of Saul with Horseman and Banner
Jacob Jordaens (Flemish, 1593–1678)
1954.366Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)Delia E. Holden and L. E. Holden FundsCCCC0
View of  the Château of Pierrefonds
François-Louis Français (French, 1814–1897)
2008.380Pen and black ink, brush and black and gray wash, and graphite, heightened with white gouacheSheet: 42.2 x 56.2 cm (16 5/8 x 22 1/8 in.); Matted: 54.6 x 67.3 cm (21 1/2 x 26 1/2 in.)Bequest of Muriel ButkinCCCC0
The Judgment of Paris
Carletto Caliari (Italian, 1570–1596)
1946.216Pen and brown ink and brush and brown wash, with brush and gray wash, over black chalk, heightened with white gouache; framing lines in green ink and red chalk (bottom)Sheet: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.); Secondary Support: 39.2 x 51.1 cm (15 7/16 x 20 1/8 in.)Dudley P. Allen FundCCCC0
Allegorical Figure (verso)
Niccolo dell' Abbate (Italian, c. 1512–1571)
1974.227.bPen and black ink and brush and gray wash, heightened with white gouacheSheet: 28.8 x 19 cm (11 5/16 x 7 1/2 in.); Secondary Support: 43.3 x 28.8 cm (17 1/16 x 11 5/16 in.)Gift of The Print Club of ClevelandCCCC0
Cartouche with Putti
Franz Xaver Habermann (German)
1967.24Pen and black ink and brush and gray, black, green, yellow, and red wash, heightened with white gouacheSheet: 38.7 x 25.8 cm (15 1/4 x 10 3/16 in.); Secondary Support: 46.6 x 35.5 cm (18 3/8 x 14 in.)Delia E. Holden and L. E. Holden FundsCCCC0
Allegory
Charles Abraham Chasselat (French, 1782–1843)
1982.366Pen and black ink and brush and brown wash, heightened with white gouache; framing lines in black inkSheet: 15.3 x 9.7 cm (6 x 3 13/16 in.); Image: 14.3 x 9.1 cm (5 5/8 x 3 9/16 in.)Gift of Henry H. HawleyCCCC0
Bacchanal
circle of Pietro da Cortona (Italian, 1596–1669)
1954.688Pen and brown ink and brush and brown wash over black chalk, heightened with white gouache; incised, framing lines in brown ink over traces of black chalkSheet: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.); Image: 25.4 x 42.7 cm (10 x 16 13/16 in.); Secondary Support: 26.3 x 43.5 cm (10 3/8 x 17 1/8 in.)The Norweb CollectionCCCC0
Design for Glass Painting: Man and Woman in Architectural Setting
attributed to Tobias Stimmer (Swiss, 1539–1584)
1923.74Pen and black ink and brush and gray wash, heightened with white gouacheSheet: 32.1 x 21 cm (12 5/8 x 8 1/4 in.)Dudley P. Allen FundCCCC0
A Barnyard with Goats and a Goatherd
Abraham Bloemaert (Dutch, 1564–1651)
1980.49Pen and brown ink, brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 9.2 x 15.3 cm (3 5/8 x 6 in.)Dudley P. Allen FundCCCC0
The Mine
Auguste Louis Lepère (French, 1849–1918)
1974.110Pen and brush and black ink heightened with white gouacheSheet: 18.6 x 15.4 cm (7 5/16 x 6 1/16 in.); Secondary Support: 39.4 x 30.9 cm (15 1/2 x 12 3/16 in.); Tertiary Support: 65 x 50 cm (25 9/16 x 19 11/16 in.)Delia E. Holden FundCCCC0
Roman Subject
attributed to Philibert Benoît Delarue (French, 1718–1780)
1939.656Pen and black ink and brush and brown wash over black chalk, heightened with white gouache; framing lines in brown inkSheet: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.); Secondary Support: 24.2 x 36.3 cm (9 1/2 x 14 5/16 in.)Gift of Robert Hays GriesCCCC0
Fantastic Harbor Scene with Architecture and Figures
Isaac de Moucheron (Dutch, 1667–1744)
1989.246Pen and black ink and brush and gray wash with traces of blue gouache, heightened with white gouacheSheet: 18.4 x 27.2 cm (7 1/4 x 10 11/16 in.)Bequest of Mrs. Severance A. MillikinCCCC0